History, Books, Cotton Wool and Tights...

If you wonder what cotton wool and tights have to do with books and history then you may be surprised.

But first...

Saturday 12th September was the Heritage open day for Bromley House Library- originally called Nottingham Subscription Library. They take part in the events every year, but previously it's been necessary to book, and I've always missed out; so I was determined to go this year, and was pleased to see that there was no booking this time. The queues to enter started after I arrived...

The house is a Grade II* listed Georgian townhouse, that was built in 1752, and the entrance door is easy to miss bordered by shops on both sides- where originally there would have been rooms. But once inside, and looking at the back of the building from the garden, you can see how large Bromley House once was...

In the garden...

This is one of two Georgian gardens in the city centre- though the other one is not open to the public. There are three huge Plane trees- of six that were originally planted in the late 19th century. As now, they were planted to absorb the pollution in the air- the bark absorbs the toxins and peels off, though these trees were extremely knobbly.

A very old Plane tree...

Considering the amount of traffic that passes in front of the house (all buses going south and west) and a little beyond the back of the garden, one of the main roads, the noise was very muted, protected by the high walls of the buildings alongside.

There were lots of volunteers guiding people and providing information, and who wouldn't enjoy visiting a library that retains the wood and architectural features of the past.

I forget to mention the 40,000+ books... Every available space has bookshelves and lots of book collections- it reassures me that my eight Billy bookcases full, at home, is quite restrained. :D

There's local history, numerous biographies, and they have the library of the British Sundial Society. The sundial that used to be in the garden was stolen many years ago, and all that was left behind was the metal style (the sticking up pointy bit) which was on display in the Neville Hoskins Reading Room - it has a plaster Rococo style ceiling.

Every room I went into- and there were lots of them- I noticed books I'd want to read, and you could see other books awaiting repair and cleaning - they were bound up.

Books in need of repair

So now I'll tell you what cotton wool and tights have to do with old books...

Cleaning cloth-bound book covers.

If you've ever bought old books from the early part of the 20th century then you'll know how dull they have got over time.

Obviously you wouldn't do this to extremely valuable books, but dusting and careful gentle cleaning shouldn't be a problem for standard works.

The tools for cleaning...

A piece of cotton wool placed in a cut up piece of tights or a stocking- gives a slight abrasive effect- dipped into Vaseline, and then dabbed off onto the lid, so there's hardly any left on the pad, and then the cover is gently cleaned, and finally gone over with a cloth- the sort that doesn't shed fibres.

The ladies were all volunteers, and kindly answered my questions about repairing and cleaning the books (writing research, and advice for my own cloth-bound books that need a bit of help).

Saturday's volunteers were one of four sets, so one week a month there will be one day when they are in conserving...

I did make the spiral staircase wobble for a moment when I went down the first turn, which is why people are only allowed to go up or down one person at a time (on Saturday it was the down route from the gallery).

You can see the staircase in one of the rolling home page pictures on their website (link at the top of the post). It was added in 1857, and does not have a supporting column like most spiral staircases,

The library is certainly a delight for any writer and/or reader, and I'm sure that on a warm sunny day the garden is a haven.

I'm seriously considering applying for membership in the future...

(You can now see a couple more images from the day, along with a little more history over on my website at Serena's blog.)

Novella or Novel- What's the Length?

I doubt there can ever be a truly definitive answer to what it the actual length of a novella or a novel because there are so many variables: market, genre and publisher's requirements (such as Mills and Boon who have set lengths for certain categories).

So I was interested to read an article in this weekend's Arts/Books section of the Independent online, about The Novella Award. Their shortlist was announced on the 17th July, and the entries to this year's competition had to be between 20,000 and 40,000 words.

Perhaps the question is when does a novella become a novel?

The My Weekly Pocket Novels are now 50,000 words, though the version from The People's Friend is only 42,000 words. So both these are higher than the 40,000 mentioned above. But neither would be considered novel length by a mainstream publisher.

Perhaps we need to start using 'mini novel' for those word counts that fit between 40-80,000 words.

The writers of the past didn't have these issues; they went to both extremes.

'Animal Farm' by George Orwell has 29,966 words, so although it is actually novella length everyone thinks of it as a novel- probably because at the time it was written it was a novel!

While Margaret Mitchell's 'Gone With The Wind' was a large novel of 418,053 that could rival some of the Game of Thrones novels now available.

You can find some interesting facts on the wide range of word lengths on the Electric Lit website, in the post titled Infographic: Word Counts of Famous Books. (The figures from the above titles came from here.)

No doubt in a few years these figures will change and we'll still be uncertain about what length is a novella, and the minimum for a novel.

What are your thoughts on the subject?

Which is a novel and which a novella?

Scribd and Kindle Changes- Good or Bad?

