A Selection from the Fashion Museum 100 Objects...

I hope you've enjoyed my blog posts about my museum visits last month: the Museum of Bath Architecture and the Bath Postal Museum.

Now it's the Fashion Museum and their History of Fashion in 100 Objects, running until January 2019, alongside their smaller and recently opened Lace in Fashion.

I've split up my selected images between my blogs here and over on my Serena Lake website, so I hope you'll visit Serena's page to see some of the interesting 18th century items I've chosen, reflecting the time periods I'll be writing historical romances in, under my pseudonym.

Over here I'll be going 19th to 20th century.

(Many of these images have had light applied in the preparation for sharing them with you. Also with the big panes of class reflections or shadows do sometimes get caught, so whenever possible I crop the images to centre in on specific items.)

Bath is often associated with Jane Austen and the wonderful costume dramas of her works, so here's a section of dresses from the first half of the 19th century with it's muslin and printed cottons, elegant classical designs and trains going onto frills and flounces...

Early to mid-1800's...

The shoes on the raised platform (bottom left) can be seen in more detail on Serena's blog post.

There was a delightful display of baby bootees too, again from the 1800's. Some were embroidered, others quilted and fairly plain.

Baby footwear...

Some men's clothes were included in the 100 objects, but I suspect that not as many items may have survived as women's. There were waistcoats, jackets and a lovely velvet suit- whoever the man was that wore it, he must have had women wanting to say hello!

Also there was a pair of men's trousers from the 1820's, as the display moved into the Victorian period and clothes seemed to become more sober.

There were a few items in their own individual display cabinets.

I particularly liked the Dolman from the 1870's.

Lady's Dolman from
the 1870's...

This would have been worn over a dress with a bustle. It was part cape, part coat. Some of the large cashmere or paisley shawls were used to make these new types of outdoor wear. As it hangs over the bustle at the back, it does drape well and add to the shape.

Underwear did feature. There were some stays, and this corset from the 1890's.

Evening corset...

It's silk stiffened with whalebone. The waist is 21.5 inches with the tight lacing, but could be let out if needed. I'm not sure anyone would want to eat much laced that tight!

On into the 20th century I chose one item I hadn't realised existed- and I suspect they will appear in the party scene in my 1920's story. Dress Clips.

A selection of 1920's Dress
Clips from the Beeson
Collection...

The dress clips were designed to add sparkle to the corners of the square-neck dresses and round or V shape necklines.

These clips are just a small part of 350 that were collected by a primary school teacher, in Frome, Somerset, Sheila Beeson - over a 40 year period.

From there the exhibition moved on through the WWII and the post war period.

For me fashion seemed to have lost its way after the 1930's. Now we're just repeating the past 50-60 years with slight variations.

Choosing the 100 objects that represent the changing face of fashion history must have taken a lot of discussion and planning. And that's before the museum even began the process of creating the display.

No matter the time period you're interested in, there's something in the exhibition to be appreciated.

There's more shoes, and the additional Lace exhibition in the darker storeroom area, displaying how hand-made and manufactured lace has been used in clothing across the decades too.

The Bath Postal Museum...

The Bath Postal Museum is another delightful Bath gem that would probably get missed on a weekend visit-if you didn't know it was there.

You'll find the entrance to the Museum downstairs, just inside the entrance to the existing Post Office. To enable accessibility for those in a wheelchair or with limited mobility, there's a stair lift.

Considering how much there is too see, it's been thoughtfully laid out to make the most of the space; and for children there's fun things to do too.

I knew a bit about mail coaches and what they looked like, and also about turnpikes from research for the first novel I tried writing, but there was so much more I didn't know.

For example the mail went to and from London along six routes, until Ralph Allen, the Postmaster of Bath, began an expansion with cross routes.

By later in the century Mail Coaches became a necessity, fast, efficient and they had a guard to protect them.

