Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Monday, 25 November 2019

Reading, Writing, Learning and Improving...


Only a month to Christmas Day and I've just started thinking about all that I need to do.

Usually that's because November is busy with family birthdays so I don't think about the festive season until they're over.

I'm determined to get the Christmas cards into the post sooner rather than the last few posting days- which usually happens.

Since I received my readers report back from the RNA's New Writers' Scheme I've read it again and analysed what I need to concentrate on this time- I've identified my weak spots...

There are other aspects in the historical that need further thought, so while I resolve those, I'm going ahead with my original plan to do my contemporary romance idea for the 2020 NWS.

So, I've been learning more about character arcs which has helped me understand the issues with my historical romance protagonists- and for my contemporary where I'd gone astray in the first draft.

I've got a better understanding of beats in the three act structure, but need to work on the middle 50% of the story.

Our Uninvited Guests: The Secret Life of Britain's Country Houses 1939-45 by [Summers, Julie]
Image from
Amazon.co.uk
As I've been able to set the new story up on Scrivener from the start (rather than half way through) it's given me time to identify changes I hadn't considered before, but need.

The good news is the first 25% of this one is doing what it should do, so I've begun the rewrite on those chapters, while I continue the outstanding research items.

My current reading is Our Uninvited Guests by Julie Summers.

It was pure chance that a Google search led to a mention of it in an article; then I searched for it on Amazon to find the kindle e-book on offer for 99 pence- a definite sign I should buy it! (It's now £3.99.)

An interesting read too.

It does have relevance; indirectly...


Have you ever gone looking for a book and found it's on offer just when you need it for research?












Monday, 7 October 2019

Pressing the Pause Button...



I've been taking a break from writing to catch-up on reading for enjoyment and learning, but most of all not putting pressure on myself...

Trying to get my head around character arcs was giving me a headache until we discussed the topic on #writingchat on Twitter last Wednesday.

On the recommendation of several writers, I bought Save the Cat Writes a Novel by Jessica Brody.

I'm working my way through it and it's helping put some sense of proportion on the novel's current state.

Though I've been a little down the last few days, I've assorted writing events coming up this week and next. It's good to go out and meet other writers.

I'm especially looking forward to attending a book launch in Leicester in a fortnight, for Rosemary J Kind's latest novel, Unequal by Birth. Having known her online for many years we've never met- she lives in North Yorkshire, so it will be wonderful to say hello in person and support her launch.

Do you remember me mentioning the #SelfPubCon2019 sessions put together by ALLi
Vine Leaves Press
Notebook...
(Alliance of Independent Authors) last month?

Well, the Vine Leaves Press session about Video Marketing to Sell Your Books, ran a giveaway for their notebooks.

A few weeks ago was delighted to receive an email telling me I was one of the winners and asking which of the three notebook designs I wanted to receive and my address for delivery.

This is the one I chose (on the right) in the paperback form - they have a hardback version of each design too...

I received it at the weekend. Lovely isn't it?

Now I just need to decide what to write in it...





Notebook image via Amazon




Wednesday, 6 March 2019

The Joy of Progress...

March already and I'm finally making progress on the new scenes in the second draft of the novel.

Back in January I was a bit concerned that my heroine wasn't as three-dimensional as my hero, but as I've added the missing scenes and shifted the position of others she's finally started to fill out the gaps.

I'm definitely going to have to make her a few years older than I originally imagined her, so I'm going to look at my backstory and timelines.

As to Scrivener I'm definitely feeling more confident about writing with it and using a different font has helped- I'm more aware of the words filling the page too, but that's helping not hindering.

Today I finished chapter 11, all new scenes and conflicts both internal/external. I also realised how two-faced the antagonist is...

Last month I was not feeling as confident about how the draft was going and I was doubting my ability all round- impostor syndrome!?

There's still a lot of work to do, but I'm not going to give up.

There's still about ten days of my Scrivener trial left and I will probably go ahead and purchase it...

This year...


image:pixabay.com






Thursday, 18 October 2018

Consistency with Characters...

You probably know that issue of discovering you've given one or more of your characters two different eye or hair colours in your manuscript, well I'm trying to avoid that as I rewrite.

File cards were the solution. Most places sell the smaller standard size cards in a pack of 50 or 100. The lines on them are quite narrow and honestly my hand writing isn't that small so I wouldn't get much on them!

