Authors for Nepal - Auction Coming Up...

I doubt many will have missed the news reports of the devastation left by the 7.8 magnitude  earthquake that hit Nepal last Saturday, resulting in the death and homelessness of huge numbers of  citizens.

As with previous natural disasters authors are rallying together to raise funds by donating to a charity auction; items donated range from signed books, to critiques, and an author visit, plus many more.

There's still time for other donations to be added with a deadline of 6 pm this Sunday, May 3rd.

For details of where and how, pop over to the Authors for Nepal Facebook page.

At the moment the auction is scheduled to begin Tuesday 5th May at midnight on ebay. The organiser, writer Julia Williams, has said that although they may not have loaded all the items by the start time, they will carry on until they're complete.

So even if the earlier ones have finished there will still be later ones running.

The money raised by the auction will go to Earthquake Relief for Nepal set-up by a New Zealand based charity, First Steps Himalaya, who are involved with providing early years education for rural Nepali children, and are already based within one of the villages.

You can find out more from this item in the Bookseller.

The charity's page.


The Facebook page for Authors for Nepal.


So keep an eye on the Facebook page for more updates over the weekend.

AUCTION RUNNING so pop over to ebay and take a look at their all listings- there are a few still to be added, so keep checking.

Catching Up...

After weeks of not adding to my work in progress due to lack of time, quiet, a stuffed up head and a second chest infection, I was really worried that I would find it difficult to get back into writing my contemporary romance, especially as I'd left off writing mid-chapter, with my heroine having to make decisions that could be good or bad, dependent on what she discovers...

I was surprised how quickly I got back into the flow.

Going with the 'write it and see' method has not suited me, and the contemporary romance will certainly need much more work in the second draft.

Even when I plan I'm flexible. Sometimes ideas expand or new ones emerge as I'm writing my historical romances, and they seem to fit in easier, whereas at the moment with the contemporary these additional bits seem to stick up like nails that haven't been hammered in properly!

I'm also anxious to get back to the Nottinghamshire novella too- the characters have started reminding me they are still waiting for the rewrite, and when will I start?

Along with a few ideas for shorter pieces- inspirations that have been percolating, and now keep popping up when I'm not expecting them to- usually when I'm meant to be cooking dinner, are distracting.

It's great there are all these ideas, but it doesn't help me get anything finished!

So I'm going to put some serious time in during the next couple of months, and try to be more organised.

There are short, mid and long term plans that I can dip into as and when needed.

I'm determined...

Writers' Earnings - Not Good News...

Still not quite over the recent late spring bug, but my head is now clear enough to put some thoughts together on the news reports about writers' earnings that came out today.

You may remember that last summer the initial findings of the ALCS's survey on author earnings revealed that for professional authors- those who earn their income from writing rather than another job- their 2013 income was just £11,000. (In 2005 this figure was £12,330.)

The full research has now detailed how the income is spread, and for the average writer it is not good news.

The top 10% of professional authors (defined as those who spend more than 50% of their time self-employed writing) earn 58% of all the money that's earned by professional authors.

Now I'm not going to begrudge any writer for all the years of hard work they've put in, they've earned it. But would they be able to get to that same level of income if they were just making that leap into full-time writing now? In the current climate facing writers I very much doubt it.

One of the panels I attended at the recent Writers Conference was about earning a living as a writer. While few of the audience were shocked at how difficult it was to do so, it was probably the insights into how varied the other means of earning an income have become: teaching, mentoring, workshops, and other creative writing opportunities were sited as other income sources.

Back to the results:
As for the bottom 50% of writers (professional and those for whom writing is not their primary occupation- which will be most) they only earn 7% of all the money earned by writers put together...

The worrying figure is that 17% of all writers did not earn anything during 2013. Also 90% needed to earn money from other sources. Bills still need to be paid and food bought...

While these headline figures are worrying, there's a lot more to be concerned about for many writers who are emerging in the current world.

• Too many expect writers to work for nothing, whilst claiming it will help your profile (!!!! I stopped believing that a long time ago. It's not that I wouldn't do something for free, but that would be my choice because I supported a cause or was happy to help in some way, or a particular writing credit would be useful...)

• Contracts that demand more, or all rights (including moral rights) in any media with no additional recompense- an issue with a number of magazines. 

• No reversion clauses. Admittedly many publishers will have them, but others won't, and how can any contract be fair if all the advantages are on one side? Yes, you can turn the contract down, but regrettably you lose out.

