The Workshop Exercises - Success...

For many years I've been a member of the Talkback forum over on the writers-online website, and the monthly one word writing challenge is not only fun, but also good for honing structure and effective word choice. You only have 200 words for the story.

It was while I was putting together my previous blog post, about the workshop, that I realised that the senses scene would work well for the April challenge, as the word was jeopardy. 

My new character, Elizabeth, was most certainly in jeopardy. So I rewrote the piece, paying particular attention to her surroundings and added another 100 words to finally come in at 198.

It was posted with a day to spare before the month end. But the wait for the competition to close, and the prose judge's decision and comments were worth it.

Here's what the April judge said- I know they won't mind me sharing their comments on my entry:

The Darkness Beckons
A great build-up of atmosphere and tension in this story. I was imagining a Dickens era setting, but I think it works equally as well in a modern day setting. I am curious to know why Elizabeth could no longer rely on “the niceties of society”, what had brought her to the warehouse, what choices she had previously been denied…. I think you should write on!

What awaits at the
other end?

And even better, I was co-runner up 'for the great sense of atmosphere'. 

(Imagine grimy windows, neglect, abandonment, vermin and a very dark corridor.)

Needless to say, Elizabeth has gone into the development corner of my brain, marked up as #6. She may move up the order, but it really does depend on how long the story will be; it could be short, or longer, which is partly why I'm not revealing that scene... 

At the moment she seems content to have made her presence known and isn't going to pester- unlike a few of my waiting characters. It will be serious when she gets a file box for her story.

Meanwhile I'm getting the hang of the second draft process with Hugh and Sarah's story, so it's all positive at the moment.

image courtesy of Tuomas Lehitinen & www.freedigitalphotos.net

Workshop- Writing Historical Fiction...

Saturday- St George's Day and Shakespeare's birthday I spent indoors at a workshop- except for a brief foray outside for food and to admire St. George, and his two fellow knights on horseback outside the Council House, as I passed by.

Author Judith Allnatt was running a writing historical fiction workshop, held in the events room at the Nottingham branch of Waterstones. The events room actually has a name- the Alan Sillitoe Room.

(It's on the top floor and is large enough for a book launch/ talk if you ever have need of one.)

There was also a good supply of tea and coffee to keep us alert...

I must admit that I always find workshops a little scary, as well as worthwhile.

Ready to workshop...

Scary because I worry I'll freeze when it comes to writing exercises, but thankfully I didn't have too much problem. And there were times when a few of us attending found a particular item problematic, but that was okay.

The warm-up bit was fun as we were able to choose from a selection of postcards of shoes (from assorted time periods) and used that as a starting point for creating a character. It was ideal for me as so often visuals connect with the room of waiting characters in my sub-conscious. The pair of shoes I chose were from 1912.

There was one exercise I will definitely use again. My new character, how do they sleep, what is around them in their bedroom or room they sleep in? My character didn't have a first name at this point, but I was soon realising her circumstances were dire.

When you think about it, the place where you sleep is very telling, as are the objects around you, their neatness or an incongruous item or two.

I'd never thought about it that way before, but I will now.

By the time we reached the senses, I knew my character's name, and a better idea of the time setting- late Victorian rather than early 20th century.

(This was when a missing scene from my work in progress popped up and resolved one of my niggle points.)

Judith read an extract from her third and lately released in paperback, The Silk Factory, to provide an example of how the senses could be used.

We looked at published extracts and how they convey information without it being obvious, even if you don't know what event it may refer to- such as a national/world event.

As the workshop drew to a close Timelines were mentioned,  and between us we compiled a long list of research resources. There were a few I will be looking into, especially Academia.edu.

With time running out there was a Q&A to finish.

Everyone seemed to leave inspired to continue writing their historical novels.

Personally, it was enjoyable, I learnt more, but it also reassured me that I'm doing the right things for the historical side of my romances.

Have you been to any workshops this year?







image courtesy of noppasinw & www.freedigitalphotos.net