I knew there was a larger size available, and didn't want to resort to buying online when all I wanted was one pack; I checked every shop I knew had file cards.

 Then I found them, in Rymans. The 5 x 8 inch size.

File cards...
Even with my large writing I can get good amount of words on both sides of one card.

As they only had the white file card in the largest size I needed, I had to find another way to highlight what was physical description; characteristics and negative aspects of each character.

In the end I went with little coloured circles- coloured pens are useful and not just for editing on the printed page.

The other advantage was noticing the gaps in those three areas. My hero is doing fine, but my heroine needs some work. Her characteristics are acceptable at the moment, but physical description is a bit vague...

I do write character profiles before I start writing, but then as the characters develop and particular traits emerge I've not added them to the profiles, so the cards will fill in the gaps as I work through the second draft.

Now I have to decide are his eyes hazel green or green? And whichever one, what sort of green?

My lesson from this for the next time is add the details as I go...

Do you have a process to ensure consistency or do you put it right later on?


Sunday, 1 July 2018

Chasing Ghosts - a new novel by guest Madalyn Morgan ...

Today I'm welcoming author Madalyn Morgan to Carol's Corner to continue the celebrations for the recent launch of her post WW2 novel Chasing Ghosts.

Madalyn Morgan
 Madalyn was an actress for more than thirty years working in Repertory theatre, the West End, film and television, Madalyn now writes and presents radio.

She's a proud Indie Author and has successfully published six novels. Foxden Acres, Applause, China Blue, and The 9:45 To Bletchley are set in WW2 and tell the wartime stories of Bess, Margot, Claire, and Ena Dudley. Foxden Hotel and Chasing Ghosts are post-war - 1949 and 1950.

Over to Madalyn...

Thank you for inviting me to chat about my novels on your fabulous blog, Carol.

Q. For anyone who hasn't yet discovered your books, please tell us a little about your Dudley Sisters Saga and how your new release Chasing Ghosts is connected.

A. There are four Dudley sisters and five books in the saga. Foxden Acres, Applause, China Blue, and The 9:45 To Bletchley tell the stories, the lives and loves, of each sister during WW2. The fifth book, Foxden Hotel, begins on New Year’s Eve 1948 (ten years after Foxden Acres) at the Grand opening of Bess and her husband’s hotel. 

In many ways, Foxden Hotel is a sequel to Foxden Acres. It was supposed to bring the sisters together to end the saga in the way Foxden Acres introduced them and began it. As Bess Dudley’s story unfolds in Foxden Acres her sister Margot (Applause) gets married and goes to live in London. Claire (China Blue) joins the WAAF. And Ena (The 9:45 To Bletchley) starts work in a local engineering factory. In Foxden Acres the sisters’ characters and personalities develop. In their own stories, they grow and mature.

 Chasing Ghosts is a sequel to the third book, China Blue. In 1949 after receiving treatment for shell shock in Canada, Claire's husband disappears. Has he left her for the woman he talks about in his sleep? Or is he on the run from accusations of wartime treachery? Claire goes to France in search of the truth, aided by old friends from the Resistance.

New release...
Q.  Chasing Ghosts is post WW2; did the research give you any surprises?

A. Yes, it did, Carol. In 1949, many food products were still rationed in the UK (especially imported food, and what the government called luxury food, like chocolate) in France too. But rationing ended in Canada in the summer of 1947. The government took dairy products off the ration list first and, because Canada is such a big country with a good climate for farming, they grew their own oats, wheat, barley, every kind of vegetable, and they bred cattle. Once the government stopped sending food overseas, the Canadians lived much better.

Another surprise was air travel. I flew to America in 1961, which I thought was early for passenger flights, but it wasn’t. Flying became popular as early as 1949. And what was even more surprising was the food on passenger aeroplanes. On Atlantic flights (probably other long distance flights too, but it was Trans-Canada Airlines and Canadian Pacific that I researched), the food was excellent. The seats were comfortable and there was plenty of legroom, which led the American and Canadian airlines to advertise with the slogan, The luxury of flying.

Q. There's been a surge of interest for anything vintage, especially 1930's- 1950's. Do you think it's helped your books get noticed?

A. Yes, without a doubt. From 2012 to 2017 there was great interest in pre and post-WW2 novels. There were major WW2 anniversaries between 2009 and 2015 - and thank goodness there were. We must never forget the young men and women who were killed and injured in WW1 and WW2. 

