Catching up on Twitter...

The nasty winter bug finally caught up with me last week, and my brain went on go-slow until the antibiotics started to get control of the infection in my lungs.

In fact I don't think my characters got out of the imaginary beds/chairs that they'd got comfy in.

As I was quite tired after my couple of brief trips out (essential appointments) I really didn't have the energy to do much beyond a quick trip into the kitchen (next door to my office) to replenish the mug and browse.

So I used the time to catch up on reading blog posts, self-publishing related items, and giving a little more time to Twitter.

Usually I pop into Twitter a few times a week for ten to fifteen minutes a visit, and the regular #writingchat session on a Wednesday night for an hour between 8 and 9 pm- when I'm not at the writers' club. At the weekend I can take a little longer.

When I finish this blog post the link will be tweeted and I'll pin the tweet to the top of my Twitter page feed.

(If you don't know where to find it, just click the little down arrow symbol on the top right of your chosen tweet and choose the pin tweet option- or unpin to change it. It used to be found when you clicked the three dots symbol.)

Do you pin your
tweets?

I only started to pin my tweets in December, after it was mentioned at the Leicester RNA Chapter meeting during the book blogger discussions. It gets over having to keep tweeting a link, and if someone looks at your profile and the tweets, my latest blog post link is the first tweet seen.

It can easily be retweeted from your profile too. And with a few clicks you can unpin one tweet and replace it with another- especially useful if you're promoting a book you've got on special offer...

Now the following isn't a rant, and I'm talking generally here.

I spent some time looking at what irritated me with tweets, so I don't do it myself.

Obviously writers need to reach readers all over the world. It's just when the book cover and buying link are posted not just once but four or more times in a row, one after another- no gap between them...

Maybe that works for some people, but it just makes me scroll by very quickly.

I have bought e-books after seeing them on Twitter, but that's been because of an intriguing cover image and/or tagline that makes me click the link to find out more, then once I'm there an interesting blurb that convinces me to buy. (Plus those books were a couple of tweets spaced apart by a few minutes.)

Now I am not a prude, but I do not want to be scrolling down my twitter feed and see a full-length book cover that probably wouldn't look out of place in porn- it doesn't happen often, but one from the other week has still not been scrubbed from my retinas!!!

Neither do I automatically follow back; which seems to be the only reason some follow, and then within 24 hours they've unfollowed you because you haven't followed them back. I suspect they work their way through the alphabet of twitter names...

Yes, I follow magazines and companies, but I have a different @name for those. No one wants their twitter feed full of cosmetics, clothes and home decor when you're a writer and time is valuable.

Tweetdeck is useful to schedule tweets and I've begun to use it more. It never worked well on my previous computer, so when I had to replace my desktop I decided to download it and try again, and I'm glad I did.

I've not used Twitter lists-yet- but will have to soon.

Hootsuite, I've heard of, but that's all. You can find out more about it on the Story Empire Blog.

Is there anything you like or dislike about Twitter? Any useful tips to pass on?

1920's Revival...

A useful reference
book...
(image source:Amazon)

Yes, I was meant to be writing a short story, and getting on with my second draft, but my pocket novel idea suddenly started getting in the way.

You may remember my mentioning I was doing some research during the summer holiday months while family members (usually at University or College) were at home. When I can't write in depth due to distractions and noise, I research instead.

I had two beginnings, random scenes and a few characters, an odd idea and snippets of plot, but it wasn't getting anywhere. So I saved everything and got back to other projects.

Actually I think that Epistolary story acted as a trigger, as that too is set in the 1920's; so I was already thinking about that time period.

Over the last few days my word total has been creeping up as I add snippets to this story, and where appropriate fit in the random scenes I wrote in the summer.

I'm just about at the end of the ideas I have for the early chapters, and think it may just turn into a novella or long short story rather than a pocket novel.

I much prefer to concentrate on one project at a time, but other things do get in the way sometimes, and I know that unless I write it out it will block the other work.

While I can compartmentalise the different stories with their characters, setting and plot, some ideas continue to get in the way, refusing to wait.

I'm going to have to try splitting my time between a short project and a long project. I did try this last year, but just couldn't deal with it. But I'm going to try again...

