It's All In the Mind...

Well my characters and plots are in my mind. In fact there will always be one or two of them wanting attention to reveal a snippet of vital information, or a sentence of dialogue that tells me something important- but they are usually the characters who are in a different story to the one I'm currently writing!

(Jago, from my Dorset novel, popped in this morning and mentioned something that told me a little more about how his sister's death effected him, in a similar way to his step-brother- my hero, Marcus.)

Since I've started my minimum words a week target I've noticed a change in my mind-set with how I approach my writing.

Previously I tried to do longer writing sessions with the plan that I would do more of a chapter. But in fact it was the reverse, I actually got less done...

Now that I'm not worrying about it, I'm actually writing more. While I'm completing scenes in the current chapter, it's actually giving me time to think about the next bit for when I start writing again.

I looked at my chapter outlines the other day (written earlier last year) and realised that the scene I'm currently working on hadn't been mentioned in the outline.

It came about because I realised that I needed to bring Hugh and Sarah back into contact, after a short chapter apart, and there was an opportunity to do so just by developing the end of the planned scene.

As I see it, this is just my writing style developing a little further.

Twelve years ago, I would have said I didn't like planning. I needed a start and end point, then a few points I knew I needed along the way, so I'd make it up as I went along.

But now I couldn't work that way...

I know my story and my characters, and as before I have certain points that I need to include- but these are more detailed than previously; but now I see the elements that can be expanded upon to reinforce my plot, or my characters' development- a skill I didn't have before.

Also, I see where I need to concentrate on areas in Chapter 2 and 3 when I get to the revision process.

Basically I'm no longer looking at the story as a scary 50,000+ words that I need to get written, just the next 500 words of the scene, or linking scene- small bits at a time...

Now my mind says it can be done. I just have to do it.


This week's total: 1,007 words.

Progress and Viewpoint...

Just a quick post today.

The minimum wordage target seems to be working for me; Tuesday I added 518 words to the first draft of Chapter 4 and sorted out my propriety issue, which I discussed in an earlier post.

I prefer to write my longer length stories in third person viewpoint. Usually the story is being told from both my hero and heroine's perspective- the she/he; but there are chapters where it will start with one and then at an appropriate point resume with the other after a break.

For me, which method I use in the chapter is about the situation my character/s are in, or if it's interaction between my hero and heroine, what is happening between them, or their thoughts and reactions to that moment- an ideal time for internal conflicts to emerge.

Occasionally I do slot in a scene from a key secondary character's viewpoint, but only when there's no other way to get an important element or information over to the reader.

But I do make it clear that the viewpoint has changed within a scene/chapter by using line breaks.

I was reading an e-book preview of an historical romance a few days ago, by an author that I hadn't read before. It was fine and then suddenly the viewpoint switched in the next paragraph from hero to heroine and I was immediately pulled out of the story.

The head-hop may have been missed in the editing process, or perhaps it was just an issue with the formatting of the e-book and there should have been a break to show the change of viewpoint within the scene. It may even have been intended to be written that way...

Some writers have successfully incorporated head-hopping (as the scene progresses without a break) in their books- I've read a few Mills and Boons where this has been done without jarring; but it isn't something I like to see, or read.

Perhaps some readers wouldn't notice or be bothered by it, but sudden viewpoint switches do seem to jump out at writers...

Well I better get on, I have a few more words to add to my weekly total...