Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Thursday 10 May 2018

Meeting C.J Tudor - author of The Chalk Man...

It was my Wednesday evening out at the Writers' Club last night (that was the 9th, if
you' re reading this at the weekend).

The guest speaker was author C.J Tudor, whose debut novel 'The Chalk Man' was published this January in hardback; there will be a paperback later this year.

C.J Tudor author of
The Chalk Man
As Caroline is a local author the club was already connected on Twitter, so that made arranging the talk much easier for me; being able to suggest what we'd be interested in hearing about and adapting to her way of working.

Caroline began with reading the prologue of her book and there was a definite ooh at the end...

We heard about her journey to publication with the "little notes of hope"- the comments she received from agents she'd submitted her earlier books to; but it was clear that the process can be long and the path not always smooth just getting an agent.

The insights into the actual publishing process (once The Chalk Man manuscript was accepted- after an auction) was something many writers don't usually hear about.

Anyone who ever wondered why it takes so long for a book to be published- about 2 years- would have understood why, after Caroline explained the process she and her book went through. Editing and more editing featured heavily.

But it did also give some useful insights that self-publishers can learn from.

Creating a buzz using social media and the value of book bloggers, especially with debuts.

The value in getting pre-orders and the concentrated effort needed the first two weeks the book comes out.

All writers are aware of book covers, so it was surprising to hear why the cover of The Chalk Man had to be changed for the US market; they had an orange cover.

It seems they don't like black covers...

Caroline's talk was entertaining, and interesting. She is a pantser as a writer and her talk was that way too, but it worked well.

If you get an opportunity to see her at an event you won't be disappointed. And the same goes for the book...

As it says...










Sunday 7 January 2018

Services for Writers...The Quick Crit...

I hope the New Year has been kind to you all so far.

Today I’m welcoming writer Linda Lewis to the blog. Linda is a very successful womag (woman’s magazines) writer, and she’s now branching out to give the benefit of her experience to others.

Welcome to Carol’s Corner, Linda.

For any readers who are unfamiliar with your numerous successes with the women’s magazine (womag) market, please tell us a little about yourself and your writing?

I live in Exeter, sharing my house with a lodger and some fish.

I sold my first story to Take A Break in 1998. Since then I have sold about 600 stories to a variety of magazines. It’s been my main source of income since 2003.
I switched to fiction after the death of my husband in 1997. I found I was quite good at it so I stuck with it. Before then, I had various ‘proper’ jobs and wrote, mostly non-fiction, in my spare time.

 You’ve recently co-launched a new website Vanda ‘N’ Linda’s Write Space, so how did this collaboration come about?

Vanda lives in Cornwall. We met when I won one of her short story competitions with the theme of a modern day fairy tale (my story was an updated version of Snow White, told in epistolary form). She called to say I’d won, we got chatting, and that was that.
Our partnership came to an end when I moved away, but now I am back in Devon, it made sense to start working together again. Vanda prefers the admin side to judging or giving feedback and critiques, while I love the judging process and find giving feedback, so we are a very good fit.

What will writers discover when they visit the Write Space?

As well as advertising our books and running prize competitions (some free to enter, others not) the website offers tips, advice, courses and feedback. We wanted to offer an affordable service, delivered by people who knew their trade.

I was a tutor for the Writers Bureau for a while and really enjoyed it. I have also run workshops and courses for organisations including Swanwick Writers Summer School and NAWG.

Now that I don’t go away so often, I wanted to continue teaching people. Vanda already offered courses so adding my own made sense.
The first course went live a few weeks ago and is about writing stories with twist endings which is one of my specialities.

If there are any areas people would like to see covered in courses, if they get in touch, I’ll  see what we can do.

Among the writing services you offer there’s a quick crit of short stories that have been rejected by the womags*; what will the writer gain from using this?

The website offers a general feedback service for writers of fiction. Prices vary according to word count, but the quick crit idea was mine.

Whenever I judge competitions, I hate it when a story misses out on a prize due to simple or basic errors and I can’t tell the writer what was wrong or how to fix it.