As I still had a National Book Token gift-card from January last year,  I couldn't resist using it to buy the book- picture top-right- 1920's Fashion The Definitive Sourcebook.

It's a wonderful selection of images covering the 1920's. There are drawings, fashion plates, adverts and photographs covering the various categories, among them: Daywear, Outerwear and other less obvious items like shoes, wedding dresses, and swimming costumes.While many of the drawings are of Parisian origin, there is enough of a mix to satisfy every reader.

I even recognised the style of coats with fur collars, and the cloche hats worn by my paternal grandmother and aunt in some old black and white family photos, taken in the mid to late 1920's.

Anyway, back to work...

Not Long To Go...

A gem of a book...

Not long to go has a few meanings.

Christmas is of course fast approaching, and this coming Wednesday it's Awards Night at the writers' club.

I may have a few photos I can share next week...

College and Uni finish this coming Friday so I'll have a houseful from next weekend until early New Year. As much as I love my brood, it does mean any quiet time to write is reduced to a dripping tap that quickly gets fixed.

So there will only be a couple more posts until after Christmas.

Meanwhile I've been considering ideas for both my blog and Serena's.

I've also been catching up on my reading while I've had a spare ten minutes, or while waiting for appointments...

One of my recommended reads that would make an ideal Christmas present is From Story Idea to Reader by Patsy Collins and Rosemary J. Kind. And it's not because I know the authors.

This is a book I wish had been around when I first started writing, as it has a friendly and very comfortable and clear style; but there are sections more experienced writers can dip into that inspire me, and (new to me) techniques to try out. It's available on Kindle and as a paperback via Createspace, either from Alfie Dog (see link below) or Amazon.

I haven't finished reading it yet as I've not had enough free-time, so that's another delight to come over the holidays.

Earlier this year Patsy guest posted about using Createspace to turn her e-book novels and short story collections into paperbacks; and Rosemary is the owner and editor of Alfie Dog Fiction.

If you're in the UK and are signed up to Goodreads then there's an opportunity to win a copy. Click here.

I still have a number of photos to finish sorting and labelling up too, and I want to get a few blog posts written up for those busy times...

More soon...

November Means the Bad Sex in Fiction Shortlist...

Around this time in November the shortlist for the Bad Sex in Fiction Award is announced.

The Award  was established by Auberon Waugh, the then editor of the Literary Review, and literary critic Rhoda Koenig.

It has been awarded every year since 1993.

"the Bad Sex in Fiction Award has honoured an author who has produced an outstandingly bad scene of sexual description in an otherwise good novel. The purpose of the prize is to draw attention to poorly written, perfunctory or redundant passages of sexual description in modern fiction."
Literary Review

When you consider how many books are produced, it's going to be the mainstream published type that will get the most notice, and readers who think these books deserved nominating...

You can read about a few of the nominated authors who escaped the shortlist in this Guardian article about this year's list.

(The new US President Elect was nominated apparently, but was excluded because it wasn't fiction...)

So this year's contenders:

A Doubter's Almanac by Ethan Canin

The Tobacconist by Robert Seethaler

Men Like Air by Tom Connolly

The Butcher's Hook by Janet Ellis

Leave Me by Gayle Forman

The Day Before Happiness by Erri De Luca


Having read the entries for this year, I can't see why Gayle Forman was included...

Whoever wins will likely see a rise in sales following the announcement on the 30th November.

Of the candidates this year, it has to be Erri De Luca's The Day Before Happiness. But Janet Ellis does deserve a commendation for The Butcher's Hook...

Which will win?

image courtesy of       & freedigitalphotos.net

The Further Adventures of Carol...

Life has been a little chaotic in the last month, so getting away from the stresses has been a much needed break.

A couple of weeks ago it was meeting friends, Maria and Patsy.

Then this Friday is was the Leicester chapter meeting of the RNA (Romantic Novelists Association). There were a few recognisable faces from online, but also a number of people who I'd never met, or may have only seen or heard of their books, plus one very familiar face, Maria Smith.

I didn't take my camera, but there may be a photo on Maria's blog later this week.

It was one of those mornings when if something can go wrong, it will go wrong.