The week just gone has seen a couple of changes relating to e-books that have implications for both writers and readers.

The unsettling announcements came days apart, so concerns and questions will depend upon which service is your priority...

I'd heard of Scribd, a subscription service for e-books, but never looked into it further.
I can see that if you're travelling every day then reading a book on your mobile device would be a good way to pass the time, and you could get through a number of books in a month, before you add on the number you could read at other times. So a one-off cost each month would be cost effective.

For the writer it's another sales avenue that doesn't rely on Amazon only, and gets their books out to more potential readers. But now it seems many romance writers will find their books delisted- though free offerings are being kept.

Smashwords who provide many self-published books to the service have an extensive post on their blog, and highlight the few advantages the culling of titles will bring- less competition being no.1, nice if your paying titles are kept, not so good if they've been removed...

For anyone who is unfamiliar with the news, here's a few links to find out more: Smashwords blog and the Guardian books section. And the Bookseller. Obviously there will be some duplication of content, but each has something different to say on the subject.

Now to the Kindle changes.

For those authors who have books in the KDP Select and the Kindle Owner's Lending Library, they will now be paid by the page read. This will be referred to as KENPC- Kindle Edition Normalized Page Count, so no matter how you've formatted it, it will be calculated to a standardized form that they've worked out.

There's a good explanation of how the money side works in this Bookseller article.

The brilliant thing about KDP was that there was finally a place to publish novellas- something many mainstream publishers didn't want. Every story has its own length, and not every one will be novel length, so authors of shorter works could suffer under this new regime- it depends on whether the amount they get per page equates to what they would have received under the previous system...

Writers who have been able to build up a readership over a number of books, probably have more choices available to them, plus the statistics to help them.

Likewise. those who have e-books with a mainstream publisher are in a different position to self-publishers.

Anyone just starting the self-publishing process needs to step-back for a moment and look at all the options available to them before they make a decision.

Yes, Amazon will triumph because they have the largest share of the e-reading market, and any writer who ignores that fact does so at their own peril. The option of which service you sign up to will be the difference...

It will be interesting to see what effect the Scribd and Kindle changes make, to both writers and readers of e-books, for the remainder of the year.

My Saturday at Lowdham Book Festival...

The Lowdham Book Festival has been running 16 years. It started small and has built on its success, and the final Saturday is a must visit place for anyone living in Nottinghamshire.

I've been attending for about 10 of those 16 years with the writers club, and now I'm the one who co-ordinates, from booking the stall, confirming which members have promotional material to display alongside the club's, and who is going to be available to help on the day- and making sure they know where to park and other essential information.

On the day I'll be there with one or two others to set up, and the last to leave with all the gathered equipment/leaflets.

This year I was very fortunate to have extra volunteers (I thank them all) - especially a couple of members who hadn't attended the festival before and wanted to come along for a few hours to see what it was like as well as help out.

They resisted the book stalls, unlike the regulars who went home with more than they arrived with!:D

Ready for opening time...

It was wonderful to meet a writer who I've known online for many years, but never met in person;
Ana Salote was launching her book 'Oy Yew' and doing a talk with her publisher (Teika Bellamy of MothersMilk Books) and her illustrator Emma Howitt.

Later in the day I had an opportunity to talk to Teika Bellamy to find out what she was looking for, and there are opportunities available.

Have a look at their submission guidelines which will tell you more...

Early afternoon I was able to get to an interesting talk by author Nigel McCrery on his book 'Silent Witnesses: a history of forensic science.'

The audience were entertained by this retired police officer who had an interest in forensics, though his many writing credits include: Silent Witness, Born and Bred, and New Tricks among them...

Promotion opportunity

I came home with four second-hand books. Basically reference works, though one, a wonderfully illustrated hardback is extremely large, but I'll never have a problem knowing what sort of furniture my historical heroes and heroines will be sitting upon.

My flask of coffee just about lasted out the day, and I limited myself to one piece of lemon sponge late morning so I could eat my packed lunch after the lunch-time rush.

Fortunately the hall was a comfortable temperature with the doors into the hall, and the back door open. It was very bright and hot outside, and even my camera had a problem with how bright it was- I'm going to have to darken the outdoor shots!

Well that's it for another year. I'll be suggesting what worked and what didn't this year, as will my fellow volunteers, so NWC will be ready for next June.

I never stop learning on days like this....

Choc Lit Search for a Star...

This opportunity, from book publisher Choc Lit, arrived in their regular e-newsletter today.

My head is full of cold, so this post is very short, so I'm going to suggest you read the details carefully for yourself.

If you have a full length manuscript of romantic fiction ready to submit, and you think they might be the publisher for you, then find out more, you may be the debut they're searching for.