Apart from The People’s Friend who go out of their way to help writers by offering feedback, it’s rare for short story writers to find out why their story wasn’t accepted. The £5 quick crit tries to fill that gap.

Sometimes the author DOES know what’s wrong. A fiction editor may have told them that the plot was thin, or the characterisation wasn’t strong enough. I have a knack of being able to read other people’s stories and see how they can be improved.

If I can, I will suggest different endings or extra plot strands, in short, anything that might help the writer improve their chances of making a sale.

Stories can also be rejected when there’s absolutely nothing wrong with them. For example, it might simply be that all the Christmas slots have been filled; that kind of thing. Again, it helps to know that it’s not the fault of the story - it’s just bad luck.

Too many writers get ONE rejection and give up with a story. Our attitude to rejection affects our success. Rejections, and I must have had thousands, still hurt me, but I get over it.  I have another look at the story, Can I change it? Maybe I can lengthen or shorten it and send it elsewhere? And if I’m lucky enough to get feedback, I will almost always rewrite and re-sub.

When there were a lot more magazines taking fiction, I could send a story out five or six times before I gave up with it. Even then I might reuse the basic idea.

* I have been fortunate enough to have a one off trial of Linda's quick crit service and it's good value. Linda identified the main issues with my rejected short story- sent to Woman's Weekly a couple of years ago- and suggested possible routes I could consider when I rewrite. And I will rewrite it and submit it again.

Thank you for answering my questions Linda. I'm sure the website and quick crit service will be a success...

You can find Linda's books on the website, and via Amazon where you can discover them on her author page.

If you're interested in any of the competitions, books or the new critique service then pop along to www.vnlwritespace.com

If you're on Twitter you can follow Linda @writingiseasy

Monday 5 June 2017

Back to the Rewrites - and a Submission Call for a Charity Anthology...

Half way through the year already!

What have I achieved so far?

To date I have already exceeded my 2013 word count total; that was 23,032, and I'm almost up to 26, 469 which will pass my 2014 total... But there's still a lot to do yet.

My ghost story went live two weeks ago- I know, I've mentioned this before. :D

My 1920's story is progressing slowly. At the moment I'm developing the plot as I write, which is unusual for me as I'm more a semi-planner.

I've had a reading spell- a couple of my favourite authors have new books out, so I bought them for my Kindle. Read one in a day, and then the next one the following day.

The Lowdham Book Festival starts this month- 16th-24th June. So I'll be promoting my published work along with other Nottingham Writers' Club members on the 24th. Fingers crossed for sunshine all day this year.

Now back to draft 2 of my 1802 novel this week- again.

SUBMISSION CALL:

As everyone around the world knows the UK has experienced a few terror attacks this year, but it doesn't stop us carrying on with our lives and work, so here's a call for submissions for a charity anthology- from Lucy Felthouse.

All proceeds from this anthology will go to the British Red Cross' newly launched  UK Solidarity Fund. This fund will help victims of terror attacks in the UK, both now, and if needed, in future incidents.

2017 Calendar dates...
There's a short deadline for this anthology-14th July. So you can find the full details by following this link for all the information you need...













Sunday 8 January 2017

A Very Slow Start...

Getting back to the normal everyday routine is not going well.

So this coming week I really must be tough with myself.

Over the years I've learnt to listen to my inner writer, it's that little voice that says you really should or shouldn't do something, whether it's writing or generally. When I ignore it I usually find later that it was the wrong thing to do.

Well that's what happened the other day, and it was quite a shock.

You may have previously seen me mention an epistolary story that I'd written for one of the quarterly prose competitions at the writers club, and that I intended to rewrite it for a Writing Magazine subscribers competition currently running.

Well I made a copy to work on from the version on my external drive, settled down to read through it and see where improvements and additions could be made to increase the overall length to be within the required word count.

At the time it was originally written I had a sneaky feeling it needed to be longer, but I had no idea in what way; so I was fairly confident that I'd be able to work on it now.

