Regrets and Serendipity...

Thank you all for all your support and kind words recently, it encouraged and reminded me that sometimes I need to step back and relax and not feel guilty for it.

And of course, when I did stop worrying, my creativity returned.

That was when I regretted not buying that old book last month.

The old book that I picked up, browsed, then put back down on the book stall during the rainy day at Lowdham Book Festival. I'd left it, deciding it wasn't useful. :(

While it's noisy at home at the moment, I decided to do some research for an idea that may be suitable as a pocket novel, as it's buzzing around my brain at the moment.

If you want to know about Steam Locomotives there's lots of information on the internet, and plenty of photographic examples, but interior views of the carriages on the line I am interested in, no. I could find a few pictures for the 1890's.

So I decided that the start would need a rethink and put it aside.

Then today I popped into an Oxfam book shop that I'd never visited before, and a very well-worn cloth bound book caught my attention. The books of the early 20th century were often cloth-bound, so I always look at these when I see them.

I'd found a gem. The Blue Guides to England. They are still going and you can read more here.

There were a few pages loose, but they were there. There were little maps of different regions of the country, information on stations, buses, fares and hotels, as well as the standard tourist information of the time. Everything a visitor to England might need to know in the late 1930's. And no adverts.

From America to England the steamer took 5-10 days, and just like now it cost more to travel in the summer season; off season was 10% less.

The rail route I was interested in described the views as the train travelled from London to Brighton, the classes available and how long the journey could take.

Of course all the fares and hotel charges are in pre-decimal currency, so £-s-d.

I'm old enough to remember those, and many of the coins shown here. My pocket-money as a child was a thruppenny bit (three pence). :-)

It's going to be fun to dip into the pages and learning more about places I've visited, over the years.

But I will be getting on with the writing/editing too.

When You Can't Write...

I need quiet to write.

Reality at the moment is that there's very little quiet available.

So I'm not writing consistently, and the second draft editing is on hold until I have a clear head again.

Lots of stress from assorted sources led to mild depression building, and last week I wasn't functioning at 100%, more like 20%. So I cut back to essential tasks, stopped feeling guilty for all the things I wasn't doing, and concentrated on me rather than everyone else.

I'm probably back up to 75% functioning now.

My mind has unlocked and is starting to formulate story ideas again- thank you Sally Quilford, your comment on Facebook hit the switch I needed rebooting... (Can switches be rebooted? :) )

Meanwhile I've slowly been working my way through my York visit photos, renaming, tagging and where needed cropping. (Windows 10 does not make the tagging as simple as it was in Windows 7.)

I've started some background reading for a future project too, and making notes on a completely different long-term non-fiction item. Both of these don't demand the degree of concentration my work-in-progress needs, and I can do them in short spurts.

Depression can happen to anyone at any time of their life from mild to severe, so if you're not sure if you're experiencing this, there's a useful self-assessment tool on the nhs website, here.

I hope to get back to my blogging routine in the next week...

Meanwhile here's a happy picture to make you smile.

T-shirt of a cat in a garden in a
shop window...
(The Cat Gallery)

Fun and Research in York...

Finally I've had the time to fully gather my thoughts on York, as well as sorting my photos (there wasn't 600, I misread the totals on the screen- that was how many I could have taken with the memory card. I ended up with 131 images and I'm still naming and tagging them).

Plus my husband took a few for me on his smaller digital camera, which I still need to get from him.

Even on a short break there's time for research and inspiration.

I also did a lot of walking, lots and lots of walking...

We stayed at a hotel with the enclosed car park at the rear- our room overlooked it. It was only five minutes walk to Bootham Bar, which has been the entryway into York for centuries, so we were at The Minster within ten minutes, and from there a variety of attractions, shops, and eating places were within easy reach.

Bootham Bar
gateway

(The picture on the right, there's a car in the distance with headlights on; our hotel was about that far away.)

Unfortunately we didn't sleep well the first night as a car alarm, on one of the vehicles in the hotel car park, kept going off every hour- it finally stopped after 3 am. :(

As I'd arranged to meet up with writer friend Maggie Cobbett at Bennett's, by The Minster on the Saturday morning before my first museum visit, there was no time for a lie-in.

