Last year I decided to make an effort to broaden my range of reading and try books by authors whom friends had said they'd enjoyed.
I start by reading one of the most recent books. If I can't finish the book then it's a bad sign, I won't be reading any more of their books...
One of the books I bought for reading over the Christmas holidays on my e-reader was the 'Twelve Days of Christmas' by Trisha Ashley. And I really enjoyed the tale of a twice bereaved house-sitter who didn't celebrate Christmas, but ended up doing just that and with a happy ending...
Actually I didn't get round to reading it until a couple of weeks ago, as once I'm in historical romance writing mode I will only read contemporary. And likewise if I'm trying to write a modern story, I'll happily immerse myself in an historical.
So my latest purchase is Trisha Ashley's, 'Chocolate Wishes'. I'm looking forward to finding out about Chloe and her former love, Raffy, an ex-rock star who is now a vicar...
But I was surprised to see some strange symbols on the back cover- the paperback is an HarperCollins Avon imprint.
I'd never seen these Content Guide symbols before, so I was intrigued to look closer and see what they meant.
Now 'Chocolate Wishes' has four symbols: linked hands which indicates Friendship; a statuette- think Oscar and you've got a good idea- which means Drama; a heart within a heart which obviously represents Love and a box with a tissue poking out to indicate Tear-jerker.
(It doesn't feature in this book, but the symbol for Sex is what looks like lace-edged knickers... :-))
Unlike age rating on Children's books that some publishers started to use a few years ago, I'm inclined to think this type of Content Guide is quite a good idea.
I know cover design and the blurb will often indicate what sort of book it is, but it can sometimes be a bit difficult to tell when the latest trend in cover design changes to something completely different and slightly...obscure.
I know that many readers of historical romances prefer novels without sex scenes, so I think content symbols would be very useful in this situation.
Have you read any books that use similar content symbols, and what do you think about their use?
Thursday, 2 February 2012
Monday, 30 January 2012
Sleeping On It...
The last few days I've been trying to resolve a couple of issues.
I've been pondering how I can resolve the start of my Dorset novel without losing the elements I have that work and are needed- immediate setting and character elements. But those I don't want to lose, if I can absolutely avoid it, for getting that opening impact...
The deadline for the Good Housekeeping Novel Competition is the end of March, so I must get on with the changes I know I need, but as often happens another piece of writing is getting in the way...
So as I've settled down to sleep the last three or four nights I've told my mind to concentrate on the first chapter problemand forget anything else- repeating it two or three times as I relax.
And yes, my sub-conscious has sorted it out. I now know where I'm going...
Then strangely enough this afternoon as I sat looking at my computer screen just wondering if I could work out why I couldn't find the final 70 words for solving Jason's problem (this was the other piece of writing that I was supposed to forget).
It suddenly struck me that it was because Jason was in the wrong place. Yes the cabin had a bed in it, but there was no room for anyone to hide. But, if it was just a bedroom then I could add a dressing room and the problem could be resolved within my word limit.
Now you've probably guessed, that as I solved that issue and completed the 'story' in the 200 words allowed, I realised it's actually another 'inspiration scene' that will have to go into my story ideas folder for future development...
Just proves what happens when you sleep on it...
I've been pondering how I can resolve the start of my Dorset novel without losing the elements I have that work and are needed- immediate setting and character elements. But those I don't want to lose, if I can absolutely avoid it, for getting that opening impact...
The deadline for the Good Housekeeping Novel Competition is the end of March, so I must get on with the changes I know I need, but as often happens another piece of writing is getting in the way...
So as I've settled down to sleep the last three or four nights I've told my mind to concentrate on the first chapter problem
And yes, my sub-conscious has sorted it out. I now know where I'm going...
Then strangely enough this afternoon as I sat looking at my computer screen just wondering if I could work out why I couldn't find the final 70 words for solving Jason's problem (this was the other piece of writing that I was supposed to forget).
It suddenly struck me that it was because Jason was in the wrong place. Yes the cabin had a bed in it, but there was no room for anyone to hide. But, if it was just a bedroom then I could add a dressing room and the problem could be resolved within my word limit.
Now you've probably guessed, that as I solved that issue and completed the 'story' in the 200 words allowed, I realised it's actually another 'inspiration scene' that will have to go into my story ideas folder for future development...
Just proves what happens when you sleep on it...
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