1.8 Scale Model of John Palmer's Trial Coach
built by Ronald Stiff of Aylesbury

My favourite item in the museum was being able to listen to the different horn calls that were used during the mail coach journey; there were various warning calls: to the passengers to get aboard, to alert the inn to get the horses ready, the turnpikes open, and when they finally arrived at their destination among them. Each slightly different, but you can hear the echoes of future military bugle calls.

The horn to signal...

The display of Post Boxes certainly reminded me of a few from my childhood. Did you know how many types there have been? There's a few on this link.

This is the post box in Laura Place, and there's another on Great Pultney Street, both are hexagonal, the 'New Standard Letter Box', designed by J.W Penfold in the 1860's.

Laura Place Hexagonal
Post Box...

I've only chosen a couple of items to show you, but there's so much more to see and discover...

As it's Sunday it's the Museum of Bath Architecture...

I'm going backwards for this visit to Bath, and sharing the smaller less well-known museums in Bath first.

Last Sunday we (husband and I) visited the Museum of Bath Architecture (which appears on some tourist brochures/maps as the Buildings of Bath) and it was well worth the visit.

The exhibition is located in the Countess of Huntingdon's Chapel along the raised pavement of The Paragon, The Vineyards. It's owned by The Bath Preservation Trust who are also involved with No.1 The Royal Crescent (I visited there on my last trip to Bath in 2014).

It's all raised pavement...

(You'll see a cape belonging to the Countess in a later post.)

Acorn Finials at The Circus

If you don't know anything about the architecture of Bath there's a very helpful video to start you off, before you go on to discover the various crafts and the tools used by the men who built the distinctive houses from the lower to the upper end of the city.

(When I'd been waiting for the Fashion Museum to open the previous day, we'd wandered into The Circus, and one of the pictures I took was of the stone acorns finials that run around the roof line, and we both assumed they had some symbolism.)

So it was a surprise to turn the corner of the first display cabinet and there was a large stone acorn, similar to those in the Circus, though this one was from The Royal Crescent. [1]

Stone Acorn Finial
from the Royal
Crescent...

Yes, it is symbolic.

John Wood (the Elder) who designed The Circus, sadly died three months after the foundation stone was laid, and the building work continued under the Younger John Wood. The elder Wood was strongly influenced by Stonehenge ( he studied and wrote about it) and other stone circles- the Druids were in there too...

On a previous visit to the Circus it was a very sunny May day, the sun was almost in alignment with Gay Street (that leads up to the centre) and it's easy to see the stone circle influence with his design.

The acorns reference Bladud- who is supposed to have discovered the healing hot waters of Bath; his pigs- suffering from a skin disease- were looking for acorns to eat and were cured by the hot spring.

There were a few items that I particularly enjoyed seeing; the Mason's Level with a lead plumb weight. [2]

Mason's Level

Model of 26 Great
Pultney Street...

But the most impressive item has to be the model display of the city, and you can press buttons that lights up the best known locations. (see image at the bottom of this post) [3]

By the time we'd worked our way around the displays you could really appreciate the skills of the men who did the actual building work, they brought the architects designs and visions to reality, using many of the tools that craftsmen today would still recognise.

Even the little models required skill and are interesting too. [4]

You can see a few of the other items from the Trust's collection, here.

I've only mentioned a few things, but there is so much more to see and learn.

It's a small museum, and like many smaller places across the country, they like (and welcome) visitors. So if you get the opportunity do go, you won't be disappointed...

The Royal Crescent and The Circus
lit up in the Bath city model...

Images 1,2,3,4 taken with permission.

Raised pavement image courtesy of RP Bevitt.

Back from My Travels to Bath...

Last Friday I went down to Bath for a long weekend. It was a wonderful and much-needed break after a stressful six months.

As I've been so busy since I came back I haven't had time to sort out all my photos and pick the best ones for my blog posts here, and over on my Serena Lake site.

So that's my job this weekend.

The History of Fashion in 100 Objects at the Fashion Museum was fantastic, and if you get the opportunity do go and see it. Their smaller Lace exhibition was equally as interesting.

