My Problem Character...

Sometimes I find getting into the mind of my characters easy, at other times it can be problematic.

In my second draft I have some gaps to fill, and Hannah is one of the problematic gaps.

She arrived in the last chapter of draft one as if she had always been around; she and my heroine know each other quite well, but looking back, nowhere in the first draft had there been any hint this young woman existed...

That was when I realised that she would actually fill a necessary role that was one of the gaps I had.

She has the confidante role. But she'll also be a means of passing information on where appropriate.

Seeing the light?

At the moment I'm still learning about her, and her way of speaking is starting to emerge more clearly than in her first few lines.

I know she's a year or two older than my heroine, and has had a little more experience of the world, so that will prove insightful later- there's a completely new scene in my mind (for much further on in the draft) where Hannah will be doing a little manipulation- for the best of reasons of course. :D

Unlike my other characters I don't yet have a bio for her. That's usually when I find out all those useful snippets of information lurking in the recesses of my mind.

Perhaps that will get through her protective shell.

Onward with the never-ending mystery of the supporting cast...

Procrastination...

Yes, I'm guilty of procrastination. I don't intend to, but somehow time passes and then it's too late to get started because everyone is home again and I need quiet to write.

Procrastination...

I'm recovering from three busy months, and there's been lots of personal life stuff that has been taking up the remaining time too. So the second draft rewrite really has been the last thing on my mind.

But I'm determined to make the most of the free time available- yes, I know I've said that before!

Having to shift all my office around while the computer was being replaced didn't help. It's not quite back to how I need it, so I'm going to concentrate on finishing that. There's still a few things I want but can't access easily, so times wasted searching...

I'm fortunate that I have the end of the old dining room to house my office, but it still has to double as a temporary storage area for other things until we've shifted other room contents around- that's slow progress.

Hopefully by the time I'm finished there will be enough fodder for me to write a short article on procrastination for one of the annual trophies at the writers' club- it's for non-fiction, and this year's subject just happens to be procrastination.

So I am sort of working... :D

Right, I need to get started, it's the recycling collection day tomorrow.

Do you have any anti-procrastination tips that you can recommend?






image courtesy of Stuart Miles & www.freedigitalphotos.net

The Workshop Exercises - Success...

For many years I've been a member of the Talkback forum over on the writers-online website, and the monthly one word writing challenge is not only fun, but also good for honing structure and effective word choice. You only have 200 words for the story.

It was while I was putting together my previous blog post, about the workshop, that I realised that the senses scene would work well for the April challenge, as the word was jeopardy. 

My new character, Elizabeth, was most certainly in jeopardy. So I rewrote the piece, paying particular attention to her surroundings and added another 100 words to finally come in at 198.

It was posted with a day to spare before the month end. But the wait for the competition to close, and the prose judge's decision and comments were worth it.

Here's what the April judge said- I know they won't mind me sharing their comments on my entry:

The Darkness Beckons
A great build-up of atmosphere and tension in this story. I was imagining a Dickens era setting, but I think it works equally as well in a modern day setting. I am curious to know why Elizabeth could no longer rely on “the niceties of society”, what had brought her to the warehouse, what choices she had previously been denied…. I think you should write on!

What awaits at the
other end?

And even better, I was co-runner up 'for the great sense of atmosphere'. 

(Imagine grimy windows, neglect, abandonment, vermin and a very dark corridor.)

Needless to say, Elizabeth has gone into the development corner of my brain, marked up as #6. She may move up the order, but it really does depend on how long the story will be; it could be short, or longer, which is partly why I'm not revealing that scene... 

At the moment she seems content to have made her presence known and isn't going to pester- unlike a few of my waiting characters. It will be serious when she gets a file box for her story.

Meanwhile I'm getting the hang of the second draft process with Hugh and Sarah's story, so it's all positive at the moment.

image courtesy of Tuomas Lehitinen & www.freedigitalphotos.net

Workshop- Writing Historical Fiction...

Saturday- St George's Day and Shakespeare's birthday I spent indoors at a workshop- except for a brief foray outside for food and to admire St. George, and his two fellow knights on horseback outside the Council House, as I passed by.

Author Judith Allnatt was running a writing historical fiction workshop, held in the events room at the Nottingham branch of Waterstones. The events room actually has a name- the Alan Sillitoe Room.

(It's on the top floor and is large enough for a book launch/ talk if you ever have need of one.)

There was also a good supply of tea and coffee to keep us alert...

I must admit that I always find workshops a little scary, as well as worthwhile.

Ready to workshop...

Scary because I worry I'll freeze when it comes to writing exercises, but thankfully I didn't have too much problem. And there were times when a few of us attending found a particular item problematic, but that was okay.

The warm-up bit was fun as we were able to choose from a selection of postcards of shoes (from assorted time periods) and used that as a starting point for creating a character. It was ideal for me as so often visuals connect with the room of waiting characters in my sub-conscious. The pair of shoes I chose were from 1912.

There was one exercise I will definitely use again. My new character, how do they sleep, what is around them in their bedroom or room they sleep in? My character didn't have a first name at this point, but I was soon realising her circumstances were dire.