It does cost to enter (£10 or $15), and social media activity is an important aspect for them, as well as having plenty of book ideas.

There are a few questions to answer, so you need to think about those before you submit. And for the full terms and conditions email them at the address they give on their page...

The deadline for entries is 31st May 2015, and your entry must be complete- they don't want part written entries, or first drafts.

To check-out the details, have a look at their page by going to Choc Lit.

My Day at the Writing Conference - Part 1...

I'm finally recovered enough to share my review of Saturday's writing conference. Yes, it was busy, and it was a few hours before the 'buzz' faded; probably the best way to describe it is a low level of background adrenalin that lasted beyond the conference, but didn't make dinner time. By 8 pm I was yawning- despite telling myself it was a bit too early for bed...

(In the U.K the clocks also had to be put forward an hour, so my Sunday lie-in didn't help any!)

Where to begin? I'll do this in two parts because the day covered so many subjects, but even so they will only be snippets from each session.

Generally I've paraphrased, but where I've used quote marks that's exactly what was said by the named person.

On arrival delegates received a Writing East Midlands (WEM) cotton goody bag- WEM had organised the event and had support from a number of other organisations, ALCS, The Writers' Guild, Writing Magazine, the Arts Council and others.

Each bag contained a variety of literary related promotional flyers, a neat little booklet detailing all of this year's Arvon writing courses, a copy of the April issue of Writing Magazine and a book- my bag had a copy of Sue Moorcroft's 'All That Mullarkey'. Another writer friend had a poetry book in her bag, so it was pot-luck what you received.

The keynote speakers were both brilliant, Maureen Duffy, and Kerry Young. And I was fortunate to attend a few of the panels that Maureen Duffy was taking part in and sharing her considerable experience from her long writing career.

Onto the panels: I started with Finding Your Place in the Writing Community. Each panel only had 45 minutes in total, so it was more about the writing community that various social media sources can provide. The editor of Writing Magazine, Jonathan Telfer, emphasised that writers should be themselves, and don't be " a spam monkey". He suggested that a 10 to 1 strategy was useful; for every ten constructive posts, have one sales pitch.

While Aly Stoneman (Poetry Editor at LeftLion Magazine) suggested once a year take an overnight trip to another festival, or a workshop, as it helps expand your network, and also find out what's happening elsewhere, or what magazine/publishing opportunities there may be. Join writing organisations, and support other writers who in turn may support you.

After a 30 minute break- more coffee, tea, fruit juices, and biscuits, we moved on to the next session...

I went to, Myth Busting- Self-Publishing Be Damned: Maureen Duffy shared her experiences of the changing attitudes of publishing that she herself has experienced, and has, with the help of her agent, self-published. She emphasised the importance of a good cover design. To sum up she said you need to "dedicate yourself to it to make it work."

Author of the romantic-comedy 'No-one Ever Has Sex on Tuesday',Tracy Bloom, explained how even having an agent doesn't guarantee success, despite foreign rights selling well, a decision made by Tesco in 2012 not to stock new authors, made self-publishing viable for the book- which went on to sell 200,000 copies. But she did emphasise that a book does need to be good enough - to "have a level of quality."

Key points: covers need to stand out when they are a THUMNAIL size; blurb- snappy, catches the attention and leaps out, as you only have seconds to capture the readers attention. Book bloggers, you could send individual emails to individual bloggers. Don't forget local media, as they want local stories, so give them a local hook.

And "is it the right thing for you.'

There was a lot more from the other panel members, but at the end of the session Maureen Duffy mentioned that books should be accessible for the visually impaired too. E-books need to be produced in the e-pub3 format to be easily convertible for those with visual impairment, but at the moment producers like Amazon and others do not yet use it, so readers have a limited choice of books available.

Then it was time for lunch; to eat and absorb the first half of the day...

I'll post part 2 in a couple of days, which covers the panels on earning a living as a writer, and why having an agent is important...

It's Conference Saturday Soon...

This Saturday I'm off to The Writers' Conference in Nottingham. It's been held annually for quite a few years now, but this will be the first time I've attended. I leave the men of the family at home too.

The East Midlands has a strong writing community, so events like this conference are well attended and book up early.

As with other literary events there are one-to-ones - I'm not ready for that stage just yet. And the two workshops taking place booked up very quickly, and I missed out on the one I would have been interested in.

There are lots of informative panels too, so I'm going to be kept occupied...

The keynote speakers are Maureen Duffy and Kerry Young. While the Chair of the Conference is Stephen Booth, the successful crime fiction author of the Cooper and Fry series.

There are three panels running in each 45 minute slot, and it's a case of being there in good time to ensure you get in to the one you want.

Unfortunately it looks like there might be some disappointed writers for the seminar on the Importance of the Synopsis, as this does have a more limited capacity apparently - so fingers crossed.