Carol. I know this time of year is very popular for towns and places holding 1940's days. They have old military vehicles and people dress up in the uniforms and clothes of the time, and there's often singers and dancers performing the music of the time, along with stalls and displays.

Q. For any reader who might be interested in discovering more about the time period your books are set in, from your extensive research, what's the best place to start?

A. Talk to your Grandmother. I’m not joking. Elderly people have a wealth of knowledge and a lifetime of memories - and they are eager to talk and pass on their experiences. 

There are good websites too. For my books it’s The War Museum, the Army, Navy, and Airforce websites. Google, Letters WW2. You will read letters written by ordinary people that give a fantastic insight into what life was like in the war. They give a real understanding of how people lived. You’ll meet a multitude of different characters, understand their feelings and emotions, as well as learn about ordinary life at that time. 

Q. Now Chasing Ghosts is released, have you started on another book and what hints can you give us about it?

A. Yes, I have. I usually take a couple of months off in the summer to work on the house and garden, which get neglected when I’m writing. But this year, while I was proofreading Chasing Ghosts, the opening of a spy thriller came to me. It was the middle of the night, but the characters were so real and the action so strong that I had to get up and write it down. When I had finished I'd written the opening 800 words of book seven. The working title is She’s Alive. I was so excited the following day that I wanted to carry on writing, but it wasn’t possible. I just hope the plot, and more of the story, comes to me when I have time to commit to writing it.

Here’s a hint. With the cold war around the corner, there is more to come from Ena and her husband Henry, who both work for MI5.

May I share the lovely surprise I had today?

Carol: Of course. We all like lovely surprises.

Chasing Ghosts is the Historical Fiction Cover Winner June 2018

“This month there is a bit of a theme going on and this cover triggered it! What a clever cover this is – perfectly fits its genre. Even the title caught my eye. The use of a sepia image and the red text is just perfect. The good news is that this is only one book in a 6 book series. Congratulations to Madalyn!”

Thank you for visiting Madalyn and answering my questions.

If you'd like to find out more about all of the Dudley Sisters novels or buy them, then you'll find them waiting for you when you follow this link


More to read...
You'll be able to catch-up with Madalyn on social media too...

Madalyn Morgan's Blog: https://madalynmorgan.wordpress.com/

Facebook: www.facebook.com/

Twitter: https://twitter.com/ActScribblerDJ

Thursday, 8 February 2018

Writing Sequentially... Until the Gaps

I'm pleased to say my characters have returned and I'm ready to resume rewriting the current work in progress.

In previous years I've had scene ideas but they've never been more than a few glimpses of action and dialogue, so I've noted them down for later use, then added them when I get to that stage.

Now I write sequentially (and have done for some years) so it's a bit disconcerting to have a scene I feel I need to write out, even though I'm not quite sure where it goes- yet.

Originally it started out as a passing thought late last year. It would give my (1802) hero and heroine an opportunity to meet socially, and that was where the idea stopped.

X months later with the return of my characters after a long break, numerous possibilities of how it can help and advance the story have occurred.

So unusually, I'm going with the write the scene down and save it for later method.

Writing sequentially has always allowed me to keep the story moving in a natural progression. Also my characters develop as the story goes along, so by the end they have changed in some way.

Perhaps it's just that I'm working out the gaps in this second draft, that were missing in the first.

Filling in those gaps in the story...


There were a couple of points where I knew I needed a scene, but didn't know what the exact content was- as in the new idea. Another early scene I know who's in it and where it takes place, but not the tone of the conversation...

I don't think I'll ever be able to write a story using out of order sections and then fit them together. My mind doesn't seem to work that way.

But I do know that I'm learning how I write a longer story; then hopefully the next one will be swifter to complete.


Are you an in sequence or out of order writer?










Sunday, 4 February 2018

Getting Back to Normal- Almost There...

My aim is to get back to work at some point this week.

It's been three weeks of mess, shifting things around and no quiet.

During the second week my Internet router died, and then my keyboard- fortunately I had a spare that came with my computer- and yes a third thing happened but I can't remember what it was!

It was wonderful to get a couple of nights in a local hotel as there was no heating or water while the house was re-plumbed (new boiler, new radiators and new pipework). It was a cold mid-January weekend and we had snow!

Sunday morning snow...
The electrics side was officially completed Tuesday just gone.

I spent Wednesday trying to adjust to the lack of disruption- along with the worry about the continuing silence from my characters...