It will be interesting to read the full report, as it also looked at copyright, contracts and the authors' bargaining positions.

To read the various articles here are a few links you might like: Bookseller; and the Guardian.

Kobo, Mills and Boon and W H Smith Romance Writing Life Competition...

April seems to be the month for competition announcements.

Following on from my Sunday post, about Choc Lit, there's now another opportunity for writers of romance in the UK, Canada, and the United States, announced today.

The winning writer receives a publishing contract with Mills and Boon, which includes print and digital release; plus it will be "jointly promoted" by all three names: Kobo, Mills&Boon, and W H Smith.

There's a prize for second and third place- a Kobo Glo HD.

Now to take part, you must have an active Kobo Writing Life account to enter, and they do give you a helpful link.

The first of many?

Their link takes you to a page, but you need the create an account via the link on the bottom left (in light blue/green) and you can then proceed to sign up to Kobo Writing Life as an author.

Now that bit is the off-putting part of the process- I'd assume they class signing up as being the active bit...

So what do you need to submit?

A maximum 500 word synopsis, and the first chapter of your romance manuscript, no longer than 5,000 words. These will be "reviewed by a judging panel".

(I'm sure I don't need to remind you, but just in case, give the ending on the synopsis...)

They're including all romance genres, and while saying it's not limited to their existing categories, I do wonder how much that will play a part.

And for those who want to submit a title they've self-published - you're in luck.

The deadline for entries is the 14th July- but you might want to check whether that is UK time, or US.

As the successful writer will be announced a month later, 14th August, the winner will need their complete manuscript ready for submitting to Mills and Boon in September-with the release date of the winning entry in early 2016.

And the manuscript needs to be 70,000 words, or more...

For full details pop along to the Kobo Writing Life page. It has all the links you need, including the one for the application form- make a note of how they want your manuscript put together before you click submit...

If you enter, good luck.






Image courtesy of Danilo Rizzuti and http://freedigitalphotos.net

Choc Lit Search for a Star...

This opportunity, from book publisher Choc Lit, arrived in their regular e-newsletter today.

My head is full of cold, so this post is very short, so I'm going to suggest you read the details carefully for yourself.

If you have a full length manuscript of romantic fiction ready to submit, and you think they might be the publisher for you, then find out more, you may be the debut they're searching for.

It does cost to enter (£10 or $15), and social media activity is an important aspect for them, as well as having plenty of book ideas.

There are a few questions to answer, so you need to think about those before you submit. And for the full terms and conditions email them at the address they give on their page...

The deadline for entries is 31st May 2015, and your entry must be complete- they don't want part written entries, or first drafts.

To check-out the details, have a look at their page by going to Choc Lit.

My Day at The Writing Conference - Part 2...

Happy Easter to you all.

It's been a very busy week, which is why this post wasn't done on Thursday when it should have been.

It's hard to believe that a week has gone by since I attended the Conference.

So to part 2, the very interesting sessions after lunch...

I went along to The Nuts and Bolts of Earning a Living as a Writer. This was an intense session. It was chaired by Anne Caldwell who is the Deputy Director of the National Association of Writers in Education (NAWE), and alongside her was Maureen Duffy, Tim Leech and Emteaz Hussain.

They all shared their experiences- both good and bad of making a living as a writer, and very few of the audience were surprised at the statement that it was more difficult nowadays.

A couple phrases that really struck home were Ann Caldwell's "cast-iron railings around writing time", and Tim Leech who said you need to " structure life around writing, not writing around life." That latter phrase definitely struck home for me.

There was a brief section on the value of organisations like ALCS, the Society of Authors and The Writers Guild- the latter had a representative there who spoke for a few minutes on what they do.

Making a living as a writer can't be done half-heartedly, the writer needs to be pro-active...

After that 45 minutes the next session- in the same room - was The Publishing Process: Why is Having an Agent Important?

This was another well-attended session, with a brilliant panel. Most writers will have heard of Carole Blake of the Blake Friedmann Literary Agency (she was wearing purple shoes which looked very comfortable).

 Younger literary agent, Ben Clark from Lucas Alexander Whitely, who was actually looking to take on writers in science-fiction, fantasy, and as he described it, "anything geeky". I'm sure he would probably have received manuscripts this past week!

They were joined by Editor Jane Commane of Nine Arches Press, and the Chair was the very amusing and engaging author, Alison McQueen.

Carol Blake suggested that the writer should choose their agent with the same care they'd use in choosing a partner, which is a good suggestion as hopefully, the writer and agent will be together a long time. As she mentioned one book is no use, you need a career future...