There are other events and services running throughout the day. I won't be using the Poetry Surgery, but if I'm at a loose end I'll pop into the Blogging Booth.

I suspect the panel, 'Why is Having an Agent Important?' will be another popular event.

This year's conference is sold out, so make sure you're on the mailing list for notification next year if you're interested.

I'll tell you how the day went in my next post on Sunday...

Books

Pinterest at Last...

Hope everyone is well.

It's been taking me longer than usual to get over this latest bug, and actually I think it was a slight bout of flu - considering how worn-out it's left me.

Having lost a couple of weeks writing time I now need to catch up, so I'm going to have to be very strict with getting back to the work in progress.

The end of last week wasn't totally wasted though, as I finally got around to doing something with Pinterest.

I'd actually signed up toward the end of last year, but hadn't had time to actually learn how to do anything. Once I understood the mechanics of it, it isn't that difficult.

(Though there's a lot I haven't yet explored.)

I've created a few boards, begun to follow boards, and other writers I know. Pop over to look at my boards if you are interested.

If you've not looked into Pinterest before, I'd describe it as an online scrapbook, but you aren't restricted to just looking at your own version...

My creative mind does work better with visual stimuli, but of course if I saved every link that triggered something it would be pages and pages long. :D

So now I can assign it to one of my boards- or create a new one.

You can even put together a private board that only you can see, or allow certain people to see it too.

My favourite is my Costume board. There are so many sources of costume and accessories around, so I'm probably adding to that every day because I see something in passing. I haven't just limited it to 18th or 19th century items, but included early 20th century pieces too.

No doubt I will eventually discover why I felt the need to make a board about chocolate; types of, the history of and pictures of chocolate in lots of forms. :D

A couple of weeks ago, on her blog, Rosemary Gemmell was talking about how she uses Pinterest, and how her works in progress benefit from its use. Read her recent post over on her Reading and Writing blog.

Pinterest seems to have developed quite a bit since it first started, and it now has a useful place in social media.

If you're on Pinterest do let me know, and I'd enjoy hearing what you like about it...

Time for Voting for the Oddest Book Title of the Year again...

I'm slowly recovering from the nasty bug, and my brain is no longer stuffed like a thick duvet!

My characters have been quiet - plotting their next moves I suspect.

It's also given me time to catch up on some reading, and looking into various things I need to get on with this month.

Yes, I know I was meant to be resting, but I could sit still at my desk and catch up - it's only moving around or standing up for more than a few minutes that gets me!

So to this year's oddest titles (Diagram Prize)- there's some obvious contenders to win this year.

1. Advanced Pavement Research:... (and more about concrete, design and construction. I'm a bit concerned why pavements need rehabilitation.) It's a Souvenir guide to a two-day pavement symposium.

2. Divorcing a Real Witch: For Pagans and the People That Used to Love Them.

3. The Madwoman in the Volvo: My Year of Raging Hormones.

4. Nature's Nether Regions.

5. Strangers Have the Best Candy.

6. The Ugly Wife is a Treasure at Home.

7. Where Do Camels Belong.

The titles in the last few years haven't had as much variety as those in earlier years of the prize, so it's good to have more choice this time.

I'm trying to decide between voting for no. 2 or no. 3.

You can read more over on the Bookseller website, and see the covers - they look quite good together.

But if you want to vote- and remember your vote can decide the winner- you need to pop over to the We Love This Book website to do so. Just click on the vote box to go to the form.

Voting ends one minute into 21st March 2015, and the winner is announced on 27th March.

The winning title doesn't receive a prize, but the publicity that inclusion in the competition brings the book, probably increases sales that otherwise might not have happened.

I couldn't resist opting for 'The Madwoman in the Volvo'. That title just appealed to me, with the image it suggested. :D

Openings to Stories...

Wednesday night at the writers' club I was in charge of the evening; it was a 'Discuss and Read' session.

This month's topic was openings- whether a novel or a short story- and the idea was to bring in a book where the start grabbed you and made you want to find out more...

Writing the opening of a story?

I took along the latest issue of the Woman's Weekly Fiction Special as there were a few interesting opening paragraphs that immediately made you want to read on- well a few of the older men didn't find them intriguing, but they weren't the target market of the magazine! :D

It was interesting to compare the openings of 'The 39 Steps' by John Buchan, written as a serial in the summer of 1915 before being published as a book a few months later, and Michael Frayn's, 'Towards the End of Morning' originally published in 1967.

Both these books didn't follow the grab your reader in quite the way it would be now. They were a more subtle winding of tendrils around the reader, luring them in out of curiosity rather than an outright, yes I want to know more now reaction.