Having stopped to deal with an urgent phone call, it was a quick walk to the nearest tram stop. Unfortunately I was only half way along the footpath when the tram I'd intended to get pulled up at the station and then left.

Panic.

9 minutes to the next tram. I'd probably miss the London train that would get me to Leicester with time to spare. The next train would be another half hour...

I'm one of those people who always allows extra time to get lost- if visiting somewhere I've never been before. I'd rather arrive twenty minutes early than twenty minutes late.

Fortunately the tram didn't break down- it does happen, and as it stops above the railway station, I was buying my train ticket within two minutes of arriving. And then down to the platform with the train waiting and five minutes to spare - phew!

That train was busy as it was one coach short- the one with the unreserved seats, but I found an empty seat that was only reserved from my destination, so thankfully I didn't have to stand.

As I had clear directions from the station I was only a little early, so all that worry for nothing. I'll be much better organised next time.

Back to work...

If you happen to see any pictures of me from Friday with a glass in my hand, my back was to the very warm radiator, and it wasn't that cold outside!

There are a number of RNA chapters across the country, each with their own style of meetings, so if you write romance and are interested, have a look here.

You can also read the RNA blog. The current interviewee Claire Harvey, also attended the Writing Historical Fiction workshop that I went to earlier in the year. Hearing her read then, I'm not surprised she was announced as the 2016 winner of the Joan Hessayon Award for New Writers.

Now, I need to get back to the work in progress, and hopefully a calmer few weeks...




image courtesy of  aechan & www.freedigitalphotos.net

Motivation...

Admittedly, first thing in the morning my motivation is poor, but once I've had breakfast, and my muscles have warmed up properly, my motivation gets going.

As I've been editing a story for a club competition, I could see what I needed to cut, and asked myself, what was my character's motivation for what they're doing.

Getting Motivated...

I think I've got to the core of the problem.

I'm going to write down the motivations for my main characters in my Nottinghamshire story. Although I think I know what they are, I've never actually written them down.

Reading this useful post on the Writers Helping Writers site, it got me thinking about my current hero and heroine's motivations, and those of my 'villain' too. So I'll be taking time to check that I've not missed any of the points mentioned in that Character Motivation post...

Like any writer I have a few essential (writing) reference books that get regular use: a dictionary and my Cassell Dictionary of Word Histories; and when I'm trying to grasp particular aspects of my characters, but I'm unsure of whether one is more suitable than the other, then I will dip into The Emotion Thesaurus: A Writer's Guide to Character Expression, or The Negative Trait Thesaurus: A Writer's Guide to Character Flaws.

I have the Kindle version of Emotion Amplifiers too- it's a free e-book.

But however useful these books are, it still comes down to me, sitting down at my desk and tapping away at the keyboard to get the stories written.

So I'm off to get on with finishing the short story- motivation on full throttle...









image courtesy of supakitmod & www.freedigitalphotos.net

Regrets and Serendipity...

Thank you all for all your support and kind words recently, it encouraged and reminded me that sometimes I need to step back and relax and not feel guilty for it.

And of course, when I did stop worrying, my creativity returned.

That was when I regretted not buying that old book last month.

The old book that I picked up, browsed, then put back down on the book stall during the rainy day at Lowdham Book Festival. I'd left it, deciding it wasn't useful. :(

While it's noisy at home at the moment, I decided to do some research for an idea that may be suitable as a pocket novel, as it's buzzing around my brain at the moment.

If you want to know about Steam Locomotives there's lots of information on the internet, and plenty of photographic examples, but interior views of the carriages on the line I am interested in, no. I could find a few pictures for the 1890's.

So I decided that the start would need a rethink and put it aside.

Then today I popped into an Oxfam book shop that I'd never visited before, and a very well-worn cloth bound book caught my attention. The books of the early 20th century were often cloth-bound, so I always look at these when I see them.

I'd found a gem. The Blue Guides to England. They are still going and you can read more here.

There were a few pages loose, but they were there. There were little maps of different regions of the country, information on stations, buses, fares and hotels, as well as the standard tourist information of the time. Everything a visitor to England might need to know in the late 1930's. And no adverts.

From America to England the steamer took 5-10 days, and just like now it cost more to travel in the summer season; off season was 10% less.