Having decided how I could extend the 900 word story without losing the best bits of the existing story, I considered how I could create a slightly more resolved ending.

That was when my inner voice screamed: STOP! Don't do it! It's NOT FINISHED! There's a bigger story behind this. You need to tell that story before you write the end!

And that is not an exaggeration...

After a few deep breaths and half a mug of coffee I felt calm enough to look at the text again, and I knew that inner voice was right. It won't work at the required length for the competition.

It's certainly not a full length work, nor a short novel. Perhaps it's a longer short story or a novella.

So it's being put aside to brew whilst I get on with other stories.

Will I be able to write epistolary story to fit the entry requirements? I don't know. But I do know the decision I made about this existing one was right.

Like the plants in the picture, some stories are neat and compact, and others keep growing where they want to...


Stories can be like
these plants...










Thursday 29 December 2016

Happy New Year...

Happy 2017...
I hope your Christmas went well.

Today is very foggy and cold, so apart from a brief trip outside I've been indoors in the warm, relaxing, catching up with friends online and reading.

I've also being making a few definite plans for the first few months of 2017.

With Take A Break Fiction Feast moving to only accepting fiction from those writers on their preferred list, it means that the remaining markets are going to be getting even more submissions, so I need to get on with writing and sending out the stories that I have ideas for (that fit their requirements).

But first I want to get on with adding to and revising my epistolary story (that I got second place for in the writers' club winter quarterly prose competition 2015/16), as there's currently a subscribers only competition in Writing Magazine for this form. The deadline for this is mid February, so my personal deadline will be the end of January.

Having not looked at it since the spring, my subconscious has developed the idea a bit more.

Of course I also need to get back to the second draft too.

Finally there's my annual word total that I reveal at the end of the year- to remind myself what I've done, and that I can do more the next year...

In 2015 I wasn't including my blog posts, which I did include this year. And of course when I'm editing something I'm usually taking away not adding words so that will drop the 2016 total a bit.

2015 total: 28,795

2016 total: 34,612

That's an increase of  5,826 words on last year.

So that's it, my last blog post of 2016.

It's been another year of surprises, learning and improving.

See you in 2017...



image: pixabay




Thursday 22 September 2016

Motivation...

Admittedly, first thing in the morning my motivation is poor, but once I've had breakfast, and my muscles have warmed up properly, my motivation gets going.

As I've been editing a story for a club competition, I could see what I needed to cut, and asked myself, what was my character's motivation for what they're doing.
Getting Motivated...

I think I've got to the core of the problem.

I'm going to write down the motivations for my main characters in my Nottinghamshire story. Although I think I know what they are, I've never actually written them down.

Reading this useful post on the Writers Helping Writers site, it got me thinking about my current hero and heroine's motivations, and those of my 'villain' too. So I'll be taking time to check that I've not missed any of the points mentioned in that Character Motivation post...

Like any writer I have a few essential (writing) reference books that get regular use: a dictionary and my Cassell Dictionary of Word Histories; and when I'm trying to grasp particular aspects of my characters, but I'm unsure of whether one is more suitable than the other, then I will dip into The Emotion Thesaurus: A Writer's Guide to Character Expression, or The Negative Trait Thesaurus: A Writer's Guide to Character Flaws.

I have the Kindle version of Emotion Amplifiers too- it's a free e-book.

But however useful these books are, it still comes down to me, sitting down at my desk and tapping away at the keyboard to get the stories written.

So I'm off to get on with finishing the short story- motivation on full throttle...









image courtesy of supakitmod & www.freedigitalphotos.net








Sunday 31 July 2016

Trying a New Method...

At the moment I'm working on a shorter project set in the late 1920's.

1920's Red Cloche Hat
from Shaping The Body Exhibition
Castle Museum, York.
With the school/university holidays there's not as much quiet around me as I need to concentrate on the editing of draft 1 of my Nottinghamshire short novel, so I'm researching and jotting down ideas on this other project.

I've always written sequentially, so start at chapter one and work through to the end, but this shorter project isn't working that way.