There was advice for what to do: research the agent, look at their profiles, websites, social media, what they're acquiring; the do not's were the standard: sending something they don't deal with, hand written manuscripts, or use social media to ask about sending submissions and so on.

A well set out, good synopsis (not a blurb) was important- including the ending. She explained that her process was reading the chapters first and if they didn't make an impact she didn't read the synopsis. There was no point having a brilliant synopsis if the chapters weren't good. But other agents might do something different.

As the session progressed with the other members of the panel,  it became clear that the writer should not be afraid to ask questions of a potential agent, and if the writer had a choice of agents, then there was nothing wrong in comparing what they were offering, and accepting the best one for them, but obviously mentioning that other agents were being seen...

Approaching younger agents seemed to be a good route. Many will have broken away from an agency after many years, and will actively be looking to take on clients - there are more opportunities available than an agent who has been in the business for many years, and already has a lot of clients.

Someone asked about agents not being AAA listed (Association of Authors' Agents) and it was explained that newer agents couldn't join until they had been carrying out the job for a couple of years, so the fact an agent wasn't a member of the AAA wouldn't necessarily be an issue, but it was a good thing to have because they had a code of practice to abide by as a member.

The session would have gone on longer if it wasn't that the final part of the conference was due. I think everyone went away from the session much enlightened.

There was a fun ending to the day when poet in residence, Joel Stickley read the poem he'd created from the comments attendees had pinned to a board, 'things you shouldn't say', and a few other starting points; while cartoonist 'Brick' produced a caricature of what writers looked like- a woman at the keyboard with a dream bubble above her head showing her as a success.

There were lots of photos taken during the day and you can see a few of the panel speakers on the Writing East Midlands, Twitter account, here.

It was reassuring that I already knew quite a few of the things that were mentioned during the day, but there were items I'd not thought about before, or something that made me think in another way.

Between sessions and during breaks there was the constant bubble of conversation, and amidst that there would be others sat reading, engrossed in a book and oblivious to the noise around them.

In the sessions the conversations continued until the sessions started and the noise level quickly dropped to murmurs and then respectful silence.

No one wanted to miss a single word, and it was worth it...

My Day at the Writing Conference - Part 1...

I'm finally recovered enough to share my review of Saturday's writing conference. Yes, it was busy, and it was a few hours before the 'buzz' faded; probably the best way to describe it is a low level of background adrenalin that lasted beyond the conference, but didn't make dinner time. By 8 pm I was yawning- despite telling myself it was a bit too early for bed...

(In the U.K the clocks also had to be put forward an hour, so my Sunday lie-in didn't help any!)

Where to begin? I'll do this in two parts because the day covered so many subjects, but even so they will only be snippets from each session.

Generally I've paraphrased, but where I've used quote marks that's exactly what was said by the named person.

On arrival delegates received a Writing East Midlands (WEM) cotton goody bag- WEM had organised the event and had support from a number of other organisations, ALCS, The Writers' Guild, Writing Magazine, the Arts Council and others.

Each bag contained a variety of literary related promotional flyers, a neat little booklet detailing all of this year's Arvon writing courses, a copy of the April issue of Writing Magazine and a book- my bag had a copy of Sue Moorcroft's 'All That Mullarkey'. Another writer friend had a poetry book in her bag, so it was pot-luck what you received.

The keynote speakers were both brilliant, Maureen Duffy, and Kerry Young. And I was fortunate to attend a few of the panels that Maureen Duffy was taking part in and sharing her considerable experience from her long writing career.

Onto the panels: I started with Finding Your Place in the Writing Community. Each panel only had 45 minutes in total, so it was more about the writing community that various social media sources can provide. The editor of Writing Magazine, Jonathan Telfer, emphasised that writers should be themselves, and don't be " a spam monkey". He suggested that a 10 to 1 strategy was useful; for every ten constructive posts, have one sales pitch.

While Aly Stoneman (Poetry Editor at LeftLion Magazine) suggested once a year take an overnight trip to another festival, or a workshop, as it helps expand your network, and also find out what's happening elsewhere, or what magazine/publishing opportunities there may be. Join writing organisations, and support other writers who in turn may support you.

After a 30 minute break- more coffee, tea, fruit juices, and biscuits, we moved on to the next session...

I went to, Myth Busting- Self-Publishing Be Damned: Maureen Duffy shared her experiences of the changing attitudes of publishing that she herself has experienced, and has, with the help of her agent, self-published. She emphasised the importance of a good cover design. To sum up she said you need to "dedicate yourself to it to make it work."

