It's Progress...

My rewriting of the short story is going well.

I've finished the first rewrite now and just need to go back through it, as I'm a couple of hundred words short of the minimum word count for my target magazine.

I did have to jiggle the dialogue around between characters as I had to lose one- they were surplus to requirements.

Though the narrative and description changed slightly, the dialogue didn't, it just fitted into place. I suppose it was because the characters hadn't changed...character.

Admittedly dialogue has always been a strong point, and I can hear the different characters as they speak - I just have to hope that readers can too, and it's not just me because I'm writing them!

I want to get this story done and out of the way so I can get back to Serena's Nottinghamshire story.

There's been no progress on the chapter two rewrite because the scene needs a few additions, and I have to bring in one of the minor missing (from draft one) characters, and get to know them.

My word count for the month has gone up because I'm now recording any writing I do, be it my blog posts, non-fiction, judging, information pieces for the writers' club magazine as well as fiction.

So I've discovered that I write more than I think- considering I can't touch type.

I'm making progress and that's the important thing...

Before winter and the
Blackbirds arrived...

Getting Back Into Routine...

The first week back after major holiday times is always difficult for me. My regular routines are not all quite back in place yet.

So I'm easing myself back into the writing process this week.

I've dug out the short story I need to revamp for sending off. I must get my editing pens out and mark up the manuscript for changes- among them taking out repeated words in close proximity. Distance really does help the editing process.

At the moment I'm judging one of the quarterly prose competitions at the writers' club. So it's actually helpful I haven't completely slipped into full editing mode yet.

After the session I did on character bios (last year) I agreed to judge one of the members competitions on this subject. I wanted to be able to believe that their character could be out there, and those who have taken up the challenge have done well. I just need to finish the comments and print them out so they can be returned at this month's meeting, and the winner announced.

Then I have an entry to do for the club's winter prose competition. The words are swirling around my brain in quiet moments, so that will get done before mid-March when it has to be submitted.

There I was thinking I was being lazy... :D

Working time...

Image courtesy of supakitmod & www.freedigitalphotos.net

'The End'...

Yes, that's it, today I was able to write THE END at the bottom of chapter eighteen. I know there's still a lot to do, but that's for the future now.

I've enjoyed the break writing a contemporary romance, but I've not been interrupted with ideas as I am when I'm working on a historical.

Yes, I'm looking forward to getting on with the Nottinghamshire story now; it's been calling to me, demanding attention. Entering the first chapter in the New Talent competition only confirmed the feeling I wanted to get back to it.

My aim is to work steadily through the second draft making changes, adding the missing characters, and scenes that I knew I needed -because my mind was blank about what I was aiming for at that point.

Over the weekend I'll be changing the images over on my big cork board.

The big board was really helpful with the contemporary story- so I hope it will work with my Nottinghamshire story too.

Even if I had a couple of days- or even a week- when I couldn't add to my word count, my characters and settings were by my desk, always at the corner of my vision, remaining in my thoughts. I never lost contact with them, so I was able to pick the story back up quicker from where I'd stopped at the end of the previous writing session.

Here are the lessons I've personally learnt from writing these two first drafts:

• Even a couple of hundred words a time soon adds up to a chapter, and then another.

• Just because a character says or does something unusual, there will be a reason later on.

• If a scene isn't working, make a note what it should be about and move on to the next bit.

The End is just The Beginning...

• Don't worry about chapter length; end it when it feels right.

• Some scenes/chapters will be easier to write than others.

• The middle will always feel like you're climbing a mountain.

• When you see the end approaching, don't slacken the pace.

I'm going to catch up on reading a few new books on my Kindle too, while my mind is clear.







image courtesy of njaj and www.freedigitalphotos.net

First Draft- Last Chapter...

I'm late posting today because I was grabbing some uninterrupted time to get on with finishing the last couple of chapters of my contemporary romance.

Pleased to report I'm now on the last chapter, so I'll hopefully finish it this week or next.