 I had that, I want to know more now reaction to a modern sci-fi/fantasy type opening read by one of the members- when I can get in touch with her and find out the title and author, I'll let you know.

Like the other two, the opening was centred around the thoughts of the viewpoint character, but in this case you knew something was going to happen to this one any moment, and it wouldn't be good.

Obviously the writing style of those 20th century written novels were different to the current demands. Novel lengths were shorter, and long paragraphs weren't frowned upon because that was the norm.

Openings are never easy, and I do wonder whether these earlier writers went through the same indecision with the start of their novels, that writers nowadays often experience.

Personally I couldn't narrow down my choice of openings that have stayed with me, from all the novels I've read...

Do you have a favourite opening to a novel that has stayed with you?




Image courtesy of Nuttapong via www.freedigitalphotos.net

It's National Short Story Week...

The 17th to 23rd November is National Short Story Week in the UK.

After years of decline the short story has had a resurgence, and the organisation behind this week, works hard to encourage and promote short stories, as do the organisations that support it.

Collections of short stories are becoming very popular, as they can be turned into an e-book, or find a home with a small publisher like Alfie Dog Fiction.

Many of my blogger friends (Patsy Collins, Rosemary Gemmell and Teresa Ashby to name just a few) have had lots of stories published, and they are now giving them another outing in collections.

If you pop over to Sue Moorcroft writes you'll be able to find out more about Wendy Clarke and her new short story collection, "Room in Your Heart". Wendy's name will be recognisable to anyone who has read The People's Friend magazine.

Do you remember a few months back, I was going to try and get an entry done for The Historic House Association Short Story Competition?

In the end I didn't have time, but you can find out who won, the names of the runners-up, and also those who were shortlisted and highly commended, via the National Short Story Week website, here.

Writing short stories are a good way to learn the skills you need to eventually write serials and even  novels. While the parameters are larger in a novel, the same skills in dialogue, narrative and characterisation are needed.

The wonderful thing about short stories is that you can read them anywhere, whether you have five or ten minutes, or an hour...

Long live the short story...

What Has Happened to Historical Romance Novels?

In the 30+ years I've been reading historical romance novels, there has been a lot of change.

But...I don't believe the change has been as wide-ranging in the UK as it has been in the US over that time.

If you're in the UK and not familiar with the US romance market, then you might find this Huff Post Books article 'What Happened to the Historical Romance Novel?' by author Maya Rodale an interesting read - although it is long- but it will help to read it all.

I do buy and read contemporary romances, but if you looked in my bookcases you'd notice that at least 75% of the contents are historical.

Once I'd moved beyond Jane Austen and Georgette Heyer I wanted more, but the choice was limited. They never seemed to have enough time to develop the sub-plots, and even the main story line seemed to be limited to a certain level of intensity- because anything more wouldn't have fitted the pre-set length the publisher required; and of course everything stopped at the bedroom door...

For some years I was able to get my historical romance fix by getting imported US editions from Waterstones or second hand copies from a book stall, whenever I came across them.

Then for a while it picked up. Some of my favourite authors began to have their latest books in a UK edition- usually with a completely different cover, much more artistic and restrained.

With the emergence of Kindle and e-books, readers now have instant access to any type of romance novel they might want, and the wider author base means even more books to choose from.

I've got no problem if an historical romance author writes a traditional no-sex romance, as their characters might be the 'wait until we're married' type; I've read a number like that, and it would have been quite out of place for those characters to have done anything different.

These traditional style stories haven't been any less enjoyable, or lacked depth and intensity.

I certainly noticed more sex scenes in novels (by a few of my favourite authors) a couple of years ago, but that trend seems to have reversed and they've returned to how they were before with one or two such scenes being the norm. Perhaps that was more to do with the 50 Shades of Grey effect...

Personally I think historical romances published in the UK have adapted slightly, but they're a long way from their American cousins. Whether that's good or bad is for each author/reader to decide...

There are now a lot of smaller publishers printing romance novels too...

Contemporary romance heroines certainly don't have the issues that their historical sisters have to deal with...

Whatever your preference, the good news is that romance is thriving, so that's good for every writer, and for their readers.

Book Formats- Any Preference?

Books have been around for a long time, and I think we'll still have them in one form or another for a long time to come.

Yet every reader will have a preference: hardback, paperback, audio or e-book. Maybe even a mixture of them all.

Book reading and buying has undergone massive changes, and no doubt there will be more in the future.

The history of reading still visible - above a modern store
in Milsom Street, Bath, Somerset

Different formats co-exist and the reader can choose them all, if they want to.

Perhaps the more forms of technology we have the more our book purchases get diluted (as far as the various gathered statistics are concerned); so maybe the decline in purchases in one format or other is due to what the data covers.

Before the arrival of e-books it was a simple choice: hardback or paperback?