Carol and Maggie met for coffee

It was a Facebook post by Maggie, recommending the Shaping the Body exhibition at the Castle Museum, that led me to book the weekend in York.

(As I've got quite a few photos on particular topics, I'll be using some of the photos I took in future blog posts here, and on my Serena Lake site.)

Friends already know that if there's an opportunity to try out historical dress, I will be the first in the queue. Sadly this time there wasn't a large size available, so I went for the underpinnings- panniers.

Panniers tied at the waist

Now I have to admit these were comfortable, but the real things probably wouldn't be, nor as compact as these. Though they do give you an idea of proportions, and how they would give shape to the dresses of the time.

Like later cages, they do change how you move.

By the time we'd finished going through the museum I was hungry and tired, so I decided to visit the shoe exhibition at Fairfax House on the Sunday, rather than rush through it.

If I hadn't been going to Fairfax House we probably would have followed the riverside pathway for a while. There was a rowing competition running between various universities taking place on the Sunday morning...

Riverside path...

Monday morning soon arrived, as did the rain, and time to pack up the car and return to the regular daily routine.

It's been a busy first half of the year, so the trip to York was just what I needed...

Back from York...

On Friday I travelled up to York to visit a couple of exhibitions, as well as take advantage of a short break with my husband, minus the family- who are now all adults and can look after the house and themselves.

I must admit there was a pile of dishes in the sink when we got back today... :D

I took lots of photos in York- some for blog posts now, others for later in the year, and a few for Serena's blog; and more random images that I'm sure I'll find a use for.

Having just checked how many, there's 600+. That's going to take me some time to sort out, choose, and label.

I'm amazed I can actually move, as I did so much walking while I was away. Each evening when I got back to the hotel and finally stopped still, my muscles stiffened up and I just wanted to lie down and watch the TV.

After hearing about Betty's, I actually got to experience the tearoom. We were downstairs, but the service was the same as upstairs, and we didn't have to queue up as long either.

We stayed about five-ten minutes walk from the Minster, so we got to admire the amazing craftsmanship, past and present, several times a day.

More soon.

A View of York Minster...

image from Pixabay.

The Season of Festivals...

Where has the time gone?

I know book festivals take place throughout the year, but the summer months are particularly popular.

For me, June means  it's Lowdham Book Festival, 17th-25th. So I'll be doing my usual stint at the writers' club stall on the 25th.

 I need to dig out the bag with the see-through acrylic stands and leaflet holders ready for this year's display material.

Every year is a learning experience, seeing what works and what is an absolute failure in display terms.

This year 's Lowdham Book Festival is in its 17th year, and I've attended the free Saturday events day for at least eleven of the last twelve years.

Of course events develop and change over time, but I've always found the Saturday a good indicator of how the local and even national economy is affecting people.

 Do people buy one or two new books, or will they buy half a dozen? Modern second-hand books always seem to weather the ups and downs...

Buying books...

The last couple of years have been good, and it's reassuring to all writers to see a healthy trade in books, whether new, very old, or second-hand.

I scour the attending antiquarian type book stalls every year, but set myself a budget, otherwise I'd need a suitcase- and a lottery win... :D

This year's free Saturday events will be taking place the day after the results of the EU referendum have been announced, plus it's also a busy day for assorted events around the immediate region so fingers crossed for sunshine, or at least a dry day.

Besides Lowdham, Derby Book Festival is now running until the 11th June; and hopefully there will be another Books at the Castle in Newark (held for the first time August 2015).

If you're in the area then do look at the Lowdham festival programme; you can download it from The Bookcase website, here.

Do you have a local book festival that you attend? Or do you prefer the bigger festivals like Hay, or

Edinburgh?



image courtesy of Danilo Rizzuti & www.freedigitalphotos.net

Character or Plot- Which Arrives First?

Do you have a favourite series that you hate to miss?

Well Saturday night in the my house is NCIS night. Now to be honest across the week NCIS: seasons 10, 11 and 12 are being shown on assorted digital channels (along with the New Orleans and Los Angeles versions), which can be confusing as one night a relative of one character can be dead, and the next week on a different channel the dead character is still alive...

This is where box-sets come in useful.

Anyway, my OH just watches the story and whoever is in that episode- he calls it moving wallpaper; I told him that the characters and what's happening to them is as important as the story. He wasn't convinced...