Still working...

It is only the skeleton of the story with a few muscles and veins added here and there, but it will give me plenty to work on. There's still a few research areas to follow up on too.

I'm already feeling the tug of disappointment that I'll be temporarily saying goodbye to my hero and heroine from this story.

But the good news is I'll be getting back to one of my Serena Lake historicals. Serena has been a little neglected while I've been so busy this past couple of months.

I'll be able to return to my Nottinghamshire based story with renewed enthusiasm, despite my first chapter not making the shortlist of the New Talent Award.

Yes, it's disappointing, but that chapter does need more work. Plus I won't have the constraints of a set word count to conform to.

I'll be leaving chapter one as it is, for the moment, while I start with chapter two for the second draft.

Draft two is going to be a lot of work as I'll be making changes, adding and removing scenes, and developing a few of the minor characters- now I know what they're doing.

The last two years have been a big learning process, but I now know what works for me. I'm no longer allowing myself to get held up because something isn't working. I make a note about it and carry on with the scene beyond it.

I've learnt to listen to my characters, but interfere when they're getting out of hand.

Now I just need to keep putting in as much time as I can on the rewrite.






Image courtesy of Salvatore Vuono at FreeDigitalPhotos.net

Getting On With It - Editing...

After my down spell last week I'm pleased to say equilibrium has been restored and I'm getting on with the first chapter rewrite.

Keeping Balanced...

The deadline for the competition is Thursday night, and I honestly don't know if I will have it ready in time. It's fortunate entry is by email so I don't have to take the post into the equation.

I experienced one of those editing moments where I cut a phrase-well actually a couple of lines that I thought were good. But looking at them closer, they just didn't work.

When I stop worrying about the editing and just go with it, I find the analytical editing side of my brain switches in, but not to the exclusion of the creative part.

The longer you are away from a writing project, the clearer you can see it when you come back to it.

As the weekend rarely gives me quiet time to write I've started to use that noisy time to do all the other things that lurk around the edges of my conscious, as it helps clear my mind for the editing.

I've created a 20th century Fashion and Beauty board on Pinterest. One of the ideas that has been lurking in my head for years but wasn't fitting into my usual time periods, finally started to make connections once I moved it into the 1920's.

While the majority of pins on the board are 1920's, it also covers 1900 to the late 1950's.

It will be some time before I can give the idea proper attention, but I think it may turn out to be a longer short story...

I've also discovered some of the new changes in Blogger which have made a few things easier.

I now have all my Social Media links showing under a tab- much tidier than being in the side bar.

There's now a tab for My Writing. I still have one thing to add yet, so it's half done.

So, now that's all done it will be back to the chapter one rewrite Monday morning...




Image courtesy of Vlado & www.freedigitalphotos.net

Multi-Tasking...

Very pleased that the temperature has gone done to nearer normal for this time of year. Last week it was a struggle to do anything, even writing was difficult.

I took a picture of the moon last Thursday night as I wanted to catch the polluted tinge that hung across it, but it was too low. By the time it was high enough it had gone above the that layer so looked a lot cleaner.

Early July Moon...

This week has been good so far. I've managed to get a couple of hours to write each day this week so I've added about 1,600 words.

It may not seem a lot but as I don't touch type that was a big improvement for me.

It's always difficult to write in the summer when it's sunny outside and there's lots of things you need to do- the plants need water and the grass needs cutting again to name but a few.

At least I'm on the downward path to the end of my current work in progress. Okay it's still only a first draft stage, but I can already see where I need to insert scenes, and make changes in the second draft.

At the moment my brain seems to be juggling thoughts on each of my three projects.

My Dorset novel has a synopsis and first four chapters. I needed to give myself some time to work on a few of the characters, to round them out a little. It's been a couple of years- longer than I intended- but now I know what works for me, I'm looking forward to getting on with it.