While audio books existed in some form they weren't covering mainstream fiction until the late 1980's. I still have (somewhere) cassette tapes of poetry from the 1970's...

Audio books have continued to develop in the background while the 'battle' between paper and e-books has developed.
I've noticed there are less abridged versions available now- books that were abridged was the main aspect that put me off buying audio fiction in the past.

A recent survey by Nielsen's claims that paperback/hardback sales outsold e-books in the first half of 2014.

As this appeared on the Publishers Weekly website at the end of last month, I'm assuming this is sales in the US market. But it could be an indicator of the future situation in the UK in 12-18 months- only time and the book buying public can decide.

(And of course it doesn't cover self-published work which continues to grow.)

You can read the start of the Publishers Weekly article here.

Book buying is a very personal thing.

Whilst I buy quite a few e-books now, I do still buy paperbacks (my favourite authors) and the occasional hardback. I'll even admit to having bought a paperback copy of a few books after reading the e-books- though they tend to be reference books.

Space is a major issue. Homes are smaller, and I'm sure we'd all love to turn one room into our own personal library, but that just isn't possible for most readers. So we either buy e-books and limit solid copies to favourites (whatever your criteria of choice) or find other storage solutions.

 Many give books away when they've finished with them- go into any charity shop in the UK and you'll find lots of paperbacks for sale...

The most important thing is that readers are still buying books, and while people want books they'll need writers to write them.

So are you a digital convert, or a paper book stalwart? Or like me, a mixture of the two?

A Reading Flashmob in Nottingham...

You've probably heard of flash-mobs before- perhaps even taken part in one; well today I was a participant in a reading session flash-mob in Nottingham city centre.

 This was organised by Dawn of the Unread - they're on Facebook and Twitter as well- to show support for libraries.

The meeting point was the statue of 'Cloughie' -Brian Clough (best known for being the manager of Nottingham Forest football club) and the paved area in front of him; this area leads down onto the Market Square- currently hosting Nottingham by the sea- they put in a beach area, a bar, and various fairground rides for the school summer holidays.

Gathering around the Brian Clough statue
ready for reading.. 

NottsTV were there filming the event.  I'm pleased it was a bright sunny day, so lots of people attended.

It was hard to tell how many attended as everyone was spread out - but the early arrivals got the base around the statue to sit on...

The city centre is always busy and noisy, especially on a Saturday, but for 10 minutes there was a quiet haven where we all sat down and read.

I'm sure a few passers-by wondered what was going on - they stood around the edges, but no one minded the readers taking up space.

I sat down and propped my back against the tree to read my chosen book, and I was grateful for the little shade it provided- it was getting very warm by midday.

My reading choice for the event was Julia Quinn's 'How to Marry a Marquis'.

I'd bought this just before I returned home from Bath in May, but not finished it, so in my bag it went.

My flash-mob reading choice

If you're on Facebook look out for the photos that were posted by various
attendees...

Have you ever been part of a flash-mob? If so do tell... :)

Surviving the Book Festival...

Now I've caught up on my sleep, and I've downloaded the photos I took yesterday, here's the review of the day...

Festival poster

There was a little more space as a couple of regional organisations weren't in attendance this year; but there were a number of events also happening around the region this weekend, so they may have been booked elsewhere.

It's an early start for stall holders, as everything needs to be set up and ready for opening at 10 am. So I was up at 6.30- not my normal waking up time for a Saturday, and I hadn't gone to bed until midnight...

It took an hour to set up the writers club stall, rearranging the position of members books, and promotional material.

Finally it was done, and here's the finished stall.

Nottingham Writers' Club stall

I discovered my white tablecloth had a big blue ink stain on it, just where it would have been visible, so it was a flowery effect instead...

The bunting worked well, and another stall holder asked me how I'd printed the lettering on the panels.

Reality was using the shapes available in Word, and careful cutting along lines, plus a mass of double- sided tape and a glue stick.

I got to the talk on Mary Shelley by Christy Fern  in one of the small marquee tents behind the hall, but I only heard the first half hour as I was standing up outside the tent to listen- it was very popular and all the seats were full before the talk even began at 12.30.

The cafe providing refreshments in the hall eventually ran out of cake, but having experienced this in previous years, I made sure I got mine mid-morning.

As it was also the 15th year since the book festival was first held, there was a song written especially to celebrate, and performed by the 'Lowdham Singers' for local book shop owner, Jane Streeter (who runs the Lowdham Bookcase in the village) who started the festival up.

What did I learn that I can pass on to you?

Background posters or upright banners- like the festival one in the first photo. They attract the eye and get the message over; they also roll down into a compact unit when you're finished, so easy to transport. If you're doing a lot of events then they could be quite useful. Quite a few stalls were using them, and they can be put up or folded down as needed. (You can see the back of one of these banners behind me in the final photo.)