Author of the romantic-comedy 'No-one Ever Has Sex on Tuesday',Tracy Bloom, explained how even having an agent doesn't guarantee success, despite foreign rights selling well, a decision made by Tesco in 2012 not to stock new authors, made self-publishing viable for the book- which went on to sell 200,000 copies. But she did emphasise that a book does need to be good enough - to "have a level of quality."

Key points: covers need to stand out when they are a THUMNAIL size; blurb- snappy, catches the attention and leaps out, as you only have seconds to capture the readers attention. Book bloggers, you could send individual emails to individual bloggers. Don't forget local media, as they want local stories, so give them a local hook.

And "is it the right thing for you.'

There was a lot more from the other panel members, but at the end of the session Maureen Duffy mentioned that books should be accessible for the visually impaired too. E-books need to be produced in the e-pub3 format to be easily convertible for those with visual impairment, but at the moment producers like Amazon and others do not yet use it, so readers have a limited choice of books available.

Then it was time for lunch; to eat and absorb the first half of the day...

I'll post part 2 in a couple of days, which covers the panels on earning a living as a writer, and why having an agent is important...

It's Conference Saturday Soon...

This Saturday I'm off to The Writers' Conference in Nottingham. It's been held annually for quite a few years now, but this will be the first time I've attended. I leave the men of the family at home too.

The East Midlands has a strong writing community, so events like this conference are well attended and book up early.

As with other literary events there are one-to-ones - I'm not ready for that stage just yet. And the two workshops taking place booked up very quickly, and I missed out on the one I would have been interested in.

There are lots of informative panels too, so I'm going to be kept occupied...

The keynote speakers are Maureen Duffy and Kerry Young. While the Chair of the Conference is Stephen Booth, the successful crime fiction author of the Cooper and Fry series.

There are three panels running in each 45 minute slot, and it's a case of being there in good time to ensure you get in to the one you want.

Unfortunately it looks like there might be some disappointed writers for the seminar on the Importance of the Synopsis, as this does have a more limited capacity apparently - so fingers crossed.

There are other events and services running throughout the day. I won't be using the Poetry Surgery, but if I'm at a loose end I'll pop into the Blogging Booth.

I suspect the panel, 'Why is Having an Agent Important?' will be another popular event.

This year's conference is sold out, so make sure you're on the mailing list for notification next year if you're interested.

I'll tell you how the day went in my next post on Sunday...

Books

Domain Name Sorted...

Following on from my earlier post, all it took was a minor adjustment at the technical end and a short wait, and my new blog address is now functioning.

It does mean that I'm going to have to re-do my blog list, as that has disappeared, and if my blog is on your list I assume it may not be accessible now, so you might need to re-apply it - if you would like to. :-)

If you do have any problems accessing my blog do let me know, either via the contact form or via one of the other social media methods.

I'll be updating a few things on the blog, and making sure they work okay this week, and hopefully will be back to my normal posting routine of Sunday and Thursday...

UPDATE:

My blog list has been re-installed this afternoon, and there's a few more additions - hope you find them interesting and useful.

I'm Still Here but Working On It...

So far it's been a nightmare.

Buying my domain name was the easiest part. And reassured that my domain could be applied to my blog even if it wasn't hosted was reassuring...

But my issues; some of it has been my fault, some of it is Blogger.

The day I began the process- Monday- was also the day that I discovered that the relevant Blogger help page hasn't been updated, so the important blue link text doesn't actually say what the help page says it says... :(

But I got through that and began the first stage, and then following the instructions inserted the CNAME information into the appropriate boxes over on my domain management section (from the company I purchased my domain from).

Unfortunately I missed an important full stop off, and that had to be corrected for me, so the countdown started again. Although the info on Blogger says it's about 24 hours for everything to be updated, it was actually up to 72 hours- I assume it's just a busy spell.

Google has my domain in the system, but I just need to make the final connection...

And that's where I've come to a halt, as what is displayed in my settings - the Publishing bit - is not what the instructions say will appear so that I can complete the process. I'm still getting an error message.

So I've done my first screenshot and sent it to the support section of my provider, who can hopefully tell me what I need to do to complete it- is it a Blogger issue, or just me?

I suspect opting for a hosted domain may actually make the process simpler...

Anyway, I will get it sorted.

Meanwhile my shiny new business cards will be arriving any day, so fingers crossed, nothing else goes wrong.