I have scenes and dialogue in my mind but not the joining up or narrative pieces.

So I decided to try something different; write the dialogue in the scenes I do have in mind and fit it together later on when I'm clearer on the descriptions and narrative.

Admittedly I was sceptical  that it would work, but surprisingly it has worked well and I'm making progress quicker than I anticipated.

The core prompt has been in my ideas book for years, and despite considering a few possibilities- one set in the early 19th century- it didn't go anywhere, until the couple from the past revealed a brief conversation that made sense of the 1920's plot.

One day I'll write that other story that will tie up the early 19th century to the 1920's...

Meanwhile the disadvantages are that I've got to learn about everyday facts of 1920's life.

For example can my heroine turn on a light? How widespread was electricity in country houses?

It's interesting in another way, because my mother was born in the early 1920's so some of the questions & answers will relate to her childhood too.

At least I'm writing... :-)





Thursday 21 July 2016

Regrets and Serendipity...

Thank you all for all your support and kind words recently, it encouraged and reminded me that sometimes I need to step back and relax and not feel guilty for it.

And of course, when I did stop worrying, my creativity returned.

That was when I regretted not buying that old book last month.

The old book that I picked up, browsed, then put back down on the book stall during the rainy day at Lowdham Book Festival. I'd left it, deciding it wasn't useful. :(

While it's noisy at home at the moment, I decided to do some research for an idea that may be suitable as a pocket novel, as it's buzzing around my brain at the moment.

If you want to know about Steam Locomotives there's lots of information on the internet, and plenty of photographic examples, but interior views of the carriages on the line I am interested in, no. I could find a few pictures for the 1890's.

So I decided that the start would need a rethink and put it aside.

Then today I popped into an Oxfam book shop that I'd never visited before, and a very well-worn cloth bound book caught my attention. The books of the early 20th century were often cloth-bound, so I always look at these when I see them.

I'd found a gem. The Blue Guides to England. They are still going and you can read more here.

There were a few pages loose, but they were there. There were little maps of different regions of the country, information on stations, buses, fares and hotels, as well as the standard tourist information of the time. Everything a visitor to England might need to know in the late 1930's. And no adverts.

From America to England the steamer took 5-10 days, and just like now it cost more to travel in the summer season; off season was 10% less.

The rail route I was interested in described the views as the train travelled from London to Brighton, the classes available and how long the journey could take.

Of course all the fares and hotel charges are in pre-decimal currency, so £-s-d.

I'm old enough to remember those, and many of the coins shown here. My pocket-money as a child was a thruppenny bit (three pence). :-)

It's going to be fun to dip into the pages and learning more about places I've visited, over the years.

But I will be getting on with the writing/editing too.


















Monday 18 April 2016

The Rewrite Resumes...

Finally I can return to the second draft rewrite.

I'm grateful to Patsy Collins for guest posting last week while I was very busy with essential work for the writers club...

Anyway, to draft 2. I know it's advised that you read the whole manuscript through and make notes, but I'm not doing that for this draft.

I've got numerous minor and major changes to do, and the overview of the story in my head. And if I'm not sure of something I do have my chapter outlines with any changes that were made marked in.

The second half of the story was clearer, mainly because I had discovered more about my characters, their motivations, their reasoning, and the emotions and reactions that were lacking in some of the earlier chapters.

So the aim for draft 2 is: to take one chapter at a time, read it, make notes. Where I know a scene is missing I'll write it in, and deal with the points made in the notes.
The next drafts...

Spread throughout are various comments in brackets-research x. They're minor things and I've already found the information I need on most of them.

Once I've reached the end of draft 2, there will be a short break and then the complete read through and more note-making.

How I approach draft 3 is for deciding when I get to it.


I know what works for me to produce a 1st draft. Now I need to discover how draft 2 works...









image courtesy of Stuart Miles & www.freedigitalphotos.net






Sunday 6 March 2016

Computer Gremlins...

