Monday 23 September 2019

Disappointment & Determination...

It surprised me to receive an email on Friday telling me the reader's report from the New Writers' Scheme was ready to access. I hadn't expected it so soon.

I considered ignoring it until later in the day, once I was home from meeting up with the Nottingham RNA Chapter, but I gave in and had a quick look through.

It was worse than I'd expected.
Wine...

I went out as planned.

Sharing my angst with the chapter members when we met up, I received sympathetic advice and helpful suggestions. Lunch and a glass of wine later, I had a more positive frame of mind.

Following one of the helpful suggestions I received, to print it out and go through the report with different colour highlighters, I could see the positives not just the negatives.

Many of the major points raised in the report I'd known about, but hadn't left enough time to fix before the August deadline- a lesson in time-management for next year's submission.

And the synopsis, let’s not go there...

There were a handful of positives, which gives me hope that with hard work I can improve the manuscript. But it will take time and thought.

Having learnt from this year's submission and report, I will apply that to another first draft I have waiting.

No, I'm not giving up on this story. I knew there was still plenty of work to do on it, along with the additional research points that popped up as I'd worked on the draft. But for now I need a short break away from it.

Getting it right is never easy...






Image: epicantus at pixabay.com





Sunday 8 September 2019

Workshops and New Projects...

It's been a busy month so far and it's only the first week...

Yesterday (Saturday) I was at a workshop at Nottingham Writers' Club. The guest writer was Patsy Collins who was leading us through Characterisation and Dialogue.

Personally I think the latter element is really helped by getting the former element pinned down.

Patsy Collins & a few
of her books...
Something I will definitely be applying to my characters is how do my other characters see my main characters?

It was good to know my creativity was kicking back in again with the writing exercises.

For the first three days after getting my manuscript into the RNA's New Writers' Scheme my brain just went on temporary strike.

I put in a lot of hours in that last week- 15 hours on the Friday into the early hours of Saturday morning alone- as well as having spent a few hours at the walk-in centre on the Tuesday after a bad fall- catching my toe on the door ledge stepping in from the back-garden.

Yes, my mind had been on my manuscript and that approaching deadline rather than what I was actually doing at that moment...

 I damaged the ligaments either side of my right knee and bruised my tibia. Pleased to say nothing was broken. The bruises are now fading and after taking everything slowly I was moving around with care by the end of this past week, so no problem attending the workshop.

The broken tooth is being sorted later this week.

*   *   *

As I knew it would be a few months before I heard anything from the RNA NWS, I decided to make a start on setting up one of my other novels on Scrivener, but which one?

I have a complete first draft of a contemporary or the first five chapters of a 1920's story- the first three chapters and synopsis won the NWC 2018 Mary Street Romance Novel Shield. Admittedly the first draft novel (the synopsis and first three chapters of it) also won the 2016 Mary Street competition.

A 1920'S hat...
I know I have quite a lot of background research I need to do on the 1920's story, but it was calling to me, so I decided to start setting it up on Scrivener first and use the elements I hadn't used on my main manuscript.

I first started using Scrivener back in April when part of my historical was already in Word 2007 and as I was still becoming familiar with how Scrivener worked, I didn't have time to sort out all those helpful little aspects of the programme. It was get the second draft written!

This year I've learnt a great deal about how I write and put my novels together, so I'm now putting the knowledge I've gained into action with my other projects.

My Dorset novel needs looking at again to see what I need to research there too. That's at a similar stage to the 1920's novel, but will need complete rewriting as my voice has changed since it was started.

Priority is still to complete my 1802 Nottinghamshire novel, but I'm not going to waste the time in between...

Do you have more than one project on the go?