The rail route I was interested in described the views as the train travelled from London to Brighton, the classes available and how long the journey could take.

Of course all the fares and hotel charges are in pre-decimal currency, so £-s-d.

I'm old enough to remember those, and many of the coins shown here. My pocket-money as a child was a thruppenny bit (three pence). :-)

It's going to be fun to dip into the pages and learning more about places I've visited, over the years.

But I will be getting on with the writing/editing too.

The Season of Festivals...

Where has the time gone?

I know book festivals take place throughout the year, but the summer months are particularly popular.

For me, June means  it's Lowdham Book Festival, 17th-25th. So I'll be doing my usual stint at the writers' club stall on the 25th.

 I need to dig out the bag with the see-through acrylic stands and leaflet holders ready for this year's display material.

Every year is a learning experience, seeing what works and what is an absolute failure in display terms.

This year 's Lowdham Book Festival is in its 17th year, and I've attended the free Saturday events day for at least eleven of the last twelve years.

Of course events develop and change over time, but I've always found the Saturday a good indicator of how the local and even national economy is affecting people.

 Do people buy one or two new books, or will they buy half a dozen? Modern second-hand books always seem to weather the ups and downs...

Buying books...

The last couple of years have been good, and it's reassuring to all writers to see a healthy trade in books, whether new, very old, or second-hand.

I scour the attending antiquarian type book stalls every year, but set myself a budget, otherwise I'd need a suitcase- and a lottery win... :D

This year's free Saturday events will be taking place the day after the results of the EU referendum have been announced, plus it's also a busy day for assorted events around the immediate region so fingers crossed for sunshine, or at least a dry day.

Besides Lowdham, Derby Book Festival is now running until the 11th June; and hopefully there will be another Books at the Castle in Newark (held for the first time August 2015).

If you're in the area then do look at the Lowdham festival programme; you can download it from The Bookcase website, here.

Do you have a local book festival that you attend? Or do you prefer the bigger festivals like Hay, or

Edinburgh?



image courtesy of Danilo Rizzuti & www.freedigitalphotos.net

Workshop- Writing Historical Fiction...

Saturday- St George's Day and Shakespeare's birthday I spent indoors at a workshop- except for a brief foray outside for food and to admire St. George, and his two fellow knights on horseback outside the Council House, as I passed by.

Author Judith Allnatt was running a writing historical fiction workshop, held in the events room at the Nottingham branch of Waterstones. The events room actually has a name- the Alan Sillitoe Room.

(It's on the top floor and is large enough for a book launch/ talk if you ever have need of one.)

There was also a good supply of tea and coffee to keep us alert...

I must admit that I always find workshops a little scary, as well as worthwhile.

Ready to workshop...

Scary because I worry I'll freeze when it comes to writing exercises, but thankfully I didn't have too much problem. And there were times when a few of us attending found a particular item problematic, but that was okay.

The warm-up bit was fun as we were able to choose from a selection of postcards of shoes (from assorted time periods) and used that as a starting point for creating a character. It was ideal for me as so often visuals connect with the room of waiting characters in my sub-conscious. The pair of shoes I chose were from 1912.

There was one exercise I will definitely use again. My new character, how do they sleep, what is around them in their bedroom or room they sleep in? My character didn't have a first name at this point, but I was soon realising her circumstances were dire.

When you think about it, the place where you sleep is very telling, as are the objects around you, their neatness or an incongruous item or two.

I'd never thought about it that way before, but I will now.

By the time we reached the senses, I knew my character's name, and a better idea of the time setting- late Victorian rather than early 20th century.

(This was when a missing scene from my work in progress popped up and resolved one of my niggle points.)

Judith read an extract from her third and lately released in paperback, The Silk Factory, to provide an example of how the senses could be used.

We looked at published extracts and how they convey information without it being obvious, even if you don't know what event it may refer to- such as a national/world event.

As the workshop drew to a close Timelines were mentioned,  and between us we compiled a long list of research resources. There were a few I will be looking into, especially Academia.edu.

With time running out there was a Q&A to finish.

Everyone seemed to leave inspired to continue writing their historical novels.

Personally, it was enjoyable, I learnt more, but it also reassured me that I'm doing the right things for the historical side of my romances.