It's been a busy few months and apart from getting the short story finished and sent off, I've not had time to make any progress on the Nottinghamshire story- though I have been doing needed bits of research (highlighted when I read the first chapter of draft 1 through).

Sometimes I can't imagine ever finishing it, but I know that's not true, it will get done.

Unlike the first draft I haven't found it as easy to do a bit, then stop, then do a bit more. That's the hard part at the moment, finding how to work with the second draft.

There has been other writing/editing going on though.

A factual piece that I wrote last month that required a final edit was rewritten with a different slant, and will appear this month.

There's an entry for the writers' club quarterly prose that needs finishing off. I started it twice and wasn't happy so put it aside. Then last week everything clicked together and I started again. It's working much better this time...


Sadly my desktop PC is showing early signs of future failure, and I'll need to replace it this year. I like Windows 7, but will have to move up to Windows 10 when I do change. :(

So I've been tidying up the programs, taking off those that are no longer needed, and avoiding putting the PC under any potential stress.

Glad to say it seems to be helping.

So if I suddenly stop posting you'll know what's happened... :D









Image courtesy of Stuart Miles & freedigitalphotos.net

Thursday 18 February 2016

Short Story Ready to Go - Almost...

I'm always surprised to discover my editing skills have improved.

As I mentioned a couple of weeks ago, I have a short story that I wanted to revise to submit to Woman's Weekly.

My dilemma was that the story was too long for the 1,000 words, nor would it work at the shorter length, but it was too short for the 1,800 requirement.

So my revision became a rewrite to add words- about 400 in fact. It isn't a lot but I have to admit I didn't think I could do it without ruining the story.

I didn't quite finish last week, as a final few paragraphs needed to be looked at, even though I didn't think I could squeeze any more out.

But I did!

Actually I read through the whole story yet again, made more adjustments and my word count went up to as much as 1830, and then when I did my final edit it came back down to 1805.

Fixing the problem...
So where am I now with it?

Yesterday I printed the completed manuscript out and the cover sheet, addressed the envelopes and did a last minute read through.

That was when I saw it. No not the dreaded escapee typo, but one short line that didn't read clearly. So I'll sort it out and reprint, and read through again...

But it will be posted Monday. :D






Image courtesy of supakitmod & www.freedigitalphotos.net

Thursday 21 January 2016

Changing Voice...

As I've been attempting to revise a short story that has been sitting on my computer for a while - it won one of the writers club short story competitions a couple of years ago - I've been struggling a little.

It's not that I can't sort out the edits that are needed, it's just that I've not got the same voice as I had then.

For the past eighteen months to two years I've been concentrating on my longer stories, and now have two first drafts.

Slipping into Serena Lake mode isn't that difficult, because writing a story set over 200 years ago requires a different mind-set and style of expression, as speech patterns and the meanings of many words and phrases used are very different to modern life.

Coming back to the first draft of my Nottinghamshire short novel I was back into that voice within an hour.

But now with the short story I can hear the differences in my current voice, to the one two years ago, and it's quite disconcerting.

I suppose it's part of developing as a writer, learning, and being open to trying different things.

So at the end of my unsatisfactory short story editing session I considered my choices.

a) Abandon the story completely and forget about it.

b) Carry on with the editing and hope it sorts itself out.

c) Rewrite the whole thing, keeping the good bits and taking out or adapting the bits I needed to edit anyway - and it will all be the current voice.

Obviously I chose c).

I know b) won't work, and the story deserves another chance before I resort to a).

While I'm rewriting it, I may actually lose the 300 odd words to get it down to the 1,000 word length...

Changes...!


Changing sky...




Thursday 7 January 2016

Getting Back Into Routine...

The first week back after major holiday times is always difficult for me. My regular routines are not all quite back in place yet.

So I'm easing myself back into the writing process this week.

I've dug out the short story I need to revamp for sending off. I must get my editing pens out and mark up the manuscript for changes- among them taking out repeated words in close proximity. Distance really does help the editing process.

At the moment I'm judging one of the quarterly prose competitions at the writers' club. So it's actually helpful I haven't completely slipped into full editing mode yet.