That is what got me thinking about plot versus character, and which comes first?

Which arrives first?

If you define plot as "a sequence of events" that occur through the story, then I'd have to say no that doesn't come first- at least for me.

In fact whenever I've had a story idea and some of the plot before finding the characters for it, they have never made any progress no matter how much time I've put in. The last time I tried that it was three wasted months.

For me, it runs: initial idea (that is usually the result of two random incidents/thoughts/information) - a vague scene of one or two characters, but enough to start developing them - more ideas - research - basic bios of my characters- chapter outlines - write the first draft and discover more about the characters and plot as I work.

Looking at the process that way it's 50/50.

Every writer has their own way of doing things, so someone else may have the plot and then looks for their characters to fill the story.

Others discover as they go along.

So are you plot first? Characters first? Or somewhere in-between? 

My Problem Character...

Sometimes I find getting into the mind of my characters easy, at other times it can be problematic.

In my second draft I have some gaps to fill, and Hannah is one of the problematic gaps.

She arrived in the last chapter of draft one as if she had always been around; she and my heroine know each other quite well, but looking back, nowhere in the first draft had there been any hint this young woman existed...

That was when I realised that she would actually fill a necessary role that was one of the gaps I had.

She has the confidante role. But she'll also be a means of passing information on where appropriate.

Seeing the light?

At the moment I'm still learning about her, and her way of speaking is starting to emerge more clearly than in her first few lines.

I know she's a year or two older than my heroine, and has had a little more experience of the world, so that will prove insightful later- there's a completely new scene in my mind (for much further on in the draft) where Hannah will be doing a little manipulation- for the best of reasons of course. :D

Unlike my other characters I don't yet have a bio for her. That's usually when I find out all those useful snippets of information lurking in the recesses of my mind.

Perhaps that will get through her protective shell.

Onward with the never-ending mystery of the supporting cast...

Procrastination...

Yes, I'm guilty of procrastination. I don't intend to, but somehow time passes and then it's too late to get started because everyone is home again and I need quiet to write.

Procrastination...

I'm recovering from three busy months, and there's been lots of personal life stuff that has been taking up the remaining time too. So the second draft rewrite really has been the last thing on my mind.

But I'm determined to make the most of the free time available- yes, I know I've said that before!

Having to shift all my office around while the computer was being replaced didn't help. It's not quite back to how I need it, so I'm going to concentrate on finishing that. There's still a few things I want but can't access easily, so times wasted searching...

I'm fortunate that I have the end of the old dining room to house my office, but it still has to double as a temporary storage area for other things until we've shifted other room contents around- that's slow progress.

Hopefully by the time I'm finished there will be enough fodder for me to write a short article on procrastination for one of the annual trophies at the writers' club- it's for non-fiction, and this year's subject just happens to be procrastination.

So I am sort of working... :D

Right, I need to get started, it's the recycling collection day tomorrow.

Do you have any anti-procrastination tips that you can recommend?






image courtesy of Stuart Miles & www.freedigitalphotos.net

The Workshop Exercises - Success...

For many years I've been a member of the Talkback forum over on the writers-online website, and the monthly one word writing challenge is not only fun, but also good for honing structure and effective word choice. You only have 200 words for the story.

It was while I was putting together my previous blog post, about the workshop, that I realised that the senses scene would work well for the April challenge, as the word was jeopardy. 

My new character, Elizabeth, was most certainly in jeopardy. So I rewrote the piece, paying particular attention to her surroundings and added another 100 words to finally come in at 198.

It was posted with a day to spare before the month end. But the wait for the competition to close, and the prose judge's decision and comments were worth it.

Here's what the April judge said- I know they won't mind me sharing their comments on my entry:

The Darkness Beckons
A great build-up of atmosphere and tension in this story. I was imagining a Dickens era setting, but I think it works equally as well in a modern day setting. I am curious to know why Elizabeth could no longer rely on “the niceties of society”, what had brought her to the warehouse, what choices she had previously been denied…. I think you should write on!

What awaits at the
other end?

And even better, I was co-runner up 'for the great sense of atmosphere'. 

(Imagine grimy windows, neglect, abandonment, vermin and a very dark corridor.)