My Nottinghamshire novella has a complete first draft and is waiting for a complete read through before I start the second draft. I've pinpointed a few things that need changing, major and minor.

Then there's my current story, making steady progress.

There's at least another four ideas in varying stages, but fortunately those characters aren't hassling me.

(I've got a Pinterest board for each of the three stories, and adding to when I have time, but they're remaining secret.)

I'm also putting together the writing session for the writers' club next Wednesday- putting names to faces and creating bios. Hopefully some of the writers will use them as inspiration for a story...

Plus the final thing I need to do is get my entry sorted for this year's Festival of Romance, New Talent Award 2015. You can read more about it over on the website.

I'm going to enter the first chapter of my Dorset novel. It's an historical romance so fits within the specified 'romantic novel (of any kind)'. I just need to look at the word count of my first chapter as there's a maximum 2,500 word count.

So there's lots to do over the next few months.

Now to Get On With the Story...

I've been working on possible names since my last blog post, and being able to put variations into Google has been very helpful.

A rose by any other name...

If you haven't read my last post, it might help to explain my dilemma.

I had a list of first names that seemed to be possibles for the ex-girlfriend/model character in my contemporary romance.

All I can say is there are a lot of models out there and finding an original name is tough work. All the ones that I thought would be few, were quite the opposite.

Yesterday I was at the stage of reverting to Suzi/Suzy if I couldn't come up with anything else, but I persisted and found two possibles, but whether they would work would depend upon the right surname.

This was where the Behind the Name website proved useful. I was able to bring up an alphabetical surname list - my own is not on it!

Finally I had five potential surnames that would work with either first name- I'm not revealing which two until it's finished and ready for publishing. :-)

Over the last few days as I've searched for her name, I've also been concentrating on her role in the story and discovered more about her. I  now understand her motives- which is important.

Sadly I had to exclude some surnames because combined together with my possible first names,  I found there were models with those names!

It was using an alternate spelling of one of my Christian name choices that made all the difference, and it's always worth checking for spelling variations that might make the name slightly different from usual - there may just be fewer people using that variation.

And best of all, the final name choice does not clash with any of my other characters names.

So I can now get on with her bio and back into writing - I'm really looking forward to writing the upcoming scenes...







Image courtesy of Tim Seed & www.freedigitalphotos.net

Character Name Dilemma...

I have one secondary character bio left to complete, but I've hit a snag; the name and occupation I'd chosen.

It's a contemporary romance so it's not essential that I pick a name to fit a specific time period as I'd need to with my historical romances, but there's still a problem.

My hero's ex-girlfriend is a model. Now it's not that she's horrible, but from what others have told my heroine in passing, you wouldn't want to be called her best friend...

I'm at the stage in the manuscript where my heroine and the ex are going to unexpectedly meet, so getting the bio complete for her is important.

Now to the problem. I called her Suzi/Suzy. I decided on her not using her real surname, but a shortened version of it.

So just in case there were any models of that name I Googled it- and variations.

Result, not a good idea. I never knew there were that many models called Suzi/Suzy something or other; including some quite risqué.

This character is not one of a herd...

I need to find an alternative name for her so one that is unusual but would still sound okay for a glamorous model.

This is going to be where the numerous online lists prove useful.

Starting with her age, about 28, I'm going to begin by looking at girls names for 1985/6, and starting at the bottom names on the lists, as they'll hopefully be one or two less usual names.

I'd like to have a few possibilities to choose from, so that one will fit with my visual image of her.

Who said writing was easy? :D










Image courtesy of Ventrilock and www.freedigitalphotos.net

Busy Working - Building Characters...

I've just about finished my character biographies, and they have been a revelation.

Now I'm anxious to get back and start building the story to completion.

It is only the first draft, but already I can see where I need to add scenes or incidents earlier on in the draft, as the character bios have provided information I was unaware of when I started writing the story.

There's a couple of areas of research that I still need to do, but they can be done as I go along, so by the time I'm ready to tackle the second draft I'll have what I need.