After the session I did on character bios (last year) I agreed to judge one of the members competitions on this subject. I wanted to be able to believe that their character could be out there, and those who have taken up the challenge have done well. I just need to finish the comments and print them out so they can be returned at this month's meeting, and the winner announced.

Then I have an entry to do for the club's winter prose competition. The words are swirling around my brain in quiet moments, so that will get done before mid-March when it has to be submitted.

There I was thinking I was being lazy... :D

Working time...









Image courtesy of supakitmod & www.freedigitalphotos.net





Thursday 29 October 2015

'The End'...

Yes, that's it, today I was able to write THE END at the bottom of chapter eighteen. I know there's still a lot to do, but that's for the future now.

I've enjoyed the break writing a contemporary romance, but I've not been interrupted with ideas as I am when I'm working on a historical.

Yes, I'm looking forward to getting on with the Nottinghamshire story now; it's been calling to me, demanding attention. Entering the first chapter in the New Talent competition only confirmed the feeling I wanted to get back to it.

My aim is to work steadily through the second draft making changes, adding the missing characters, and scenes that I knew I needed -because my mind was blank about what I was aiming for at that point.

Over the weekend I'll be changing the images over on my big cork board.

The big board was really helpful with the contemporary story- so I hope it will work with my Nottinghamshire story too.

Even if I had a couple of days- or even a week- when I couldn't add to my word count, my characters and settings were by my desk, always at the corner of my vision, remaining in my thoughts. I never lost contact with them, so I was able to pick the story back up quicker from where I'd stopped at the end of the previous writing session.

Here are the lessons I've personally learnt from writing these two first drafts:


  • Even a couple of hundred words a time soon adds up to a chapter, and then another.
  • Just because a character says or does something unusual, there will be a reason later on.
  • If a scene isn't working, make a note what it should be about and move on to the next bit.
The End is just The Beginning...
  • Don't worry about chapter length; end it when it feels right.
  • Some scenes/chapters will be easier to write than others.
  • The middle will always feel like you're climbing a mountain.
  • When you see the end approaching, don't slacken the pace.


I'm going to catch up on reading a few new books on my Kindle too, while my mind is clear.







image courtesy of njaj and www.freedigitalphotos.net







Sunday 25 October 2015

First Draft- Last Chapter...

I'm late posting today because I was grabbing some uninterrupted time to get on with finishing the last couple of chapters of my contemporary romance.

Pleased to report I'm now on the last chapter, so I'll hopefully finish it this week or next.

Still working...
It is only the skeleton of the story with a few muscles and veins added here and there, but it will give me plenty to work on. There's still a few research areas to follow up on too.

I'm already feeling the tug of disappointment that I'll be temporarily saying goodbye to my hero and heroine from this story.

But the good news is I'll be getting back to one of my Serena Lake historicals. Serena has been a little neglected while I've been so busy this past couple of months.

I'll be able to return to my Nottinghamshire based story with renewed enthusiasm, despite my first chapter not making the shortlist of the New Talent Award.

Yes, it's disappointing, but that chapter does need more work. Plus I won't have the constraints of a set word count to conform to.

I'll be leaving chapter one as it is, for the moment, while I start with chapter two for the second draft.

Draft two is going to be a lot of work as I'll be making changes, adding and removing scenes, and developing a few of the minor characters- now I know what they're doing.

The last two years have been a big learning process, but I now know what works for me. I'm no longer allowing myself to get held up because something isn't working. I make a note about it and carry on with the scene beyond it.

I've learnt to listen to my characters, but interfere when they're getting out of hand.

Now I just need to keep putting in as much time as I can on the rewrite.






Image courtesy of Salvatore Vuono at FreeDigitalPhotos.net

Monday 21 September 2015

One of Those Down Spells...

I've been having a down day on my writing.

You know those times when you think your writing is awful and you can never improve it? Well that was me today.

Having had some time away from my Nottinghamshire story I can see so many possibilities just in the first chapter.