Needless to say, Elizabeth has gone into the development corner of my brain, marked up as #6. She may move up the order, but it really does depend on how long the story will be; it could be short, or longer, which is partly why I'm not revealing that scene... 

At the moment she seems content to have made her presence known and isn't going to pester- unlike a few of my waiting characters. It will be serious when she gets a file box for her story.

Meanwhile I'm getting the hang of the second draft process with Hugh and Sarah's story, so it's all positive at the moment.

image courtesy of Tuomas Lehitinen & www.freedigitalphotos.net

Workshop- Writing Historical Fiction...

Saturday- St George's Day and Shakespeare's birthday I spent indoors at a workshop- except for a brief foray outside for food and to admire St. George, and his two fellow knights on horseback outside the Council House, as I passed by.

Author Judith Allnatt was running a writing historical fiction workshop, held in the events room at the Nottingham branch of Waterstones. The events room actually has a name- the Alan Sillitoe Room.

(It's on the top floor and is large enough for a book launch/ talk if you ever have need of one.)

There was also a good supply of tea and coffee to keep us alert...

I must admit that I always find workshops a little scary, as well as worthwhile.

Ready to workshop...

Scary because I worry I'll freeze when it comes to writing exercises, but thankfully I didn't have too much problem. And there were times when a few of us attending found a particular item problematic, but that was okay.

The warm-up bit was fun as we were able to choose from a selection of postcards of shoes (from assorted time periods) and used that as a starting point for creating a character. It was ideal for me as so often visuals connect with the room of waiting characters in my sub-conscious. The pair of shoes I chose were from 1912.

There was one exercise I will definitely use again. My new character, how do they sleep, what is around them in their bedroom or room they sleep in? My character didn't have a first name at this point, but I was soon realising her circumstances were dire.

When you think about it, the place where you sleep is very telling, as are the objects around you, their neatness or an incongruous item or two.

I'd never thought about it that way before, but I will now.

By the time we reached the senses, I knew my character's name, and a better idea of the time setting- late Victorian rather than early 20th century.

(This was when a missing scene from my work in progress popped up and resolved one of my niggle points.)

Judith read an extract from her third and lately released in paperback, The Silk Factory, to provide an example of how the senses could be used.

We looked at published extracts and how they convey information without it being obvious, even if you don't know what event it may refer to- such as a national/world event.

As the workshop drew to a close Timelines were mentioned,  and between us we compiled a long list of research resources. There were a few I will be looking into, especially Academia.edu.

With time running out there was a Q&A to finish.

Everyone seemed to leave inspired to continue writing their historical novels.

Personally, it was enjoyable, I learnt more, but it also reassured me that I'm doing the right things for the historical side of my romances.

Have you been to any workshops this year?







image courtesy of noppasinw & www.freedigitalphotos.net

The Rewrite Resumes...

Finally I can return to the second draft rewrite.

I'm grateful to Patsy Collins for guest posting last week while I was very busy with essential work for the writers club...

Anyway, to draft 2. I know it's advised that you read the whole manuscript through and make notes, but I'm not doing that for this draft.

I've got numerous minor and major changes to do, and the overview of the story in my head. And if I'm not sure of something I do have my chapter outlines with any changes that were made marked in.

The second half of the story was clearer, mainly because I had discovered more about my characters, their motivations, their reasoning, and the emotions and reactions that were lacking in some of the earlier chapters.

So the aim for draft 2 is: to take one chapter at a time, read it, make notes. Where I know a scene is missing I'll write it in, and deal with the points made in the notes.

The next drafts...

Spread throughout are various comments in brackets-research x. They're minor things and I've already found the information I need on most of them.

Once I've reached the end of draft 2, there will be a short break and then the complete read through and more note-making.

How I approach draft 3 is for deciding when I get to it.


I know what works for me to produce a 1st draft. Now I need to discover how draft 2 works...









image courtesy of Stuart Miles & www.freedigitalphotos.net

Patsy Collins Returns- E-books to Print Part 2

Welcome back to part 2 of e-book to print for the self-publisher. Today it's the useful 'how to' post.

(I'm taking notes for the future.)

Over to you again, Patsy.

Thanks for having me back again Carol, despite the cheeky way I mentioned my new short story collection, Through The Garden Gate and how the kindle version is currently on sale for 99p! (Gosh, but I'm subtle!)