With everything going on their disappearance hadn't bothered me too much, but when Wednesday morning came round and they were all still missing... it was just blackness on the periphery of my mind where they usually lurk.

 It was very scary. But thankfully just as I was settling to sleep that night, my current pair of characters returned with a revealing scene...

The house is still disorganised as we've been stripping old wallpaper off (and some of it was very willing to be removed) while there's nothing obstructing the walls. But of course it does mean redecorating. I'm pushing for paste the wall wallpaper...

Drying plaster on my
 office wall...
      So this week it's dust my office (again) and return         everything to where it was, or was going to be located.

Most of my framed pictures are still in storage, but I do still have my coaching print to look at...

 Sadly my office wallpaper will be remaining in pieces for a   while. But I don't mind as it doesn't stop me from writing.

I've planned a new routine to try and make the most of my time this year, and hit a new word count.

How's your new year gone so far?








Monday, 14 August 2017

Guest Post: Sally Quilford and The Curse of Lakeham Abbey...

Today I'm delighted to welcome author, and friend, Sally Quilford to Carol's Corner, to talk about her new book The Curse of Lakeham Abbey and how to manage writing a sequel.

The new book...
Sally is the author of well over 20 novels, and has written in several different genres, including romantic intrigue, science fiction and crime. A number of her romantic intrigue novels were also published in Large Print.

Then Lakeham Abbey came along.

So over to you Sally...


Characters that go Bump in the Night

When I wrote the first novel in the Percy Sullivan series, The Secret of Lakeham Abbey, I had an idea that I would follow Percy through adolescence and into young adulthood, as he solved crimes, fell in love and generally learned to be a nicer human being (because let’s face it, he can be a bit cranky). That was the idea.

So, it was a bit disconcerting when, the next time he visited me – in the middle of the night as most characters are wont to do – he said ‘Actually, I’m old and cranky now and living back at Lakeham Abbey in 2017 and I have a very interesting story to tell you…’  I immediately saw him as Sir Ian McKellan, in a wheelchair, wearing a Panama hat and a light coloured suit, listening intently, with a mischievous look in his eyes, as relationships ruptured around him, murders took place and secrets were unearthed in the house where his career as a sleuth began. Other authors will recognise this tendency for characters to turn up at awkward times to tell you their life story.

Sally Quilford
I was immediately faced with a dilemma. Should I write The Curse of Lakeham Abbey and put it aside until after my death, as Agatha Christie did with Hercule Poirot’s Curtain? Or do I publish it and be damned? On the basis that I’m a) too impatient and b) it’s unlikely that anyone will be clamouring for my unpublished novels, I decided to write it and send it to Crooked Cat, hoping that they liked the idea as much as I did. I’m glad to say they did!

Writing a sequel is not easy, as any writer with a long-running series will tell you. You have to make each novel standalone, whilst still giving a nod towards earlier events for those who are following the series. It’s even harder when your sleuth decides to age 70 years! I wanted to suggest Percy’s long career as an amateur sleuth, without actually giving any details away, because quite frankly, I don’t know what he plans to tell me next.

The last time we met, he had been a truculent teenager. I needed to keep some of that truculence, whilst still letting him mature. In a sense, it was exactly the same as catching up with an old friend and finding that whilst they had changed, they still had the traits that attracted you to them in the first place. I hope that I’ve somehow managed to convey that in the story.

Equally difficult was writing a follow up novel that, whilst still crime, was a change of sub-genre. The Secret of Lakeham Abbey was set in the golden age of detective fiction, with upper class people enjoying country house living, whilst murders took place around them. The Curse of Lakeham Abbey, by dint of being set in our era, could not be the same. So I took my inspiration from the current rake of domestic noir novels, where miserable couples hide behind a veneer of civility.

I don’t know where Percy will take me next; I just hope he lets me get a good night’s sleep next time!

*

Thank you Sally. It sounds like Percy will be keeping you busy with further tales in future, and look forward to those too. :-)

I'm sure the Curse of Lakeham Abbey will be another success so if you want to get your copy asap here's a couple of direct links for you.

Enjoy...

The Curse of Lakeham Abbey is released on 15th August 2017 and is available to buy from Amazon.co.uk in paperback, and on Kindle.

On Amazon.com: paperback, and on Kindle.

Sally is holding a launch party over on Facebook on Tuesday 15th from 10.00 am (British Summer Time) so pop along to celebrate with her.








Monday, 12 June 2017

Visual Inspirations...