Also I feel I have finally found a system that works for me, and I'll continue to use it for all my longer stories.

I'm flexible enough to make changes in the plot if they're needed, but just being able to write down chapter outlines helps me know where I'm going - even if some bits do get changed around.

Clearing my head of the ideas and scenes, and then concentrating on my characters' secrets has been like taking the icing off a piece of fruit cake, leaving the delicious part to be exposed and savoured.

Like cake...

(This could just be that I feel hungry after this latest writing session of course, and I like eating cake- occasionally.)

So I'm off to follow up on one of those vital research areas...










Image courtesy of Apolonia/ www.freedigitalphotos.net

Even Antagonists Have Feelings...

I've made good progress with the character bios. I've completed those for my hero and heroine- and found out a few snippets I hadn't realised before which will be useful in the later chapters.

Now I'm at the stage of creating the profiles of my antagonists. One isn't very pleasant, but I now know why.

And the second, lesser antagonist, is my heroine's sister. She's not really bad, just selfish. And she's a catalyst without intending to be.

(Now I know they are fictional characters, but they have to be real to a reader, so they need to be real to me too. So remember that as you read the next couple of paragraphs.)

Just like the other characters, the baddies will have had a mother, and perhaps other family members that they may have loved and cared for in their own way.

 They could even have shared some of the same influences and experiences as my protagonists, but something has made them unpleasant instead.

Think of Star Wars, especially episode 3, when you see Anakin Skywalker turning to the dark side and taking on the identity of Darth Vader...

I remember a writer explaining that while a reader won't like the bad person, they want to understand why they are bad.

Perhaps it's just human nature; compassion, or the unwillingness to believe that someone could be evil for no reason.

Fortunately my main antagonist is taking a role in a romance, not a gruesome psychological crime thriller...

I hope to be back to writing Chapter Twelve by the middle of next week, if not sooner.

So, do you want to know how an antagonist has turned out that way?

Yes, I Need a Plan..

I've been thinking- seriously...

The past few weeks have been a struggle with my writing.

It's not that I've lost my enthusiasm, or lack ideas- still too many to get through- but I've realised that I'm a flexible planner; just writing the story as I go along doesn't work for me. I need thinking time...

While the current work in progress (the contemporary romance) has been evolving, I've learnt more about my characters, but they're still a bit too two dimensional at times.

It's okay when they're having an emotional scene, they come alive, but between times they flatten out because I don't know enough about them. While they talk to me I know they're holding important information back, and it's that deep down stuff I need to get to to round them out.

Also secondary characters and incidental ones have turned up as part of the plot, and while it's not essential I know a lot about the latter, I do need to know a bit more about the former.

At the moment I feel like bits of the border of the jigsaw puzzle are missing, and it's making it harder to complete the whole picture.

I also know there are important areas of research I need to clarify.

Usually I research as much as I feel I need to start with, based on the characters and my general plot outline, before I begin writing. But because I only had a few basics to start with, and a lot more questions have arisen as I've gone along, and I've had to note in the manuscript that info is needed on x.

Yes, I need to find out other information as I go along on my planned stories, but never in as much depth as I need with this current story.

I roughly know where I'm going with it, but I need a better plan, and more thorough character bios than I have at the minute.

And my historical novella is demanding attention too, the second draft has been on hold too long and I need to get back to it.

So I've decided that I'm going to spend the next week creating those detailed bios, and chapter outlines- they're not set in stone, elements can be moved around if need-be. And the really important research items will help.

I feel certain that once those are done I will make better progress, and hopefully get the first draft completed.

I now know the writing system that works for me. I just need to build on it to get the most words out of it.

Nothing is wasted, because the story will get written...






Image courtesy of jesadaphorn at www.freedigitalphotos,net

Giving Characters the Right Name...

As possible names for the new royal baby is getting press coverage at the moment, with the birth of a daughter to the Duke and Duchess of Cambridge, I thought talking about suitable names for characters might be a good topic - and it's wonderful to have something other than the approaching general election to discuss.

