My Short Story has Left Home...

It's been quite a few years since I last submitted a short story to a woman's magazine, so I have to admit to a few last minute jitters before I put the envelope in the post box...

I mentioned a few posts back that the story (I've been working on) was originally created in 2007 and had had quite a few revisions since then.

By last week I was finally happy and left it for a final reading this week, and to check for anything I'd missed.

Plus an objective writer/reader read through it to give me an honest opinion; they highlighted a bit of a dialogue/description issue for a minor character that needed looking at, but otherwise enjoyed it and didn't see any spelling or grammar errors.

I even gave it to one of my sons this morning to ask him what he thought- I don't usually ask family members to read my work- but he's the really creative one on my sons, so wouldn't need explanations of why I'd done such and such in the text. He said it was okay- which is as good a response as it will get...

I had the stamps and envelopes but I wasn't too sure of the final weight, as I didn't want it underpaid I went to the nearest post office and checked- 90g, so it was 10g within the large letter weight and I could use the stamps I'd bought before the late April price rise.
It was only 2,000 words, but a story with 3,000 words could probably be in the next price band.

So it's now on its way to Woman's Weekly.

I know it will now be a long wait, but my previous attempts have all been rejected by three months, even when the quoted time was four months.

I really feel confident about this story, so if it gets rejected, I think it won't be because it's a bad story, or lousy grammar and spelling. And if it is a no, it will then be winging its way to Alfie Dog Ltd, the short story download site, for their consideration.

I'm determined it will find a home.

Now I can get back to my longer projects...

Kate Walker Workshop...

My post is a little late because I've been at the Kate Walker workshop on Writing Romantic Fiction at Nottingham Writers' Club today.

Thanks to everyone who took part, especially those who travelled a long distance to attend, and of course the brilliant, Kate Walker.

I'm not telling you what I said that caused everyone to laugh or smile- I only realised what I'd said after the words had left my mouth- and it wasn't what I'd meant, but that's romance writers for you, quick witted... :-D

I can assure you it was not just a roomful of women either, we also had four men there to learn about, or improve, their romance writing skills.

We started with a few facts about getting romance published in today's markets- the words, marketing is 'cut-throat' was mentioned. And just as with genre fiction generally, the 'who can market you' is important- after all there's no point in producing a book for publication if you can't sell it.

Writing a romance  requires characters, conflict, emotion and the HEA (happy ever after). And we looked at each element in more detail.

I'd never thought about the readers expectations, but thinking about it, it makes sense. A romance wouldn't be satisfying if the two main protagonists could solve their problems easily and without any suffering.

There was even a writing exercise, and we were soon being very creative- the only sound was pens on paper and pages turning.

So here are a few of the snippets I learnt today:

Setting is not just the background, but it can also be the stage that your character has reached in their life.

'Feisty' is a current buzz word...

PTQ- Page Turning Quality. 60% dialogue and 40% narrative.

"Emotions don't have a logical basis, so can't be reasoned away."

If there's a secret involved, write it from the point of view (POV) of the one who doesn't know it, as that makes the most of the emotional impact...

BM and GM- Black Moment and Grey Moment- those points in a novel when things are looking bad, and possibly unrepairable. (I'd not heard these terms before.)

There's a lot more but you'll have to go on one of Kate's workshops to find out more...

And yes, sex did get mentioned briefly- we didn't have enough time to go into detail :-), but the scene must 'work' for you-have a purpose, as sexual intimacy can change everything (between the characters, their circumstances etc). We should also consider the emotional vulnerability of our characters at these times.

I certainly learnt a lot to add to the mass of writing information I've already absorbed.

Many of us bought books and Kate signed them for us. I got her '12 Point Guide to Writing Romance', now on it's Third Edition.

But I must also thank Mills and Boon for providing a freebie book for everyone attending the workshop- Kate signed those too.

And finally...

There's a new term that I must share with you- you've heard of the slush pile (the hard copy type) well there's even a digital pile- manuscripts loaded onto an e-reader for an editor to read- it's 'slush Kindle'...