Ideas come from everywhere.

Have you ever been somewhere and something you've seen sticks in your memory even if you forget everything else, but that 'something' is the inspiration for a story, or somewhere in the story?

Trails...
I was looking through my photos- from past holidays and research trips- and there are a few that instantly take me back to where I was at the moment I took it. I've no idea why that nagging voice in my subconscious thinks that capturing that image was important.

There have been times in the past, before I had a digital camera, I have a fleeting image of a specific place (a terrace of an old Georgian building in parkland somewhere for example, the garden gone and just grassed over) and I stood on the terrace and imagined a conversation between two unknown characters. I've updated it a bit and used it in my 1920's story...

So here's a few images of mine that might be a starting point or could appear in a story...
Phone box and Bins...

Have fun...


I Spy...
Up and Away...


Monday, 16 January 2017

1920's Revival...

A useful reference
book...
(image source:Amazon)

Yes, I was meant to be writing a short story, and getting on with my second draft, but my pocket novel idea suddenly started getting in the way.

You may remember my mentioning I was doing some research during the summer holiday months while family members (usually at University or College) were at home. When I can't write in depth due to distractions and noise, I research instead.

I had two beginnings, random scenes and a few characters, an odd idea and snippets of plot, but it wasn't getting anywhere. So I saved everything and got back to other projects.

Actually I think that Epistolary story acted as a trigger, as that too is set in the 1920's; so I was already thinking about that time period.

Over the last few days my word total has been creeping up as I add snippets to this story, and where appropriate fit in the random scenes I wrote in the summer.

I'm just about at the end of the ideas I have for the early chapters, and think it may just turn into a novella or long short story rather than a pocket novel.

I much prefer to concentrate on one project at a time, but other things do get in the way sometimes, and I know that unless I write it out it will block the other work.

While I can compartmentalise the different stories with their characters, setting and plot, some ideas continue to get in the way, refusing to wait.

I'm going to have to try splitting my time between a short project and a long project. I did try this last year, but just couldn't deal with it. But I'm going to try again...

As I still had a National Book Token gift-card from January last year,  I couldn't resist using it to buy the book- picture top-right- 1920's Fashion The Definitive Sourcebook.

It's a wonderful selection of images covering the 1920's. There are drawings, fashion plates, adverts and photographs covering the various categories, among them: Daywear, Outerwear and other less obvious items like shoes, wedding dresses, and swimming costumes.While many of the drawings are of Parisian origin, there is enough of a mix to satisfy every reader.

I even recognised the style of coats with fur collars, and the cloche hats worn by my paternal grandmother and aunt in some old black and white family photos, taken in the mid to late 1920's.

Anyway, back to work...





Thursday, 15 December 2016

Guess What I Won?

Well it's the day after the night before and I can now reveal what I've been keeping quiet about since late October...

I won one of the annual competitions at Nottingham Writers' Club, the Rosemary Robb trophy for a ghost story titled, 'The Wishful Spirit'.

Winning the Rosemary
Robb Ghost Story
Trophy
Writers are told to persevere and never throw anything away. Well the story that won this competition proves that statement...

In 2008 it was the first year the ghost story trophy competition ran; it was for a 1,000 word story (that year). I'd never written a ghost story before, but I tried anyway, and received some useful comments from the judge- the writer whom the trophy was named after, and who died a few years later.

The story was filed away and over the years I'd revised it and then put it away again. You see my ghost wasn't the scary type and most markets wanted the creepy sort...

In 2013 I rewrote it and entered it into a national competition, but didn't get anywhere again. Honestly I think it was really just the wrong competition for it.

So back in the box it went until late 2015 when I began to rewrite it yet again making some major changes and eventually submitting it to Woman's Weekly, as they mentioned in their guidelines at that time, 'quirky', and my ghost certainly fitted that description.

Sadly it was rejected.

Meanwhile, as Prose Secretary for the writers' club, I'd asked writer Wendy Clark to judge this year's Rosemary Robb Competition this autumn ( after reading her blog post about writing ghost stories) and she agreed. 

Having received the story back from the magazine I decided I'd enter it into our club competition to get some feedback, and hopefully find out what wasn't working.

I'd already decided a couple of things needed a slight adjustment, and one bit removed. As the maximum word count was 2,000 words I needed to lose about 500 words while still making the changes I needed. After a number of intense revisions I reached the maximum word count and entered it into the club competition.