UPDATE: Although I now have a domain name address it is still the same blog.
If my blog is saved on your 'My Blogs' list.: if you're still seeing this post, and none of my newer ones, you will need to update the URL in the gadget where you control your blog list. It will be in your blog's Layout. Click on the blue edit and substitute the carol-bevitt.blogspot.co.uk with carol-bevitt (DOT)co(DOT)uk, and don't forget to click SAVE.

The Next Step...

Well I've embarked on the next stage in my writing career.

Nothing major, but if you try to find my blog in the next few days and it says it's not there, don't worry, it will only be temporary; the likely cause will be me, struggling to get my recently purchased domain name attached to my blog.

If only we were able to swallow a pill and, as a result, instantly understand the instructions that go with these important tasks.

I actually have two domains, one for me, and one for Serena, but I won't be using the latter for a few months yet.

While I've been trying to get on with my current work in progress- the contemporary romance- Serena's stories have temporarily taken a back seat.

Her ideas and characters are still simmering and developing, so there's lots to look forward to...

So keep your fingers crossed, and if it all works I'll be posting as usual on Thursday, if not, I'll post when I can...

If anyone has applied their domain to their blog, and has any useful tips, either comment below, or email me. You can use the contact form on the right hand side of the page.

Thanks. :-)

Extra Income for Writers...

UK writers like the first quarter of a new year, because that's the time they find out how much their books have earned from Public Lending Rights (PLR) and from the various forms of written work eligible for Authors' Licensing and Collecting Society payments (ALCS).

Every year when these payments are mentioned among groups of writers on social media there will be a handful who didn't know their work was eligible for these secondary payments, and are quickly encouraged to make sure they register qualifying work.

In February it was announced that non-print material can now be registered for UK PLR. So if you are fortunate enough to have any of your novels as audio-books, then you need to register them before the 30th June 2015 for inclusion in the 2016 payment.

Now, it would be wonderful if e-books lent by the library service qualified for payment too, and if they are actually downloaded on library premises to fixed terminals and taken away for loan, fine.

Sadly this won't apply as generally those libraries that do offer e-book loans do them remotely, so borrowers download to their devices away from the library.

PLR say on their website: "PLR is unable to make payments for remote e-book lending as it continues to be covered under copyright law."

So they are recommending authors not to register e-books.

All writers know the value of libraries. Public libraries nurtured the majority of today's writers, and hopefully will continue to develop the writers of the future.

But sadly with cuts to funding of local authorities, libraries have often taken the brunt of these cuts, and many have closed, restricted opening times, or are now staffed by volunteers.

There was a government-commissioned report into the future of public libraries in the UK- dated December 2014, with a recommendation that, "the government seek to secure changes in European and UK copyright law" to include remote e-book lending.

You can read the report by following the link on the PLR News page, or here.

Whilst it's not necessarily good news for the moment- there's a general election in May and no one can guess if the next government will be able, or have the inclination, to seek those vital changes.

Nevertheless, it is also a big step forward, as a couple of years ago there appeared no hope of anything being done in relation to remuneration for e-book lending from libraries, let alone discussions...

Another Online Festival...This Times it's Crime!

Last month it was an online romance festival, and now for March there's an online crime festival.

It's being run by event teams from Waterstones, and the HarperCollins imprint, Killer Reads, and takes place Friday 13th March from 2pm, to Saturday 14th March at 8pm.

You can sign up free on their eventbrite page, and that will ensure that you'll get all the details via email to your inbox.

The festival will be a mix of live and virtual events. The live part comes via a number of Waterstones branches that will be holding events with crime authors, so if you're near a Waterstones branch then check with them to see if they're hosting any events.

A few of the branches involved: Liverpool, Brighton, Plymouth Drake Circus, Edinburgh West End, and Romford.

Apparently, Ian Rankin will be on a Twitter Q&A.

The virtual events will be taking place on Facebook, Twitter, and on the Killer reads blog. You can find their blog by going to this page.

On Twitter follow @HarperCollinsUK, and most Waterstones branches have their own twitter accounts so you should be able to find your local branch.

But for full details of all events you need to sign up via eventbrite, and as everything starts Friday, sign up as soon as you can so you can plan your time.

If it is anything like the romance festival was, you'll be torn between events, wanting to do everything, but having to make decisions on which you choose- or madly keyboard hopping between Facebook and Twitter!

Look out for the festival hashtag: #KILLERFEST15

Enjoy the experience...