Have you been to any workshops this year?







image courtesy of noppasinw & www.freedigitalphotos.net

Patsy Collins Returns- E-books to Print Part 2

Welcome back to part 2 of e-book to print for the self-publisher. Today it's the useful 'how to' post.

(I'm taking notes for the future.)

Over to you again, Patsy.

Thanks for having me back again Carol, despite the cheeky way I mentioned my new short story collection, Through The Garden Gate and how the kindle version is currently on sale for 99p! (Gosh, but I'm subtle!)

It's also available as a paperback version, which is available now for £6.60

How I did it.

There are a variety of companies which allow you to self publish your own books. I use Createspace, which is a print on demand (POD) service. It's part of Amazon, which means the distribution is taken care of. There's nothing to pay in advance as they take their money from the sale price. If you don't sell any, you don't pay a penny.

Available now...

The work involved.

Createspace provide useful articles on every step of the process. For example, here's one on formatting. I suggest having a quick read of those first. There's also a forum where you can ask questions if you get stuck.

Everything you need to do the formatting is available in most of the software packages you're likely to have used to write the book. Word, OpenOffice and NeoOffice will all do the job.

1. You'll probably want to add page numbers and might want to include your name and the title in page headers. It looks best to start each chapter on a new page. Use section breaks for that.

2. You should select 'mirroring' for the page set up, so there's a slightly wider margin for the inside edge of each page than the outside one. Pages should also be sized appropriately for the book size.

3. If it's a short story collection or non fiction work, you'll want to include the page numbers in the table of contents, or index, if you're using one.

4. It's a good idea to use an ISBN. Createspace will provide this for free if you select that option and you may wish to add this to the front matter of your book - that's the bit where you put copyright notices, disclaimers and that kind of thing. Just copy and paste.

5. Once you're happy with the document, save it as a pdf. You're now ready to upload it. Select the 'guided' option and you'll be guided through each stage.

6. Once uploaded, you can view a digital proof online. Look through this carefully and if there's anything you're not happy with, adjust the document and upload the new version. Repeat until it's perfect.

7. It's a good idea to look at a physical proof too. You can order it at this stage.

This is one place I don't follow the Createspace guidelines as their proof is expensive and it'll take a long time to come through. Instead, I publish the book, buy one copy and immediately un-publish again. 

8. If you already have a kindle cover image this will need some tweaking. The resolution needs to be higher and you'll have to allow for 'bleed' - that's the bit which will probably be trimmed off when the physical cover is formed. The precise requirements are clearly given when you get to that stage.

9. Selecting categories, sales channels, adding the blurb and pricing are all explained and almost identical to doing this for an ebook. Again you'll be guided through. 

Top Tip

Allow plenty of time for formatting and uploading your book. It's better to do it a step at a time over several days than try to do it all in one mad rush. There's also a wait of several hours, or sometimes days, from when you click the confirm button to it appearing for sale.

Go on then – What are you waiting for?

Patsy Collins - From E-book to Print Part 1...

Welcome my guest this week, Patsy Collins, who's sharing her experience of creating print copies of her books (in addition to the e-versions).

Over to you Patsy...

Thanks for inviting me onto your blog, Carol! It means I can mention that I've self published a kindle version of my new short story collection, Through The Garden Gate. It's available at the special price of 99p until19th April.

Oh ... that's not why you invited me? That's right, I remember now.

Patsy and her latest collection

Carol, being an observant writerly type, noticed that whilst self publishing ebooks is fairly common, far fewer writers also produce paperback copies. She asked me to explain why, and how, I'd done this for Through The Garden Gate. Which is available now for £6.60  (hee hee, got away with that one!)


The Advantages

1. It's nice to be able to hold your own book in your hands. Trust me, you'll feel a lot more like a proper writer when you do.

2. There are lots of people who don't use a Kindle and some of these might want to read your book.

3. Paper copies can be sold to libraries and they qualify for PLR and ALCS payments.

4. It's good to have physical copies if you give talks, both to show people and to sell.

5. Physical copies can get passed around. That doesn't help your sales, but might bring more readers (who might buy other books you've written). You never know who'll end up seeing a copy and becoming a fan.