As writers can have lots of contacts both online and off, the club has always asked members to use a pseudonym on their entry's cover sheet. 
We know our judges would never be influenced by already knowing an entrant, and as Prose Secretary I'm careful not to inadvertently write or say something that one of our judges might see- if I know them, and I intend entering.

So I was absolutely amazed when the results were returned. I'd won! I actually read the email twice to ensure I hadn't misread it.

One of the comments in the judge's feedback that made me smile was, "I found myself chuckling at the phantom, Bold Jack's, asides and imagined him dressed in full 'Captain Jack Sparrow' pirate regalia!" 

That wasn't too far off my mental image of 'Bold Jack' too, although older than the movie pirate... :D

So there we are full circle; the story first written for this trophy competition in 2008, finally won it in 2016. Even though it had rejections and all those revisions, the core of the story never changed.

Have you ever had any stories which took a long time to succeed?

 




Thursday, 11 August 2016

First or Third Person Viewpoint...

I've always preferred third person viewpoint, both writing and reading.

Occasionally I have written a short story from the first person viewpoint, but I hadn't intended it. I started writing and that was how the character and story seemed to fit.

Now I'm in the same situation again with this 1920's story- hopefully a pocket novel.

As I've been writing blocks of dialogue from the ideas in my head, I've been getting inside the mind of my heroine, but I do wonder if that will remain once I start adding description and narrative, or will I find I'm writing in the third person as usual?

Though the idea of using first person would fit this particular plot well I'm really not sure I can carry it off!

I suspect there will be a lot of editing by the time I've finished it-whichever direction it goes...

So what's your thoughts on viewpoint in your writing? Do you prefer a particular viewpoint, or does it depend on the story you're writing?

First or Third?

























Image courtesy of jesadaphorn at www.freedigitalphotos.net

Sunday, 31 July 2016

Trying a New Method...

At the moment I'm working on a shorter project set in the late 1920's.

1920's Red Cloche Hat
from Shaping The Body Exhibition
Castle Museum, York.
With the school/university holidays there's not as much quiet around me as I need to concentrate on the editing of draft 1 of my Nottinghamshire short novel, so I'm researching and jotting down ideas on this other project.

I've always written sequentially, so start at chapter one and work through to the end, but this shorter project isn't working that way.

I have scenes and dialogue in my mind but not the joining up or narrative pieces.

So I decided to try something different; write the dialogue in the scenes I do have in mind and fit it together later on when I'm clearer on the descriptions and narrative.

Admittedly I was sceptical  that it would work, but surprisingly it has worked well and I'm making progress quicker than I anticipated.

The core prompt has been in my ideas book for years, and despite considering a few possibilities- one set in the early 19th century- it didn't go anywhere, until the couple from the past revealed a brief conversation that made sense of the 1920's plot.

One day I'll write that other story that will tie up the early 19th century to the 1920's...

Meanwhile the disadvantages are that I've got to learn about everyday facts of 1920's life.

For example can my heroine turn on a light? How widespread was electricity in country houses?

It's interesting in another way, because my mother was born in the early 1920's so some of the questions & answers will relate to her childhood too.

At least I'm writing... :-)





Sunday, 22 May 2016

Character or Plot- Which Arrives First?

Do you have a favourite series that you hate to miss?

Well Saturday night in the my house is NCIS night. Now to be honest across the week NCIS: seasons 10, 11 and 12 are being shown on assorted digital channels (along with the New Orleans and Los Angeles versions), which can be confusing as one night a relative of one character can be dead, and the next week on a different channel the dead character is still alive...

This is where box-sets come in useful.

Anyway, my OH just watches the story and whoever is in that episode- he calls it moving wallpaper; I told him that the characters and what's happening to them is as important as the story. He wasn't convinced...

That is what got me thinking about plot versus character, and which comes first?

Which arrives first?
If you define plot as "a sequence of events" that occur through the story, then I'd have to say no that doesn't come first- at least for me.

In fact whenever I've had a story idea and some of the plot before finding the characters for it, they have never made any progress no matter how much time I've put in. The last time I tried that it was three wasted months.

For me, it runs: initial idea (that is usually the result of two random incidents/thoughts/information) - a vague scene of one or two characters, but enough to start developing them - more ideas - research - basic bios of my characters- chapter outlines - write the first draft and discover more about the characters and plot as I work.

Looking at the process that way it's 50/50.