Names 'come with baggage' even if we don't realise it. It's built into us as we grow, experience life and are exposed to the numerous influences around us; certain names can suggest certain things- when you may have been born, and even social background.

But it doesn't have to...

Rose

Ethel for example; it suggests an old lady, which was perhaps why the early writers of EastEnders called one of their fictional elderly characters by that name. But to someone else who grew up with the golden age of Hollywood films, the same name would suggest the gutsy singer and actress Ethel Merman, Two completely different examples of the same first name.

There are lots of name books available, and the Internet has numerous sites where you can find out the etymology of names, whether general or to specific cultures/countries. So if you need to find a name for a character you've decided was born in another country, you won't have such a struggle...

Have a look at the random name generator on the Behind the Name website. You can set options for country; there's even Myth to Fantasy via Ancient, Biblical and even Fairy, Goth or Transformer!

If you have a contemporary setting there's a lot more choice of names, even taking into account setting, location, and background of your characters.

Look on the ONS website for the list of popular baby names each year going back to 1996.

Names in an historical settings are different too, especially the further back you go. Name choices are reduced for the ordinary worker, compared to the variety used for those with land and money.

If you've ever done family history research you will often see the same names being used, in the 1600-1700's, William, John, and Thomas are extremely common- it wouldn't be unusual to find first cousins with the same first name (that must have been confusing at times).

By the Victorian period there was a much wider variety of first names- even unusual ones, probably reflecting the progress made with the industrial revolution and the wider movement of the population..

Genealogy websites can be useful if you want suitable surnames for a character located in a specific region or county. I did this for one of the main servants in my Dorset novel, and it just brought her to life, giving me a stronger mental image of her.

I've learnt to listen to my characters where names are concerned. If I choose a name that my characters think is wrong, whether their own, or someone else's, they'll deliberately start referring to them by the name they think is right.

A few even tell me straight out that what I've called them is wrong, and their name is...

To be able to write these characters' stories their names have to be right, because if they aren't, the words don't flow for me. So it's all in the depths of my brain.

So, how do you choose names for your characters? Are there any books or websites you'd recommend to others?

As Shakespeare wrote, what's in a name?








Image courtesy of Tim Seed/www.freedigitalphotos.net

The Next Step...

Well I've embarked on the next stage in my writing career.

Nothing major, but if you try to find my blog in the next few days and it says it's not there, don't worry, it will only be temporary; the likely cause will be me, struggling to get my recently purchased domain name attached to my blog.

If only we were able to swallow a pill and, as a result, instantly understand the instructions that go with these important tasks.

I actually have two domains, one for me, and one for Serena, but I won't be using the latter for a few months yet.

While I've been trying to get on with my current work in progress- the contemporary romance- Serena's stories have temporarily taken a back seat.

Her ideas and characters are still simmering and developing, so there's lots to look forward to...

So keep your fingers crossed, and if it all works I'll be posting as usual on Thursday, if not, I'll post when I can...

If anyone has applied their domain to their blog, and has any useful tips, either comment below, or email me. You can use the contact form on the right hand side of the page.

Thanks. :-)

Feeling Our Characters Emotions...

I'm roughly at mid-point in the first draft of my contemporary romance, and I'm now trying to get on with the post emotional scene (that was between my hero and heroine); but I'm finding it difficult to regain the distance I need for the next chapter...

I'd finally given my two characters the opportunity for their first proper clinch and kiss, even though that wasn't my hero's intention at the start of the scene. Then he drops the bombshell of why they shouldn't become more involved.

The surprise was how much it effected me.

On the surface his reasoning is quite logical, however awkward it now makes both their lives. My heroine has suddenly been shown possibilities and has then had them whipped away a few minutes later - she's obviously upset.

Even though I know that they will get their happy ever after by the end of the story, there's a boulder strewn road just at this moment...