6. Books make nice gifts or competition prizes.

7. You'll have done (or outsourced) all the hard work of writing, editing, formatting, proofreading, selecting a cover image and promoting for the e version, so there will be very little extra work involved.

Disadvantages

1. It will take up a small additional amount of time. That time would probably have been used being annoyed by grammatically incorrect memes on Facebook, watching insurance adverts on TV, or something else equally worthwhile.

Have I talked you into giving it a go? 

Hope so as I'll be back Thursday to explain how I created the paperback version of my latest collection.

(Carol here again.)

If you've got any comments on today's post do please use the comments link below, and Patsy will be checking in from her travels...

Coming Up on Tuesday- My Guest Takes the Next Step...

As I've had a very heavy day with computer updates, I'm a little late in sharing some very exciting news.

This week both posts will be courtesy of my guest, blogger Patsy Collins.

Patsy is a wonderful writer with numerous short stories (and collections) to her credit, and a number of novels, including her most recent, (it features a hunky fireman) Firestarter.

It was Patsy who encouraged me to finish and send off my cake-related short story to one of the women's magazines- more about that in the summer.

Patsy Collins

Patsy is also my writing buddy, and the purple-loving writer behind the very useful womagwriter's blog.

On Tuesday, Patsy will be discussing the advantages/disadvantages of taking your self-published work beyond the kindle e-book and into print, using Createspace.

Then on Thursday, you can discover more about the actual process, with useful tips and links to help you take that next step.

You'll still have to do all the work, but Patsy's experience may help you decide whether it's for you...

And to top it all off there's an offer you won't be able to resist.

So pop back on Tuesday to find out more...

Novel Competitions and the Oddest Book Title...

The oddest book title was announced last week and the Winner was 'Too Naked for the Nazis'. It was nominated by the author himself, Alan Stafford, so it clearly was a good publicity move.

Though the subject of the book is quite ordinary in fact- a vaudevillian trio, Wilson, Keppel & Betty-  that anyone born early in the 20th century would have heard of, and perhaps seen black & white film of them performing.

You can find out the percentage each book achieved in the Bookseller article link above.

*   *   *

Unpublished novelists have two opportunities to get a publishing deal courtesy of two high profile competitions.

There's the recent Richard &Judy competition, and earlier this week the news about the competition being run between the Daily Mail and Penguin Random House.

They both offer a cash advance, an agent, and publication of the winning manuscript.

Find out more about the Daily Mail/PRH competition via this article.

(EDITED TO ADD: this is the URL they have given for the full terms & conditions and it displays a pdf: www.dailymail.co.uk/novelcomp )

Note you can't have had a novel published before-even self-published (so that will exclude lots of writers to start with); you can't currently be represented by a literary agent, and you must be over 16 years old, resident in the UK or Republic of Ireland.

The Richard & Judy 'Search for a Bestseller 2016' is supported by WH Smith, and the publishing deal is with Bonnier Zaffre.

Generally the terms are similar to the Daily Mail one, but the R&J competition terms specify that the partial novel hasn't been previously submitted to an agent, publisher, or entered into previous R&J competitions, or "released into the public domain in any format"- so bloggers beware.

So those will probably take quite a few entries out.

Sadly it does mean they're going to have to wade through entries from people who think writing a novel is easy.

They will find hidden talent in the end, but it's sad that they are excluding so many talented writers because they have self-published.

If you qualify and enter, then well done and I hope your entry is successful.

Romance: Monthly Masterpiece Competition...

February seems to be bringing lots of competitions, so here's another one you might like.

It is Valentine's Day this coming Sunday, and an ideal time to be writing about love.

So here's an opportunity...

Romance

Just Write.

Submission by 28th February, of a first chapter, "fewer than 4,000 words". Whatever the genre it must contain a romance between characters.

Best of all entries can be from anywhere in the world.

There's a prize too: for the winning entry it will be published on the website, and there's four books as well.

Two runners-up receive a copy of Masterclass: Writing Romantic Fiction.

The winner will be announced the first week of March.

Now like any competition read the terms and conditions, pop to this link or click the link at the bottom of the competition page (see the Just Write link further up).

They're looking for "strong characterisation and originality, close attention to the genre theme, and accomplished writing style."