Every writer has their own way of doing things, so someone else may have the plot and then looks for their characters to fill the story.

Others discover as they go along.

So are you plot first? Characters first? Or somewhere in-between? 

Thursday, 19 May 2016

My Problem Character...

Sometimes I find getting into the mind of my characters easy, at other times it can be problematic.

In my second draft I have some gaps to fill, and Hannah is one of the problematic gaps.

She arrived in the last chapter of draft one as if she had always been around; she and my heroine know each other quite well, but looking back, nowhere in the first draft had there been any hint this young woman existed...

That was when I realised that she would actually fill a necessary role that was one of the gaps I had.

She has the confidante role. But she'll also be a means of passing information on where appropriate.

Seeing the light?
At the moment I'm still learning about her, and her way of speaking is starting to emerge more clearly than in her first few lines.

I know she's a year or two older than my heroine, and has had a little more experience of the world, so that will prove insightful later- there's a completely new scene in my mind (for much further on in the draft) where Hannah will be doing a little manipulation- for the best of reasons of course. :D

Unlike my other characters I don't yet have a bio for her. That's usually when I find out all those useful snippets of information lurking in the recesses of my mind.

Perhaps that will get through her protective shell.

Onward with the never-ending mystery of the supporting cast...






Thursday, 5 May 2016

The Workshop Exercises - Success...

For many years I've been a member of the Talkback forum over on the writers-online website, and the monthly one word writing challenge is not only fun, but also good for honing structure and effective word choice. You only have 200 words for the story.

It was while I was putting together my previous blog post, about the workshop, that I realised that the senses scene would work well for the April challenge, as the word was jeopardy. 

My new character, Elizabeth, was most certainly in jeopardy. So I rewrote the piece, paying particular attention to her surroundings and added another 100 words to finally come in at 198.

It was posted with a day to spare before the month end. But the wait for the competition to close, and the prose judge's decision and comments were worth it.

Here's what the April judge said- I know they won't mind me sharing their comments on my entry:


The Darkness Beckons
A great build-up of atmosphere and tension in this story. I was imagining a Dickens era setting, but I think it works equally as well in a modern day setting. I am curious to know why Elizabeth could no longer rely on “the niceties of society”, what had brought her to the warehouse, what choices she had previously been denied…. I think you should write on!


What awaits at the
other end?

And even better, I was co-runner up 'for the great sense of atmosphere'. 

(Imagine grimy windows, neglect, abandonment, vermin and a very dark corridor.)


Needless to say, Elizabeth has gone into the development corner of my brain, marked up as #6. She may move up the order, but it really does depend on how long the story will be; it could be short, or longer, which is partly why I'm not revealing that scene... 

At the moment she seems content to have made her presence known and isn't going to pester- unlike a few of my waiting characters. It will be serious when she gets a file box for her story.

Meanwhile I'm getting the hang of the second draft process with Hugh and Sarah's story, so it's all positive at the moment.



image courtesy of Tuomas Lehitinen & www.freedigitalphotos.net

Sunday, 24 April 2016

Workshop- Writing Historical Fiction...

Saturday- St George's Day and Shakespeare's birthday I spent indoors at a workshop- except for a brief foray outside for food and to admire St. George, and his two fellow knights on horseback outside the Council House, as I passed by.

Author Judith Allnatt was running a writing historical fiction workshop, held in the events room at the Nottingham branch of Waterstones. The events room actually has a name- the Alan Sillitoe Room.

(It's on the top floor and is large enough for a book launch/ talk if you ever have need of one.)

There was also a good supply of tea and coffee to keep us alert...

I must admit that I always find workshops a little scary, as well as worthwhile.

Ready to workshop...
Scary because I worry I'll freeze when it comes to writing exercises, but thankfully I didn't have too much problem. And there were times when a few of us attending found a particular item problematic, but that was okay.

The warm-up bit was fun as we were able to choose from a selection of postcards of shoes (from assorted time periods) and used that as a starting point for creating a character. It was ideal for me as so often visuals connect with the room of waiting characters in my sub-conscious. The pair of shoes I chose were from 1912.

There was one exercise I will definitely use again. My new character, how do they sleep, what is around them in their bedroom or room they sleep in? My character didn't have a first name at this point, but I was soon realising her circumstances were dire.

When you think about it, the place where you sleep is very telling, as are the objects around you, their neatness or an incongruous item or two.

I'd never thought about it that way before, but I will now.