It's going to be difficult choosing my favourite images from all those costumes and items that were on display...

I'll be doing a couple of blog posts on two smaller and lesser known museums that might get missed if you've never been to Bath before: The Postal Museum, and the Museum of Bath Architecture that is housed in the Countess of Huntingdon's Chapel.

Both of these held surprises and answered a few questions I had...

I did a lot of walking- fortunately the weather was dry and quite bright, although the evenings were chilly.

But all that exercise meant I could go into the Pump Room for tea (on Mother's Day) without feeling too guilty. It's very elegant, and there was music provided by a trio of musicians.

The evidence has been eaten...

There are a number of parks around Bath too which are clearly enjoyed by residents and visitors alike.

Sydney Gardens, behind the Holbourne Museum, has both a canal and a railway line running through them, though I believe they were actually there before the Gardens were laid out around them.

Henrietta Gardens lies between Great Pultney Street and Henrietta Street (where the hotel we were staying at was located), so it was a delightful diversion from one road to the next.

So look out for my next post at the weekend...

Busy Ducks...

The good news is my trip to Bath is booked, so I'm hoping the weather will be dry even if it's not warm when I eventually go.

The first batch of manuscripts (for the writers' club's national competition) are on my desk waiting for me to start reading and giving a few lines of feedback on each one.

And my diary for the next few months is filling up quickly, so I'm glad I got my weekend away booked before these other appointments came in.

The other good news- well it is to me- is that I have a small payment from ALCS this year, so that will be saved up toward funding a future research trip to who-knows-where...

Passing visitors...

It's also getting time to tidy up the garden, now that the buds are opening on the trees and bushes; and the small birds are becoming regular visitors.

So it was quite unexpected last week when a pair of Ducks flew into the garden for a quick snack and wander round.

Of course they chose the least photogenic area of the garden to land on...

The female did the sensible thing and pecked up any bird seed that she could find, while the male Mallard went for a short stroll.

Obviously the garden didn't meet his requirements and he flew off, quickly followed by the female- they synchronised flying too.

This pair make regular appearances around the area: from walking across the road, to settling down for a rest on the front lawn of someone's house.

They're not that far from a number of ponds and water channels so they can easily fly from place to place.

Waiting for the other half...

They're obviously an adventurous pair that like to get away from the crowds...

Reading is Essential...

It's been a busy few weeks, so having time to think ahead for writing blog posts has been like wading through a room full of individual macrame strands hanging from the ceiling. You get through one set and can breathe for a moment before tackling the next set...

Despite the disruptions I've been able to do some writing- my 1920's based story- and I've finally started reading a few of the many books in my digital to-be-read list on my Kindle.

Every year I buy a few books that are set against a Christmas backdrop, and I always intend to read them over the Christmas holiday, but I never do. Now it's almost Spring, and I'm reading an historical romance set at- you guessed it- Christmas.

Actually I'm also reading a couple of Simon Whaley's books too, one chapter at a time when I have a spare ten minutes; The Positively Productive Writer, and Volume 1 of his latest book, The Business of Writing.

Books and Bath...

I've signed up to Readily.com, so I can read a number of different magazines each month- and back copies too. When many of the magazines are £3 and upward an issue, a monthly charge of £7.99 isn't bad. And it's a good way of finding filler opportunities.

The latest issue of Writing Magazine arrived today, and it has the first of the two competition specials they produce each year.

Next week isn't as busy as the second half of February was, so I'll be getting back to the keyboard and raising my word count.

And I still need to sort out the dates and bookings for my trip to Bath.

All that will keep me out of mischief... :D

Bath: Part 2, Saturday - Going Georgian...

Saturday's 'Georgian' visits are going to be split up into two blog posts, as the Fashion Museum deserves a post by itself; and as No.1 Royal Crescent doesn't allow photography, I don't have any of my own images to show you, just links where you can see more. So No.1 will share a post with the Jane Austen Centre...