Should I start with dialogue or leave it with the current opening description and narrative? I've started to wonder if actually shifting the position of some elements would work better...

With other stories I've written it's been a 50/50 split, though I know that on one project I'll be changing the start.

Once I get into rewriting the chapter I don't feel as bad, but now that nagging feeling that the start is wrong won't go. I have to seriously consider that may be right...

It's been some time since I've had one of these down spells, and I know it will pass, but I think having a deadline is making it worse.

Such are the trials and tribulations of the writer...






Thursday 17 September 2015

The Snakes & Ladders of Writing...

I realised today that writing can be a bit like snakes and ladders. You work your way along the board and sometimes everything goes well, or you get a good moment so up the ladder you go.

Then the bad spells are the snakes. You hit them and end up at the bottom of the snake; sometimes the slide back is short, other times it can be a long way down.

When you finally get to the end- whether you win or not- you can walk away, but the next time you want to play, you have to start all again.

That's what writing a novel of any length feels like to me, snakes and ladders.

I'd decided earlier in the year that if the opportunity came along to enter a romance new talent competition, I should go for it. I've learnt so much the past two years, and finally felt I was ready to try.

Although the Harlequin competition So You Think You Can Write was interesting, I didn't have anything fully complete, and I'm a slow typer...

The next opportunity was The Festival of Romance, New Talent Award. This required a first chapter, maximum 2,500 words. Then when the festival weekend was cancelled I did wonder whether the competition would run. Well it is, but as part of the Love Stories Awards instead,

The New Talent Award "is intended to shine a spotlight on the authors of tomorrow."

Now I have had a week of snakes and ladders as a result...

I have three different projects, so three first chapters all in different stages. The Dorset one needs too much work, as much as I love my current work in progress, it isn't what I want to concentrate on- though I have the last two chapters of draft one still to finish, rumbling around in my mind.

So the 1802 based story it is. I already had some revision notes made, but where to start?

After a number of snake moments from which I picked myself up, I got into a method that seemed to work for me.

The deadline for submitting by email is midnight BST 1st October. There's a £3.50 entry fee (to fund a trophy and presentation to the winner and shortlisted writers).

If I don't feel the chapter is good enough, then I won't enter it- and my contemporary romance first chapter may get an unexpected outing (the first three chapters had a lot of work done to get them ready for last year's romance trophy competition at the writers' club).

The aspect that hit me hard today was starting again.

I'd completed the historical first draft a year ago. I'd taken my characters through meeting again, the difficulties, falling in love and eventually gaining their happy ever after (HEA). Now I had to go back to the start of the relationship and put aside all those moments and revelations I'd written about, and get my mindset back to that initial meeting.

It was slow progress, but then everything clicked into place. I've climbed a short ladder today. I just need to keep climbing...

Making progress...








Image courtesy of ddpavumba &www.freedigitalphotos.net









Thursday 25 April 2013

Fortunately I Can Sit Down to Write...

I've been suffering since last week.
Apple Tree in Spring

I woke up last Saturday morning with a pain in my left foot- looked like my instep was bruised as it was red and I could only hobble on that leg. :(

So I was a pitiful sight getting round the garden with my secateurs trying to help with the 'spring' (ha ha) tidy up- that should have been completed a month ago!

I've just about stopped hobbling now and can flex my foot without discomfort. But I could have done without the busy week as it limited my writing time, and meant I've not given my foot much rest..

But I've made up for it, today I added 897 words to yesterday's 482. The novella is about to pick up speed as I head toward the last three or four chapters. I'm on chapter 12 currently.

The break from writing over Easter did help me get my thoughts in line, and the content of a couple of chapters have changed order from my original outline.

I have decided that working on the skeleton of the first draft does seem to work for me.

Scene order and content, along with dialogue has been my framework, with any detail where I knew what I needed to know already, written in as I've gone along.

I've got some questions noted too- like yesterday, my heroine Sarah, was weeding the vegetable patch when the baddie turns up.
We have lots of tools for gardening nowadays, but what did they use in the early 1800's- and could it have been used as a defensive weapon if needed? I thought holding a nearby spade in front of her might work, but were they heavy, easy to lift?