It's also available as a paperback version, which is available now for £6.60

How I did it.

There are a variety of companies which allow you to self publish your own books. I use Createspace, which is a print on demand (POD) service. It's part of Amazon, which means the distribution is taken care of. There's nothing to pay in advance as they take their money from the sale price. If you don't sell any, you don't pay a penny.

Available now...

The work involved.

Createspace provide useful articles on every step of the process. For example, here's one on formatting. I suggest having a quick read of those first. There's also a forum where you can ask questions if you get stuck.

Everything you need to do the formatting is available in most of the software packages you're likely to have used to write the book. Word, OpenOffice and NeoOffice will all do the job.

1. You'll probably want to add page numbers and might want to include your name and the title in page headers. It looks best to start each chapter on a new page. Use section breaks for that.

2. You should select 'mirroring' for the page set up, so there's a slightly wider margin for the inside edge of each page than the outside one. Pages should also be sized appropriately for the book size.

3. If it's a short story collection or non fiction work, you'll want to include the page numbers in the table of contents, or index, if you're using one.

4. It's a good idea to use an ISBN. Createspace will provide this for free if you select that option and you may wish to add this to the front matter of your book - that's the bit where you put copyright notices, disclaimers and that kind of thing. Just copy and paste.

5. Once you're happy with the document, save it as a pdf. You're now ready to upload it. Select the 'guided' option and you'll be guided through each stage.

6. Once uploaded, you can view a digital proof online. Look through this carefully and if there's anything you're not happy with, adjust the document and upload the new version. Repeat until it's perfect.

7. It's a good idea to look at a physical proof too. You can order it at this stage.

This is one place I don't follow the Createspace guidelines as their proof is expensive and it'll take a long time to come through. Instead, I publish the book, buy one copy and immediately un-publish again. 

8. If you already have a kindle cover image this will need some tweaking. The resolution needs to be higher and you'll have to allow for 'bleed' - that's the bit which will probably be trimmed off when the physical cover is formed. The precise requirements are clearly given when you get to that stage.

9. Selecting categories, sales channels, adding the blurb and pricing are all explained and almost identical to doing this for an ebook. Again you'll be guided through. 

Top Tip

Allow plenty of time for formatting and uploading your book. It's better to do it a step at a time over several days than try to do it all in one mad rush. There's also a wait of several hours, or sometimes days, from when you click the confirm button to it appearing for sale.

Go on then – What are you waiting for?

Patsy Collins - From E-book to Print Part 1...

Welcome my guest this week, Patsy Collins, who's sharing her experience of creating print copies of her books (in addition to the e-versions).

Over to you Patsy...

Thanks for inviting me onto your blog, Carol! It means I can mention that I've self published a kindle version of my new short story collection, Through The Garden Gate. It's available at the special price of 99p until19th April.

Oh ... that's not why you invited me? That's right, I remember now.

Patsy and her latest collection

Carol, being an observant writerly type, noticed that whilst self publishing ebooks is fairly common, far fewer writers also produce paperback copies. She asked me to explain why, and how, I'd done this for Through The Garden Gate. Which is available now for £6.60  (hee hee, got away with that one!)


The Advantages

1. It's nice to be able to hold your own book in your hands. Trust me, you'll feel a lot more like a proper writer when you do.

2. There are lots of people who don't use a Kindle and some of these might want to read your book.

3. Paper copies can be sold to libraries and they qualify for PLR and ALCS payments.

4. It's good to have physical copies if you give talks, both to show people and to sell.

5. Physical copies can get passed around. That doesn't help your sales, but might bring more readers (who might buy other books you've written). You never know who'll end up seeing a copy and becoming a fan.

6. Books make nice gifts or competition prizes.

7. You'll have done (or outsourced) all the hard work of writing, editing, formatting, proofreading, selecting a cover image and promoting for the e version, so there will be very little extra work involved.

Disadvantages

1. It will take up a small additional amount of time. That time would probably have been used being annoyed by grammatically incorrect memes on Facebook, watching insurance adverts on TV, or something else equally worthwhile.

Have I talked you into giving it a go? 

Hope so as I'll be back Thursday to explain how I created the paperback version of my latest collection.

(Carol here again.)

If you've got any comments on today's post do please use the comments link below, and Patsy will be checking in from her travels...