*   *   *

Assembly Rooms with the
Fashion Museum

The Fashion Museum is downstairs in the Bath Assembly Rooms.

It is just around the corner from The Circus, and just beyond that is the Royal Crescent.

As I was at the Pultney Bridge end of the city I had to walk uphill for quite some distance, but at least going back it was all downhill.

2014 is 300 years since the ascension of George 1 to the English throne, there have been a number of exhibitions, and television/radio programmes, taking place about the Georgians. 

Bath has such strong associations with Georgian Society, so where else would you expect to see the wonderful clothes worn between 1714 and 1830...

For anyone unfamiliar with original historic costume, displays such as this have rules. No flash photography- bright light or even natural light (sunshine through the window) would damage and fade the material, so you'll see from my photos that the lighting is low. Likewise the environment around the clothes is strictly controlled. At the end of the year, the clothes on display will go back into storage to rest... 

Woman's Closed Robe 1730's and Man's Light Pink
 and Green Woven Silk Coat 1750's

I'm only going to pick out a few of the images I took. But it will give you an idea of the range displayed. If you can get to the exhibition you won't be disappointed.

The Georgians were not scared of colour, and even the men wore pink- sort of!

I'd seen one of the Mantua Court Dresses before- many years ago- but there were three on display, and my photo does not do them justice- they are wide!

My favourite has to be the Red Woven Silk Damask dress from about 1750, I could see my Dorset novel heroine wearing this...

The Red Dress

You have an audio guide that you take with you, and whenever you see the guide symbol with a number beside it, you press the buttons and press play, to hear details and relevant information.

Now to the gentlemen,  though they featured more noticeably in the storage area of the exhibition that goes from 1800 to the early 20th century.

Here are two men's coats from the late 1700's- 1780/90 approx

The image of the men's coats has been digitally lightened so you can see the decoration against the dark fabric, which isn't as clear in the original light level.

(You can see the audio symbol with 77 beside the bases for the men's coats...)

The exhibition moved onto a small display of designer outfits inspired by Georgian fashion- including a Vivien Westwood dress- long, pink and purple with a big bow...

If you think the Georgians used a lot of embroidery then you have seen nothing until you reach the 17th century gloves on display. They are currently on loan to the museum from The Glove Collection Trust, but were items where photography was not allowed at all. Their original owners were definitely peacocks where fashion was concerned...

There was then a section of the modern- an ongoing exhibition- with fashion designer David Sassoon's donated archive of fashion drawings, charting the history of the firm Bellville Sassoon Lorcan Mullany.
This part of the display included three outfits designed for Diana, Princess of Wales, and immediately recognisable- she was a Spencer before marriage, and was related to Georgiana, the Duchess of Devonshire, a well known Georgian.

Moving on it's the Georgians in the 19th century and a peek into a part of the storage area. This was much darker, so again no photos.

Fortunately there was seating available as some of the audio commentary was longer than earlier pieces.

Each display featured a specific time period set among stacks of labelled identical storage boxes. The first featured simple white muslin gowns from 1800, and there was a coat worn by Lord Byron's bride- her going away outfit...

As you moved round the room you could see how fashions changed as you progressed from the Georgian into the Victorian.

Each display highlighted certain aspects of the changing designs; and in one case to one side there were rails of neatly hung but covered waistcoats- I would have liked to have seen all of them...

My tour was over and I climbed the stairs back to the present day. I couldn't leave without popping into the ballroom first, and peeping in to the Octagon, set out with chairs and display equipment for some event.

I wandered into the Tea Room and on into the Card Room that is now set up with a bar and a café.

As I sat there fortifying myself with drinking chocolate and a scone ( plus jam and cream of course) before I made my way to The Royal Crescent, I couldn't help but imagine those men and women who had passed through the rooms in their finery, each with their own dreams and fears...

How to Dance
(lightened)

You can find out more about the Fashion Museum at: www.fashionmuseum.co.uk

Facebook: https://www.facebook.com/FashionMuseum

Twitter: @Fashion_Museum

Part 1- Friday in Bath...

