I do know some writers who would deny themselves that description, but the majority of my writing acquaintances accept it.
Friday evenings I browse the online newspapers for book related items that might interest friends and provoke discussions. That was how I came across this article 'Am I a writer' in the Guardian books section by Rick Gekoski- who has had a number of non-fiction books published, and is also a book dealer.
His daughter, a forensic psychologist with numerous articles to her name ( and also a published author) said to him she was not a writer. " "It's just a job of work," she said. "There's no art in it, no imagination or creativity, and no fuss. Writers always make a fuss.""
Now perhaps that is the scientist speaking, but is 'art' the difference between factual writing and fiction?
Do writers make a fuss? Though we don't have any explanation of what type of fuss she means, so perhaps we can ignore that statement...
I suspect it is really about how we define ourselves and the terms 'writer', 'author' and 'novelist'.
This is my personal view of those terms, so they won't necessarily reflect another person's opinion, or the dictionary definitions.
I am a writer because I write (with an aim to be published). Perhaps that moment when we say we are a writer-when someone asks what we do- is when we embrace the description and accept the mantle of writer as part of our identity.
When it comes to the difference between an author and a novelist, is it only me who feels that an author is anyone who has published a book, while the novelist is a term more applicable to writers of 'literary' fiction?
I'm interested in finding out how you view both yourself and the terms mentioned, so please share your views.
Saturday, 15 October 2011
Wednesday, 12 October 2011
E-Book Romance Sales Rise...
Digital sales of romance books are rising and publishers are realising that romance pays.
Mills and Boon adopted digital early in 2008 and now their paperbacks are also sold as e-books at the same time. Previously when a book was published it was only available in print form for a limited time. If you missed a book by a favourite author then you'd probably have to find it second-hand, or hope it was in a clearance deal sometime in the future.
Now they're available with a few clicks of your mouse and credit card details.
E-books are especially useful if you're researching a particular publisher for future submission; you can read their current publications without creating a pile of books on your table.
Random House's Ebury imprint have recently launched their Rouge Romance list, so when mainstream publishers start embracing e-book romance then it tells you it's a growth market.
One of the reasons given for more romances sold in e-book form is anonymity. You get your e-reader out on the bus or train and no one around you knows what you are reading, it could be Erotica or Dan Brown and there's no tell-tale cover to be seen by the person opposite you.
Now I have to say when I've seen someone on the bus reading a book I do look to see what they're reading, but usually it's not the cover I look at, but the top of the page for a book title...Sadly living on a bus route that passes a university most of the books I see aren't that exciting...
More e-readers are being produced, especially in the US where e-books began selling a few years before the UK, and there are a number of publishers enjoying the boom in e-book sales.
For a writer digital has provided more market opportunities, and not just with their own Kindle books.
Read some figures here.
So, do you think e-reader anonymity helps?
Mills and Boon adopted digital early in 2008 and now their paperbacks are also sold as e-books at the same time. Previously when a book was published it was only available in print form for a limited time. If you missed a book by a favourite author then you'd probably have to find it second-hand, or hope it was in a clearance deal sometime in the future.
Now they're available with a few clicks of your mouse and credit card details.
E-books are especially useful if you're researching a particular publisher for future submission; you can read their current publications without creating a pile of books on your table.
Random House's Ebury imprint have recently launched their Rouge Romance list, so when mainstream publishers start embracing e-book romance then it tells you it's a growth market.
One of the reasons given for more romances sold in e-book form is anonymity. You get your e-reader out on the bus or train and no one around you knows what you are reading, it could be Erotica or Dan Brown and there's no tell-tale cover to be seen by the person opposite you.
Now I have to say when I've seen someone on the bus reading a book I do look to see what they're reading, but usually it's not the cover I look at, but the top of the page for a book title...Sadly living on a bus route that passes a university most of the books I see aren't that exciting...
More e-readers are being produced, especially in the US where e-books began selling a few years before the UK, and there are a number of publishers enjoying the boom in e-book sales.
For a writer digital has provided more market opportunities, and not just with their own Kindle books.
Read some figures here.
So, do you think e-reader anonymity helps?
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