As the afternoon drew to a close and visitor numbers dropped, I was chatting with the official festival photographer- since the start of the festival on the 20th, he'd taken at least, 2,000 pictures.

He tried out my new bridge camera, and took a great photo of me, so thank you Mr Photographer. :)

And of course, dismantling the club stall took half the time it took to put together!

It's a long day, but for me it's only once a year, and I'm constantly learning from everything I see and hear at events such as this.

So this is the photo that was taken on my camera by the official photographer.

At the end of a long day...

Book Festival Duty...

I've had a busy week - writing; medical appointments -including an unscheduled visit to the dentist- and preparations for the writers' club stall on Saturday, at the Lowdham Book Festival.

The festival ends this Sunday, but the last Saturday (28th) is an opportunity for local authors and groups to get out and meet the public, sell their books and give talks- and on this one day all these talks are free.

It's also the day when those taking part can reach hundreds of people just by booking a table and committing to a long and busy 8-9 hours.

Lowdham Book Festival banner

It does get lots of local support, as well as people coming along from around Nottingham.

I've lost count of how many years I've been attending, but I think this year may be ten years...

Though this one will be special for me, as a writer, because I have print copies of the One Word Anthology, that both Serena/ I appear in, for sale- there's only a few copies left...

Lots of places hold their own book festivals ranging from a couple of days to a few weeks, and they're a good way for writers to get out, promote their work and sell books in a less scary environment - you are not the only one there in that role...If you've never considered it before, do find out who organises your local festival and contact them.

I'm making a new banner of bunting for the table that Nottingham Writers' Club have - our heavy duty printed one is too big and long for one table, so I'm trying for a bright and eye-catching name display.

I'll be revealing how I got on, and hopefully have some photos to show you on Sunday...

Fun and Learning at The Festival of Romance...

I finally have time to share a few snippets from my visit to Bedford last weekend for The Festival of Romance.

I had to write a piece about my trip to the festival for the Nottingham Writers' Club magazine, with the deadline of yesterday (Thursday).

I also ended up writing a couple of other items for inclusion in the forthcoming issue, in between appointments.

Next time I go, I will keep the week following, clear...

So what did I learn?

So much. From being able to talk to other writers, listen to them reading their work aloud, and on the Sunday from the editors of the various romance publishers talking about what they're doing currently, to what they're looking for in submissions - and encouragement to submit.

There were one to ones available, but I wasn't ready for that this year, so didn't put in a request when the opportunity was offered a few weeks prior to the festival.

After an evening of readings, from authors in historical dress, set against a background of drawings and paintings by the pre-Raphaelite artists in the art gallery on the Friday night, I was glad of a good night's sleep before Saturday's events.

There was the Romance Fair where you could buy a wide selection of books by various authors attending the festival. I moved onto the Coffee and Cake to listen to more authors reading excerpts from their novels.

I did the 3 hour workshop in the library run by Sue Moorcroft and Christina Courtney on 'Irresistible Heroes'. I learnt a bit more about one of my heroes in waiting, Hugo, during the practical sessions.

And following that the talk, How to Stand Out, Get Published and Stay Published, given by author Miranda Dickinson and her HarperCollins editor, Sammia Rafique. Miranda described her journey to publication, while Sammia explained her role in the author’s books. 
There was a very useful question and answer session. I wanted to know the current length they required, and for their books it’s at least 90,000 up to 120,000. (Other publishers have their own specifications.)

I can actually be seen at the Ball (on Table 4 in purple and glasses) in the video of the after dinner entertainment- I'm in the background for a while; amazing I was still wide awake as that was at 11pm and I'd been up since 7am that morning...

http://vimeo.com/icundell/professorelemental

Sunday was conference day, with an early start of 9.30am.

Spread throughout the day there were author led panels, including one on building an author platform.

The presence of editors from the main romance publishers was keenly anticipated.

Mills and Boon covered the 5 UK acquired series they deal with: Modern/Presents, Cherish, Historical, and Medical. Guidelines can be found on their website.

I've read their historical novels on and off over the years, and they have changed a lot in that time- length has increased too, they're now at 70,000.

Piatkus Entice is a digital first imprint at Piatkus Fiction.

The important message that came over was that stories needed to be a commercial proposition. And like all the other publishers they wanted 'voices' - fresh, engaging and consistent.

Carina UK - this is an imprint of Harlequin UK. They are a digital first publisher, with their first print title due out early 2014. They talked about their interest in trans-media projects, a different method of reaching readers...

And the good news is that they don't just publish romance. They're seeking, women's fiction, new adult, contemporary young adult, and erotica. And if you happen to have a WW1 romance ( considering next year's anniversary of 100 years since the outbreak of war) it could find a home.

