Novella or Novel- What's the Length?

I doubt there can ever be a truly definitive answer to what it the actual length of a novella or a novel because there are so many variables: market, genre and publisher's requirements (such as Mills and Boon who have set lengths for certain categories).

So I was interested to read an article in this weekend's Arts/Books section of the Independent online, about The Novella Award. Their shortlist was announced on the 17th July, and the entries to this year's competition had to be between 20,000 and 40,000 words.

Perhaps the question is when does a novella become a novel?

The My Weekly Pocket Novels are now 50,000 words, though the version from The People's Friend is only 42,000 words. So both these are higher than the 40,000 mentioned above. But neither would be considered novel length by a mainstream publisher.

Perhaps we need to start using 'mini novel' for those word counts that fit between 40-80,000 words.

The writers of the past didn't have these issues; they went to both extremes.

'Animal Farm' by George Orwell has 29,966 words, so although it is actually novella length everyone thinks of it as a novel- probably because at the time it was written it was a novel!

While Margaret Mitchell's 'Gone With The Wind' was a large novel of 418,053 that could rival some of the Game of Thrones novels now available.

You can find some interesting facts on the wide range of word lengths on the Electric Lit website, in the post titled Infographic: Word Counts of Famous Books. (The figures from the above titles came from here.)

No doubt in a few years these figures will change and we'll still be uncertain about what length is a novella, and the minimum for a novel.

What are your thoughts on the subject?

Which is a novel and which a novella?

All Went Well With the Names Session...

Pleased to say that the session I organised for yesterday's writers' club meeting went well.

Last month one of the writers had mentioned that they had 'holding names' for their main characters, and a couple of others agreed they did this too.

Personally it's not something I've ever done. I need at least a first name that is right for the man or woman of my imagination before I start writing.

But we all work in different ways, so if a holding name works for you then go with it. Sometimes it will be the right name. The important thing is that the character in the next story doesn't have the same name too...

I'd cut people images from old magazines, flyers and brochures (before they went in the recycling bin) so there was a mixture of ages, even action shots- a runner, and a climber.

I made two tables each for male and female names -  a mixture of traditional, modern, or shortened names. Plus I had two name books, an old one from 1991, and another from 2011 - classic and modern- it also included names from other nationalities. So if anyone wanted to browse for a different name choice they could.

Finally for anyone who wasn't sure of what a character bio was and what sort of things would be included I created a short explanation and half a dozen basic questions (with an example) to get started.

As I've found when doing the bios for my characters, there will often be a statement or remark that leads me to ask, why? It can get an interesting response, or even another direction for the character to go...

It was satisfying to see a room full of writers (of all levels) creating bios and sharing their experiences and views on naming characters with one another. And then hearing the results that the images had inspired was very interesting- a few had the potential to build a story around their new character because they had answers to why their character looked/acted the way they did.

I'll be back to the latest work in progress next week when my OH goes back to work- he's been busy in the garden tidying up, now the nesting birds have gone.

So I took a couple of fruit pictures, and below it's the Gooseberries. Even fruit bushes have names, and this one is 'Careless'.

A Gooseberry bush...