We all experience, or observe, life events: birth, death, celebrations, bad news, good news, and devastation- both emotional and actual. So we can draw on those emotions and reactions- just like actors do. But it still takes a toll on our emotions portraying those things through our characters.

I have some reading to catch up on, and a short story to check over for sending out. So a few hours distraction will do me good...

When Characters Talk to You...

I've had a busy week so my Thursday post is being written today instead.

And just because other essential appointments get in the way, it doesn't mean I'm not thinking about writing, just that the writing pot is being stirred in the background.

On Monday I had to make a timeline (for the back story) before I could progress with the next scene. I knew roughly when past events occurred, but there were a couple that I needed confirmed.

Those details are for me, and the reader will not need to know the majority of that history...

A character starts talking...

But another aspect on both writing and non-writing time is when characters decide to talk to you; they give you an important snippet of information that makes sense of something else, or they start an exchange of dialogue- or complain about another character.

Now at home going round muttering wildly to yourself, even in front of family members, is viewed with a shake of the head and remarks of ,'there's no point saying anything to her'- at least not until whatever it is, is written somewhere!

Do the muttering out in public and people look at you a bit strangely.

A couple of writer friends revealed the times their characters start talking to them. Ironing is popular, as is cooking. It's a bit inconvenient too if you're in the shower or washing your hair when they start- my historical characters don't understand that the bathroom is not the place to start talking to me.

Today, two of my contemporary characters began holding a conversation- giving me the answer to one of my approaching plot niggles- when I was meant to be thinking food shopping.

I'm sure I had a crazed look on my face as I looked around the busy location for somewhere to stop and write. Seeing a vacant bench I almost sprinted toward it, hoping that no one would suddenly decide to go and sit there before I reached it- that usually happens to me.

Pen and notebook retrieved from my bag I started jotting, and as I was actually writing at an angle-because I was holding onto bags at the same time as the notebook- I hope I can still read it! :D

Satisfied I had the basics of the conversation my two characters quietened down and wandered off to their respective destinations, allowing me to buy food without further distractions.

That conversation will be written up onto the computer next week, when I get onto chapter 10.

I'm just glad that my other lurking characters are polite and wait until it's their story before talking to me...







Image courtesy of Stuart Miles / www.freedigitalphotos.net

Openings to Stories...

Wednesday night at the writers' club I was in charge of the evening; it was a 'Discuss and Read' session.

This month's topic was openings- whether a novel or a short story- and the idea was to bring in a book where the start grabbed you and made you want to find out more...

Writing the opening of a story?

I took along the latest issue of the Woman's Weekly Fiction Special as there were a few interesting opening paragraphs that immediately made you want to read on- well a few of the older men didn't find them intriguing, but they weren't the target market of the magazine! :D

It was interesting to compare the openings of 'The 39 Steps' by John Buchan, written as a serial in the summer of 1915 before being published as a book a few months later, and Michael Frayn's, 'Towards the End of Morning' originally published in 1967.

Both these books didn't follow the grab your reader in quite the way it would be now. They were a more subtle winding of tendrils around the reader, luring them in out of curiosity rather than an outright, yes I want to know more now reaction.

 I had that, I want to know more now reaction to a modern sci-fi/fantasy type opening read by one of the members- when I can get in touch with her and find out the title and author, I'll let you know.

Like the other two, the opening was centred around the thoughts of the viewpoint character, but in this case you knew something was going to happen to this one any moment, and it wouldn't be good.

Obviously the writing style of those 20th century written novels were different to the current demands. Novel lengths were shorter, and long paragraphs weren't frowned upon because that was the norm.

Openings are never easy, and I do wonder whether these earlier writers went through the same indecision with the start of their novels, that writers nowadays often experience.

Personally I couldn't narrow down my choice of openings that have stayed with me, from all the novels I've read...

Do you have a favourite opening to a novel that has stayed with you?