Next month it will be something different, so if this doesn't suit you, then a future competition may.

The competition is organised by Hodder & Stoughton Ltd.






Image courtesy of Renjith Krishnan & www.freedigitalphotos.net

A Few Prize Opportunities...

It was a busy week so I missed writing my Thursday post, so you'll be getting 2 for 1 today. :-)


If you are a young woman writer who writes articles, then you may be interested in the Cassandra Jardine Memorial Prize that was launched in 2013 in memory of the Telegraph journalist, who sadly died from cancer in 2012.

When it was launched in 2013 it opened to women aged between 18 and 25. The prize is seeking "creativity and potential in an original feature article."

If you're interested pop along to the Telegraph's Lifestyle section here, and check the criteria for entry, and what you're aiming for.

You can follow their link to read last year's winning entry.

Closing date: 31st March 2016.

*   *   *

If you read my blog regularly you'll know one of my annual features is the Diagram Prize shortlisted titles.

Odd book titles are suggested by readers, and could make the shortlist...

Well here is your opportunity to suggest an odd book title for consideration. You can either send your recommendations by email or on Twitter using the #DiagramPrize hashtag. Find out who to email or tweet to in this Bookseller article.

The shortlist will be unveiled 26th February, so there isn't long to make your odd title suggestions.

Self-published titles are eligible too.

But remember, the titles "must be unwittingly odd, not deliberately so."

*   *   *

Now, I need to get back to that short story-it's almost finished, a few final tweaks and it will be ready to go out into the world. I'll update you on my progress later in the week... :)

A Little Help from Your Friends...

The great thing about writers is that they are not only fun friends to have, but they are willing to share their knowledge to new and developing writers.

I know I wouldn't have improved without the generosity of experience of many current writers, and those who are no longer with us.

One of my roles at the writers' club is Prose Secretary; I find judges for our assorted competitions held throughout the year. The valuable comments each entry receives back helps the writers continue to develop their skills, and highlight where they may be going wrong- as well as what they are doing right.

So when I was tasked with finding a judge for the 2016 Nottingham Writers' Club, National Short Story Competition, I had a few potential people in mind.

I'm very glad to say that my first choice, a successful short story writer and novelist agreed to the job.

Admittedly, Patsy Collins sprung to mind due to her short story pedigree, plus the 2016 theme which is 'Fire'. Patsy just so happens to have released a new book- a few days ago- called 'Firestarter'. I have it ready to read on my Kindle.

I'm assured there's a hunky fireman involved... :D

You can find out more about Patsy's latest novel over on her blog Words about writing...

The club's national competition usually opens on the first day of the New Year, but for 2016 we're holding the submission period during February. And as next year is a leap year, there will be 29 days to submit entries, either online or by post.

PLEASE NOTE that only entries from writers residing in the UK can be accepted.

There are a few rules of course, so do read and follow them. Often newer and less experienced writers are put off entering competitions by the thought of competing against 'professionals'.

So the main criteria for anyone considering entry: if you've earned £300 or more from short story writing during 2015 please don't enter.

For more details about the 2016 competition, pop along to the page on the Nottingham Writers' Club website.

Firestarter- the new novel
from Patsy Collins

'The End'...

Yes, that's it, today I was able to write THE END at the bottom of chapter eighteen. I know there's still a lot to do, but that's for the future now.

I've enjoyed the break writing a contemporary romance, but I've not been interrupted with ideas as I am when I'm working on a historical.

Yes, I'm looking forward to getting on with the Nottinghamshire story now; it's been calling to me, demanding attention. Entering the first chapter in the New Talent competition only confirmed the feeling I wanted to get back to it.

My aim is to work steadily through the second draft making changes, adding the missing characters, and scenes that I knew I needed -because my mind was blank about what I was aiming for at that point.

Over the weekend I'll be changing the images over on my big cork board.

The big board was really helpful with the contemporary story- so I hope it will work with my Nottinghamshire story too.

Even if I had a couple of days- or even a week- when I couldn't add to my word count, my characters and settings were by my desk, always at the corner of my vision, remaining in my thoughts. I never lost contact with them, so I was able to pick the story back up quicker from where I'd stopped at the end of the previous writing session.