Mira publish Women's Fiction and Crime, aimed at the older reader. Heroines 40+, well written, a hook, and commercial were important words, and they will accept unagented submissions.

Harper Impulse, another digital first publisher. Again like other digital first publishers length is not an issue. You could send a 1,000 word short story that could be read on a phone. They like to get a full manuscript, covering letter and short synopsis.

Generally: They all had a presence on Twitter. Many of the editors can be followed on Twitter; and writers having a social media presence was very useful.

Just as with any publisher, they want good stories, and fresh voices, stories that will sell.

But again and again the editors kept saying submit it! Don't worry if it's not perfect, or you're not sure it's quite right for them, just submit it.

There was so much useful information, that it was hard to take it all in. That's why I made good use of my notebook.

I learnt a lot, and have started putting into action the elements that I was missing- in social media.

But most reassuring was that my writing seems to be going in the right direction...

My Holiday Visits-Part 1...

The issue with holidays is how long it takes to get back to normal once you return home- in my case a week...

Last Saturday I was in York. The weather was a bit iffy, so we decided to visit York Dungeons.

This took about an hour, but in that time you went through history, and audience participation was requested from simple booing to 'volunteering'.

The actors in a few centuries were scary, the odd one or two OTT, but it was fun.

Unwisely one of my sons heckled the judge and ended up in the dock charged with despicable crimes- fortunately he was allowed to go free after that...

But if you do go, I'd advice staying at the back unless you want to get harmlessly splattered, and or volunteered...

As it was raining when we came out we went for coffee, and then a book browse in York Waterstones- not much choice in the romances I was looking for- the ones I found, I already had. :(

There were a lot of people going up Clifford's Tower, but having been right up to the top of the building many years ago, I gave it a miss. It's a great view, but I'm not great with heights any more...

Now I'm leaving you with a picture that relates to the next place I visited and will be showing you some photos from.

At last, a cut out display that makes me look regal.

And I got to do some weaponry research... :)

I Survived the Last Day!

Just popping in to say I'm back from the last day of the Lowdham Book Festival.

It was an early start from home, and cool.  But by midday was warm and sunny, which is always encouraging.

Nottingham and the surrounding areas had quite a few events going on, including Armed Forces Day; but I'm glad to say lots of people did come to the Festival even if they left it later...

Many of the free talks were full and people had to be turned away as capacity had been reached.

A good sign this year was people actually buying new books (and not necessarily those by well-known writers) and not just second-hand ones.

When there was a temporary lull in footfall I was able to leave the writers' club stall to look at books. I bought a new (signed by the author) book for my OH (who drives me to events, goes home and then comes to collect me later).

And I found a 1978 book on fans (the decorative type for wafting in your face) for £3, for myself, so I was happy.

The Fringe at the Ship event went well (more later with pictures) and my lighter contemporary stories were appreciated - at least those listening laughed at the right points and clapped at the end of each one without prompting... :-)

It's been a long day and I'm going to catch-up on Facebook, and sift through the growing list of e-mails that invariably fill my inbox on a Friday night/Saturday morning...

When the pictures arrive from the NWC photographer, I will share a few of them...

Hope Sunday's weather is just as good, so I can recover...

A Costume Book I Couldn't Resist...

Now I have to admit I do have a weakness for books on historical costume.

If it's a full size beautifully illustrated book and the content will be helpful in my research, then I will probably buy it- though I will look for the best price...

Some people collect pottery, and no one blinks an eye at how much they might pay for a teacup. I like costume books. :-)

So my most recent purchase came about via a post on Facebook by Rachel Knowles. Her blog, Regency History can be found here, and will be a useful starting resource for anyone wanting to find out more about this time period...

Go to Amazon and use the look inside option
- image from Amazon.co.uk

The book reproduces a selection of the fashion plates that were published in Ackermann's Repository and covers plates from 1809 to 1820, with the description and spelling of the time they were published.

I suppose you could consider Ackermann's the Regency version of today's Vogue, or Harper's Bazaar.

The book was inspired by romance author Candice Hern who has a large collection of Georgian and Regency antiques and a great selection of images and information on the objects on a section of her website, here.

I have a few favourites in the book. There's a lovely ball dress of April 1812- " A round Circassian robe of pink crape, or gossamer net, over a white satin slip, fringed full at the feet." The "peasant" bodice was clearly designed to show off the fuller bossomed woman...

And there's a fantastic "Spanish lappelled coat of fine orange Merino cloth", part of a Promenade Dress from January 1814 that I adore.

Mantles and capes, I would happily wear them today if they were made in my size.

So that's enough, or I'll be talking for days.

Do you have a favourite costume style - from any time period?