Image courtesy of Nuttapong via www.freedigitalphotos.net

Learning from Feedback...

Finally had time to grab a moment to blog.

November is always a busy month with family birthdays, organising for Christmas, and the run up to Awards Night and Christmas Party at the writers' club.

I took on the role of Prose Secretary around this time last year just as a stop-gap, but I decided to carry on with the job, as next April I complete my three year stint as Chairman and have to hand over to whomever is standing for election to the role.

Occasionally I also get an opportunity to judge a competition- which I've just done.

Feedback is a vital tool in enabling writers to improve, and it was while I was typing up my notes that I realised how much I've learnt, not just from reading and writing, but from the generosity of other writers giving their time and experience- whether as a competition judge, during workshops, or even informative blog/website posts.

When I think back to my manuscripts 12 years ago, I can now see how much I've learnt- and still continue to learn of course.

I don't think we can ever have a total disconnection from our stories and characters, having lived with them so closely during the writing process. So a competition judge will be reading our work with a fresh perspective and will pick up the faults we might have missed. Because we know that's what our characters are thinking, it's easy to miss getting that over to our readers...

So in just under a month I'll be handing back a number of manuscripts from the club's annual competitions- ghost stories, romance, radio, and this year's non-fiction, article writing- and the first thing the majority of the writers will do is read the comments.

Admittedly we don't need to follow the judge's feedback completely, as there's bound to be things that we don't agree with- I was devastated one year when a judge said that one of my character's who was dead was the most interesting, and then the next judge who read it liked it, and awarded it first place.

My current work in progress was entered in this year's bi-annual Romance Novel competition, so the judge's comments on the synopsis and first 3 chapters will be very helpful when I get to the revision stages.

I'll tell you how my entry got on after the December 3rd evening...

Meanwhile there's still a lot to do, and writing to get on with. :-)

Contemporary or Historical Romance?

Over the years I've read a lot of contemporary romance fiction as well as historical romances. Though I never thought I would actually try writing a contemporary romance, I am persisting.

My ideas always present themselves in an historical context, and the majority of them would not work in a contemporary setting, but with the current story it was the reverse.

Meanwhile my historical novella is sitting in first draft form waiting for me to continue the revision notes, while I continue with this contemporary romance.

Set aside the fact that they are about a couple falling in love whichever type you write; my experiences have certainly highlighted the differences.

Writing about the past you have a lot of aspects to absorb, and keep in mind.

I find I have to cut out the outside world completely to get my head into my characters in the past. It truly is going 'into the zone'. So much so that the phone ringing, or letters being put through the postbox are alarming; as my brain can't work fast enough to adjust and put me back into the present with all the normal everyday sounds.

Writing about the past you have to take into account the way society- generally- worked. The limitations and risks women faced. Manners and dress codes were more defined, and preparing and cooking food was time-consuming. Even war and politics played a part.

Yes, we still have the war and politics today, the main difference is technology and that we're part of a global community too, compared to the past when today's allies were once the enemy, and Britain 'ruled the waves'.

The internet has made a lot of research material available, which is good for both writers of historical and contemporary romance.

So what advantages are there to writing contemporary romances?

Our heroines are no longer limited to pre-defined roles in life. If you want her to be an Engineer, or a Detective she can be, and you may even know one or two personally; or at least know how to find out more about their jobs from your research.

Women have jobs, they own their own homes, have their own money and control their own lives- generally. 

We are living in the now so we have a lot of influences, but we also have a lot of accrued knowledge that we can use while we write. Our only limitation is our imaginations- and what publishers and readers want. :)

While the last fifty years is history, personally I consider it a midway point. I was a child in the 60's, but I can still remember aspects of it. Some memories can be triggered by a simple comment on Facebook, or by an object that was very familiar.

If you want to write a story set in the latter half of the 20th century then you can ask questions of people who lived through those times, and there's a lot of documentary evidence from television. 