After a slight delay on my train from Cheltenham Spa to Bath, I arrived mid-afternoon, but was at my hotel in Henrietta Street a little over 5 minutes later by taxi.

Bedtime Reading Available

I immediately recognised street names from Georgette Heyer and Jane Austen's books; Laura Place and Great Pultney Street...Tall many storied houses lined each side of the road in uniform precision, but gently curving into the distance.

Fountain in the Middle of the Road at Laura Place...

My visit coincided with the UK-wide Museums at Night festival, so I had plenty of options for entertainment that evening.

I chose the talk by writer Lindsey Davis  in The Pump Room (her books have been about a Roman Detective- Falco. The first book, 'The Silver Pigs' has been on BBC radio many times).

The audience, of about 40, learnt about Lindsey's early career in the civil service, her first novel attempt- a civil war romance-that didn't win the Georgette Heyer historical novel competition, but did get sold to Woman's Realm (a magazine no longer in existence).

We were read an extract from her new Albia book, and heard about her stand-alone on the Emperor Domitian, that was written between the Falco and Albia series.

At the Q&A,  I asked Lindsey if she plotted or wrote as she went along? (She'd already said she kept firm control of her characters.) Her reply surprised me a little- "If I plotted I would never get a book written."

The entry charge to the talk also allowed me to go around the Roman Baths museum afterwards- they were staying open later than usual.

The King's Bath viewed from The Pump Room

I knew I wasn't going to have time to do a proper tour, so I wandered through the first part of the exhibition fairly quickly, having been told the museum was shutting at 9; but as it was so busy it remained open for longer. There was a large party of Brownies attending...

There was music everywhere, inside the museum a man playing a lyre type instrument- a mini harp almost, and a little further on from him, a group with a device that had a simple keyboard, small hand pumped bellows, creating notes by metal tubes in water...I can't play a note but got a reasonable sound out of it!

The rooms off the main pool showed the structure and design of the steam room, warm room and so on; and there were projected images on the wall of semi-naked men in the cold water pool area.

Looking down from the walkway

Outside, around the big pool - that you see in photos- there was a small bar, and a trio (singer, double bass and guitar) providing entertainment- they were very good; while people sat on benches in alcoves, or at the edge of the pool, enjoying the warm evening air, and the torches burned brighter as the evening sky dimmed.

Usually visitors only get to experience the pool in the evening in June and July, so it was a fantastic bonus.
It really wasn't difficult to imagine the Romans of the past lounging around the pool...

As night draws in

My next posts: 3 Museums on Saturday...

I'm Back from Bath...

I had a great weekend, and did a lot of walking- lots of it uphill and down again.

Now I have to get back to reality; unpack, sort out my various purchases- postcards and books. Then download and label my photos- I'll have to get my little pocket map out for that.

My hotel was a Georgian house, so every time I went out, or returned back in the evening, I had the delight of walking past a parade of houses that have been there for hundreds of years...

I've probably got enough for a few blog posts plus the photos. :)

My arrival on the Friday afternoon coincided with the Evening at the Museums event, so I managed to fit in a couple of extra events beyond my original plans- Friday evening had a literary event; history and writing together...

And I will have to take a picture of my new mouse mat, from The Jane Austin Centre, as it's not shown in their shop- you'll like it. :D

More to come soon...

I'm Off to the City of Bath...

I just have to pack my clothes and my medication for my travels.

My camera battery is charged, ready to take some interesting images- I hope! The weather is meant to be good so I'm dragging out some summer clothes...

I've been making a list with opening times and entry costs, and compared to some places they are not that expensive- especially when they offer saver tickets to get into a combination of museums.

If you want to read about some of the places I'll be visiting- while the rest of the family are left at home- you can find out more here at the Visit Bath website.

There are lots of pictures and videos, just look at the individual website links for each museum/place.

Once I'm back it will be a couple of days before I've got everything sorted, so I may not blog again until mid-week.

Enjoy your weekend, wherever you are...