Here are the lessons I've personally learnt from writing these two first drafts:

• Even a couple of hundred words a time soon adds up to a chapter, and then another.

• Just because a character says or does something unusual, there will be a reason later on.

• If a scene isn't working, make a note what it should be about and move on to the next bit.

The End is just The Beginning...

• Don't worry about chapter length; end it when it feels right.

• Some scenes/chapters will be easier to write than others.

• The middle will always feel like you're climbing a mountain.

• When you see the end approaching, don't slacken the pace.

I'm going to catch up on reading a few new books on my Kindle too, while my mind is clear.







image courtesy of njaj and www.freedigitalphotos.net

Sci-fi Night Review...

If you saw my recent post about the Sci-fi night that was taking place at the writers club I attend, last night (21st), then you might be interested in a few things I learnt.

I haven't yet downloaded the photos I took- that's a job for the weekend when I have the time to go through and check each one- usually it's just a case of cropping parts of people or objects caught on the edges of the picture. And I promised a couple of the authors I'd send them a copy of those they appear in.

I found out:

That there is hard sci-fi and soft sci-fi; the former is the really technical stuff that requires a lot of research (and probably a lot of technical understanding). While the latter, soft version, is more about the story/characters, often using the issues of the current time on a futuristic scenario, but usually not needing research. 

(I'm working from memory here...)

World building; be consistent, even if you bend the laws of actual science. You can make your world do whatever you want, but you must be consistent.

Stephen Palmer (one of the guest authors) emphasised that for the mid-teen reader, plot and character were the things that mattered.

The good news is that sci-fi is no longer just male authors- as it was in the last century, and there are a few popular female authors in the genre.

Coincidentally 21st October 2015 was Back to the Future Day- the first film of the 'Back to the Future' trio.

There were lots of books for sale, and attendees had time to talk to the many authors who set up their table with their books. And every ticket holder got a goodie bag which included a couple of books.

Even though sci-fi isn't my thing, it was a good evening and I enjoyed it...

Discovering Sci-fi in Nottingham this October...

Now I have to admit that the nearest I've ever gotten to sci-fi is watching Star Trek and it's many incarnations, Stargate - and versions of, plus Farscape and the occasional film.

Well I'm fairly sure I'm going to be learning a lot, later this month, as the writers club I attend (Nottingham Writers' Club) are holding a Sci-fi Night on the 21st October, 6-9.30 pm.

If you're in the UK you might be familiar with the annual Edge-Lit event held in Derby each year, and Alex Davis who is the mastermind behind it.

Alex is involved in the sci-fi night in Nottingham too, as both publisher- of Boo Books- and a master of ceremonies during the evening.

There will be discussions with authors, a Q&A, readings, time to meet the authors, buy books- and get them signed. There's a bar at the venue, so even if alcohol isn't your tipple, you can get tea or coffee, as well as soft drinks.

So far the authors appearing and taking part are:

Ian Douglas - website.

Sophie Sparham - website.

Gav Thorpe - website.

Roy Bainton - Amazon.

Stephen Palmer - website.

Alex Davis - blog.


If you know anyone who is into sci-fi, do mention this event to them.

The venue (The Nottingham Mechanics) is close to public transport links, and the nearest tram stop is a few minutes walk away, so there's quick and easy access straight to Nottingham Railway Station.

Tickets are available in advance via Eventbrite: here. £5 in advance, or £7 on the night. But whichever option is chosen, all ticket holders will be receiving a goodie bag at the event...

This is a one-off event, so don't miss it...

One of Those Down Spells...

I've been having a down day on my writing.

You know those times when you think your writing is awful and you can never improve it? Well that was me today.

Having had some time away from my Nottinghamshire story I can see so many possibilities just in the first chapter.

Should I start with dialogue or leave it with the current opening description and narrative? I've started to wonder if actually shifting the position of some elements would work better...

With other stories I've written it's been a 50/50 split, though I know that on one project I'll be changing the start.

Once I get into rewriting the chapter I don't feel as bad, but now that nagging feeling that the start is wrong won't go. I have to seriously consider that may be right...

It's been some time since I've had one of these down spells, and I know it will pass, but I think having a deadline is making it worse.

Such are the trials and tribulations of the writer...