Fortunately I have a few reference books which might have details, otherwise I'll be Googling...

Draft 2 is going to be a lot harder work as quite a few of the chapters lack description, and I have one scene that I marked in place on the manuscript, but haven't written yet- as the description elements in the scene need to be right.

It's very true about only ever needing about 10% of your research in the book, but you still need to understand the other 90%...

Draft 3 will be the checking for inconsistencies, plot holes, corrections; then Draft 4 will be editing.

Once I'm at that stage I have a couple of readers to give me feedback- if I've missed anything, or something isn't understood, they'll tell me.

Meantime I have a few competition entries for the writers' club to get on with...


Image courtesy of Vlado and www.freedigitalphotos.net


Monday 9 July 2012

Brain Drain...

My brain has decided that it needs a rest.

I fit my writing in around the other demands of my life, so I have busy spells when I get very little writing done, and other times when my creativity is at full flow and hours at the keyboard go by.

Every writer finds what works for them, and my brain has decided that this week it's on go slow!

When I'm not writing then I find it easier to read, and I've finally settled down to a kindle book, 'Pets on Parade' by Malcolm Welshman, which has been sat on my computer for a couple of months. (This is his second book. I read the first one -now called 'Pets in a Pickle'- when it was first published some years ago, so I'm looking forward to revisiting some of the characters.)

If I'm in the creative spell then I'm either in writing mode or editing mode. This year these two elements have really started to become distinct. Likewise, I'm either in a short story spell, or happier with one of my longer length works.

Now I have to admit I do minor editing as I go along, as I re-read what I've written during the previous session and make minor changes to things that aren't quite right. This way I'm back in the story and ready to write the next stage of the plot.

As to editing, I really think it is something you learn best as you go along. Yes, you can read about it, but like writing you need to do it to improve.

I look in horror at all the things I missed in the editing process in my very early manuscripts...

And I still wonder why it is so easy to see the edits needed in someone else's manuscript, but still miss the odd item in my own work?

I know breaks away from the work in progress before edits are important, but I do find I need to have a long break to get a decent perspective.

I need to spend the rest of this year working toward consistency, and getting a little further along with one of my longer projects.

Now if I can just have some dry weather to get the office area box free... :-)













Thursday 5 July 2012

Flash Fiction Workshop with Sally Quilford...

It was very hot in Nottingham, Wednesday evening, and I think quite a few members of the writers club were at home watching tennis in the cool...at least Andy Murray won this time round!

But the rest of us had a great evening with writer Sally Quilford who travelled to Nottingham to do her flash fiction workshop.

Now I'd been writing most of yesterday, so I thought my brain would be on strike, but the first exercises immediately got my creativity working.

We had to write about ourselves in under 100 words and it all had to be lies.

Ten minutes later we all read out our fabrications- from the strange to outright bizarre (but as I've been entertained by many members writing at manuscript evenings, I could see where some of these outlandish statements had first emerged in their fictional characters).

Though where the sushi and champagne diet idea came from in my case- I have no idea. :-)

There were some interesting discussions about how flash fiction could differ from a standard short story, and it certainly caused a few raised eyebrows, but that's good.

Thinking about how a story can be written in a different way but still be effective is a beneficial exercise, as until you try it you never know if it will be a style that works for you.

The prompts  section was a great success. The audience called out a number of objects/scenarios- we had 10 in the end- and we spent time writing about our chosen prompt/s. Muddy Boots seemed to be popular...

It was great to see the variety, and there were certainly a few stories emerging that I would love to hear completed, and hope the writers finish them.

We then had to edit the pieces by 10%, and actually most managed to reduce the wordage by quite a bit more- which did seem to surprise a few.

It was an evening of fun and learning, and I'm sure we all took some insights away with us-I certainly did. Sally kindly provided handouts, so we can refer back to them when needed.

Brilliant evening- thank you Sally.