Have you ever bought an old book and found something interesting inside it between the pages?
I ask because the Chairman at our writers' club read out some pages of writing that she found in an old book that she recently bought. The woman being written about was clearly the female equivalent of Michael Crawford's character Frank in 'Some Mothers Do 'Ave 'Em'.
We weren't sure if this woman existed (it covered a couple of months in 1963) or if it was a would-be writer's notes; perhaps it was just delusional ramblings, but there were numerous story ideas that could have been inspired from this hapless woman's disasters...
In the early 20thC it seemed to be more usual to find written inscriptions inside books, dated and signed. Not necessarily from the author of the book, but from the book buyer to a friend or relative.
The ones I've come across always seem to have been written in fountain pen blue ink with that beautiful elegant writing that was taught a hundred years ago.
Perhaps those people felt that book was special, it meant something to them and to the person they gave it to.
It can also be very sad too. I once found an old book- in a charity shop- with an inscription from a parent to a child, then I looked at the date the book was published and the date of the inscription and I realised it was given new. Did that child keep that book all their life and only after their death did it get boxed up and sent elsewhere, old and irrelevant in today's world?
So I think in future when I give a book as a special gift I'm going to start putting an inscription inside so the reason why I've given it to that person (and when) isn't forgotten...
Saturday, 24 September 2011
Thursday, 22 September 2011
Writers and Publishers...
Last night (Wednesday) I was at a manuscript meeting at the writers' club I attend. I took the first chapter of my novella along, but we didn't have enough time for everyone who wanted to read a piece of their work and get constructive feedback, so next month we get to go first.
But what has inspired today's post was something mentioned by one of the club's published writers- social networking and how essential it is for writers who want to get books published.
Some of the audience were dismayed, they felt that if a story was good enough to be published then why should they have to do Facebook, Twitter, forums and blogs?
So a few of us explained how vital it is for making yourself and your work sellable to publishers. Your book may be great but if the accountants don't think they can make money, that book won't go any further. Promotion is essential whether you are with a big publisher, a small press or self publishing.
I understood early on in my writing that you need to understand how publishing works. If you don't have any idea then find out, it makes your writing life a little less frustrating and easier to keep up with the rapid changes publishing is currently going through.
A hundred years ago, well before the digital age, writers didn't have the same demands placed on them as now. The writer sent the book to their chosen publisher, if it was accepted it went through the system and appeared in the bookshop.
But there were writers even in the 19th century who understood the value of getting out to their readers- Charles Dickens is a perfect example. He went around the country giving readings of his stories very successfully; he attended dinners- early after dinner speaking...
Perhaps some of that explains why his name is still known when many of his contemporaries have been forgotten.
(The original building of the Nottingham Mechanics hosted one of Dickens' events- our writers' club meets in the third generation building.)
I reckon Dickens would have embraced Facebook and Twitter with enthusiasm if they'd been available to him...
So please share with us your opinions on promotion.
But what has inspired today's post was something mentioned by one of the club's published writers- social networking and how essential it is for writers who want to get books published.
Some of the audience were dismayed, they felt that if a story was good enough to be published then why should they have to do Facebook, Twitter, forums and blogs?
So a few of us explained how vital it is for making yourself and your work sellable to publishers. Your book may be great but if the accountants don't think they can make money, that book won't go any further. Promotion is essential whether you are with a big publisher, a small press or self publishing.
I understood early on in my writing that you need to understand how publishing works. If you don't have any idea then find out, it makes your writing life a little less frustrating and easier to keep up with the rapid changes publishing is currently going through.
A hundred years ago, well before the digital age, writers didn't have the same demands placed on them as now. The writer sent the book to their chosen publisher, if it was accepted it went through the system and appeared in the bookshop.
But there were writers even in the 19th century who understood the value of getting out to their readers- Charles Dickens is a perfect example. He went around the country giving readings of his stories very successfully; he attended dinners- early after dinner speaking...
Perhaps some of that explains why his name is still known when many of his contemporaries have been forgotten.
(The original building of the Nottingham Mechanics hosted one of Dickens' events- our writers' club meets in the third generation building.)
I reckon Dickens would have embraced Facebook and Twitter with enthusiasm if they'd been available to him...
So please share with us your opinions on promotion.
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