Digital channels will often be re-running shows and dramas written and filmed in the 70's and 80's. Just like today the cars, the looks and clothes influenced the young men and women of the time, and can be a useful reference point.

Social documentaries were the reality shows of their day.

When the original series of Charley's Angels came out, many young women went for Farrah Fawcett Majors' distinctive hairstyle in the mid to late 1970's.

If you write about now, you don't have to concentrate to the same degree on the attitudes and morality of your characters.

To say it's not important would be wrong, because it does matter to both the reader and the writer. But the boundaries are no longer as tight as they once were, a hundred years ago.

Even though some aspects of modern life may not sit comfortably with every reader, as writers we each decide what aspects of life, as it concerns our characters, to use.

Life today, like life in the past, is certainly not roses all the way.

Comparing writing a romance set in the past, and one set now, I'd say contemporary has the edge on how long it takes to write, but writing an historical romance has something else.

When I attended the talk by Lindsey Davis at The Pump Room in Bath, during my trip in May, she said, "writing about the past has levels to it." I'd agree with that-whether you're writing crime, romance or a straight historical.

I'm enjoying the freedoms of writing for the now, but I appreciate the depths of the past...

Using Image Boards...

As I have a number of stories in various stages of development and/or writing, I also have a lot of images in folders, and my mind.

A couple of days ago I got really fed up of having no room for the images for my Mary Street competition entry; at the end of every writing session they had to go back in the folder, and that cut the connection with the story and the characters. Plus there were numerous bits of paper slipping off my desk!

It's never been a problem with my historical based stories as I know the plots and the important images are set in my mind. But this competition entry is being created as I write, so I need the constant contact with the people I've imagined and the plot ideas in this story.

So yesterday I bought a large cork board-self-healing- and it has a surround with corner fittings so you can screw it into the wall (not that I'll be doing that with it). 

An image board-minus the images...

My images are now pinned and working on my brain,

and everything is starting to come together...

I was quite surprised how quickly I responded to having the images in one place, as every time I see the board my sub-conscious gets a jolt.

It also acts as a reminder I should be writing rather than chatting on Facebook!

Perhaps it will also help me sort out a suitable title.

I will definitely be using it for my other stories from

now on.

Do you use an image board, or do you just blu tack your pictures on the wall?

Historical Heroes Writing Competition 16th June to 6th July...

Mills and Boon have a writing tournament for historical heroes for the next three weeks, and you could win a detailed editorial consultation on your full manuscript...

Each week Mills and Boon will be looking for first chapters that feature particular categories of heroes.

This Monday, 16th until Sunday 22nd June it's Regency/Victorian heroes.

Then from the 23rd to 29th it's for Medieval/Tudor Knights/Lords.

For the third week 30th June until the 6th July, it's Warrior Heroes. (This is where your Vikings and Highlanders fit.)

So when Monday rolls round what do you need to send?

A short pitch: Setting,- where and when; a short blurb. You've got 100 words to pitch your story, so you need to make every word count. And there's a link to their current historical books so you can see the sort of thing you're aiming for. Then the big question to answer, why is your hero the best, and "what makes your hero the most delectable man in history".

Your first chapter: 3000 to 5000 words. Don't forget your contact details.

You can only submit once to each of the categories...

Then the editors for the M&B Historical will pick their favourites from the three sections, and they will feature on the Mills &Boon website for a public vote. 

Finally three different chapters will go online on the 14th July and the public votes again.

Midday (GMT) on the 18th July the winner will be announced. 

The winner (Tournament Champion) receives a detailed editorial consultation of their 'full manuscript'. 

There will be a variety of tips, blogs and other snippets across social media, so look out for during the three weeks with the #HistoricalHeroes.

The full competition details are here. 

You'll also find the Twitter handles for the editors of the historical books, so you can follow them and hear the latest news on the competition, with the #HistoricalHeroes.

If you haven't read any of the M&B Historical then have a peek here.

It's good to see historical romance getting some attention...