By the time we reached the senses, I knew my character's name, and a better idea of the time setting- late Victorian rather than early 20th century.

(This was when a missing scene from my work in progress popped up and resolved one of my niggle points.)

Judith read an extract from her third and lately released in paperback, The Silk Factory, to provide an example of how the senses could be used.

We looked at published extracts and how they convey information without it being obvious, even if you don't know what event it may refer to- such as a national/world event.

As the workshop drew to a close Timelines were mentioned,  and between us we compiled a long list of research resources. There were a few I will be looking into, especially Academia.edu.

With time running out there was a Q&A to finish.

Everyone seemed to leave inspired to continue writing their historical novels.

Personally, it was enjoyable, I learnt more, but it also reassured me that I'm doing the right things for the historical side of my romances.

Have you been to any workshops this year?







image courtesy of noppasinw & www.freedigitalphotos.net







Sunday, 13 March 2016

Nursing the Computer Along...

After a couple of stable days I'm getting the occasional issues again.

Nothing major, more annoying than anything. So I've made sure that all my photos and documents are backed up so I don't lose anything if it should suddenly conk out.

I just realised that I have a lot of bookmarked websites that it will be useful to save too, as I lost a few useful saved sites when my previous computer finally went...

So this week I will be researching what's available to replace my desktop.

Which to choose?
I'm also going into a busy spell for the next six weeks.

While everything is still working I intend to get back to the chapter two rewrite, having taken a break to get a couple of short stories out and on the way- and to get to know a minor character that needs to appear at chapter two or early on in chapter three.

I have a stack of competition entries to read for the writers' club national competition - I'm one of five readers; and while the Chairman is away I'm in charge too, so there's lots to do before the AGM next month.

There will be an online item later in the week too, but more about that on Thursday.

Any recommendations on the best computer brands? And what's your experience of Windows 10?







Image courtesy of Ventrilock & www.freedigitalphotos.net



Thursday, 11 February 2016

Romance: Monthly Masterpiece Competition...

February seems to be bringing lots of competitions, so here's another one you might like.

It is Valentine's Day this coming Sunday, and an ideal time to be writing about love.

So here's an opportunity...
Romance

Just Write.

Submission by 28th February, of a first chapter, "fewer than 4,000 words". Whatever the genre it must contain a romance between characters.

Best of all entries can be from anywhere in the world.

There's a prize too: for the winning entry it will be published on the website, and there's four books as well.

Two runners-up receive a copy of Masterclass: Writing Romantic Fiction.

The winner will be announced the first week of March.

Now like any competition read the terms and conditions, pop to this link or click the link at the bottom of the competition page (see the Just Write link further up).

They're looking for "strong characterisation and originality, close attention to the genre theme, and accomplished writing style."

Next month it will be something different, so if this doesn't suit you, then a future competition may.

The competition is organised by Hodder & Stoughton Ltd.






Image courtesy of Renjith Krishnan & www.freedigitalphotos.net






Monday, 1 February 2016

Nothing is Wasted...

Every writer knows the value of carrying a notebook or some device to record those moments we all get when an idea pops into our heads; we see something that attracts our attention, or we overhear a conversation and there's a line or phrase we just have to use in a story.

I've been known to be walking down a road in the city centre, hearing someone on a phone, stopping and then sidling to a discreet position to casually remove a notebook and pen, before madly scribbling down the words that attracted my attention- and listening for more.

Many of these 'moments' disappear into my notebook and don't emerge again until I'm reading through them weeks or months later.

Others stick in my mind, then years later other thoughts immediately bring that long ago note to mind and a story starts to emerge.

Many years ago- before the tram lines were put in Nottingham city centre- I overheard a phone conversation, and put a single line of dialogue in my notebook. It was asking for a story, but none of my ideas worked, so it was stored.

Ideas...
Last week at the informal NWC meeting in the pub, in conversation I mentioned the comment I'd overheard. We all laughed- because it did sound funny- and back it went into my mental filling cabinet.

Then over the weekend I was reading an article by Patsy Collins in last month's Writing Magazine (February 2016 issue) '101 Ways to Inspire Ideas'. I've no idea which one or more of her ideas started it, but two voices began holding a conversation around the words I'd heard all those years ago...

There's a competition I want to try writing it for, with a deadline in March. Whether it is good enough, or finished in time, I don't know, but I have to try... :D






Image courtesy of Ventrilock & www.freedigitalphotos.net.