When you think about it, the place where you sleep is very telling, as are the objects around you, their neatness or an incongruous item or two.

I'd never thought about it that way before, but I will now.

By the time we reached the senses, I knew my character's name, and a better idea of the time setting- late Victorian rather than early 20th century.

(This was when a missing scene from my work in progress popped up and resolved one of my niggle points.)

Judith read an extract from her third and lately released in paperback, The Silk Factory, to provide an example of how the senses could be used.

We looked at published extracts and how they convey information without it being obvious, even if you don't know what event it may refer to- such as a national/world event.

As the workshop drew to a close Timelines were mentioned,  and between us we compiled a long list of research resources. There were a few I will be looking into, especially Academia.edu.

With time running out there was a Q&A to finish.

Everyone seemed to leave inspired to continue writing their historical novels.

Personally, it was enjoyable, I learnt more, but it also reassured me that I'm doing the right things for the historical side of my romances.

Have you been to any workshops this year?







image courtesy of noppasinw & www.freedigitalphotos.net

The Rewrite Resumes...

Finally I can return to the second draft rewrite.

I'm grateful to Patsy Collins for guest posting last week while I was very busy with essential work for the writers club...

Anyway, to draft 2. I know it's advised that you read the whole manuscript through and make notes, but I'm not doing that for this draft.

I've got numerous minor and major changes to do, and the overview of the story in my head. And if I'm not sure of something I do have my chapter outlines with any changes that were made marked in.

The second half of the story was clearer, mainly because I had discovered more about my characters, their motivations, their reasoning, and the emotions and reactions that were lacking in some of the earlier chapters.

So the aim for draft 2 is: to take one chapter at a time, read it, make notes. Where I know a scene is missing I'll write it in, and deal with the points made in the notes.

The next drafts...

Spread throughout are various comments in brackets-research x. They're minor things and I've already found the information I need on most of them.

Once I've reached the end of draft 2, there will be a short break and then the complete read through and more note-making.

How I approach draft 3 is for deciding when I get to it.


I know what works for me to produce a 1st draft. Now I need to discover how draft 2 works...









image courtesy of Stuart Miles & www.freedigitalphotos.net

Patsy Collins Returns- E-books to Print Part 2

Welcome back to part 2 of e-book to print for the self-publisher. Today it's the useful 'how to' post.

(I'm taking notes for the future.)

Over to you again, Patsy.

Thanks for having me back again Carol, despite the cheeky way I mentioned my new short story collection, Through The Garden Gate and how the kindle version is currently on sale for 99p! (Gosh, but I'm subtle!)

It's also available as a paperback version, which is available now for £6.60

How I did it.

There are a variety of companies which allow you to self publish your own books. I use Createspace, which is a print on demand (POD) service. It's part of Amazon, which means the distribution is taken care of. There's nothing to pay in advance as they take their money from the sale price. If you don't sell any, you don't pay a penny.

Available now...

The work involved.

Createspace provide useful articles on every step of the process. For example, here's one on formatting. I suggest having a quick read of those first. There's also a forum where you can ask questions if you get stuck.

Everything you need to do the formatting is available in most of the software packages you're likely to have used to write the book. Word, OpenOffice and NeoOffice will all do the job.

1. You'll probably want to add page numbers and might want to include your name and the title in page headers. It looks best to start each chapter on a new page. Use section breaks for that.

2. You should select 'mirroring' for the page set up, so there's a slightly wider margin for the inside edge of each page than the outside one. Pages should also be sized appropriately for the book size.

3. If it's a short story collection or non fiction work, you'll want to include the page numbers in the table of contents, or index, if you're using one.

4. It's a good idea to use an ISBN. Createspace will provide this for free if you select that option and you may wish to add this to the front matter of your book - that's the bit where you put copyright notices, disclaimers and that kind of thing. Just copy and paste.

5. Once you're happy with the document, save it as a pdf. You're now ready to upload it. Select the 'guided' option and you'll be guided through each stage.

6. Once uploaded, you can view a digital proof online. Look through this carefully and if there's anything you're not happy with, adjust the document and upload the new version. Repeat until it's perfect.

7. It's a good idea to look at a physical proof too. You can order it at this stage.

This is one place I don't follow the Createspace guidelines as their proof is expensive and it'll take a long time to come through. Instead, I publish the book, buy one copy and immediately un-publish again. 

8. If you already have a kindle cover image this will need some tweaking. The resolution needs to be higher and you'll have to allow for 'bleed' - that's the bit which will probably be trimmed off when the physical cover is formed. The precise requirements are clearly given when you get to that stage.

9. Selecting categories, sales channels, adding the blurb and pricing are all explained and almost identical to doing this for an ebook. Again you'll be guided through. 

Top Tip

Allow plenty of time for formatting and uploading your book. It's better to do it a step at a time over several days than try to do it all in one mad rush. There's also a wait of several hours, or sometimes days, from when you click the confirm button to it appearing for sale.

Go on then – What are you waiting for?