Dialogue & Dialects...

Last week at Nottingham Writers' Club we had a mini-workshop on dialogue.

Now dialogue has never given me issues, description yes, but not dialogue. But we all have areas of difficulty in our writing, and it doesn't mean we won't improve if we work at it.

For those who may not know, dialogue can be used to display character, provide information, but it must help move the story along...

When I was a teenager and started writing, my stories were dialogue heavy- emphasis on heavy. :D

I was fortunate to be exposed to different accents as a child; visits to my Somerset or London relatives, and regular trips to Lewisham market with different cultures emerging (in the 1960's).

Television and Radio no longer restricts what we hear to 'received pronunciation' (old style BBC English), and with regional BBC programmes you'll hear a wider range of accents. Actors no longer have to lose their natural accents to guarantee employment either.

Consider how many programmes have used regional accents/dialects and been successful: 'When the Boat Comes In', 'Auf Wiedersehen, Pet', and 'Rebus' among them.

But what about dialect in books?

There was a recent article in The Guardian online, 'A Difficulty with Dialect' by author Debbie Taylor. She wrote a book called 'Herring Girl' and was advised to get rid of the dialect before submitting- she said she went for the "dialect lite"option. She regretted how much she'd taken out when she read it out to an audience at a launch party.

At our workshop some of the attendees didn't favour limiting dialect. As an experiment one member spoke in his natural dialect, and while some understood, or were able to make a reasonable guess at what he said, others couldn't. But we all agreed that it was easier to listen to, but probably wouldn't have been if we'd been reading it.

Personally, I prefer the occasional word or phrase that the reader might associate with a particular accent, and paying attention to whether a slightly different sentence construction is characteristic of the natural speech.

There are resources available if you want to hear how people from different parts of the country sound. Here's a few:

British Library- Sounds Familiar?

The International Dialects of English Archive.

The BBC-Voices.

(These will also help with social history too.)

Even though I've lived in the East Midlands for nearly thirty years I still have my southern twang- long sounding a's in words such as glass and bath being the most noticeable. :-)

So what are your thoughts on dialogue, accents and dialect?














.

A Couple of Competitions for You...

In the last few days I've received notification of a couple of competitions: the Words with Jam 'Bigger Short Story Competition', and another running with Shortlist.com that has a great prize for the winner- 12 months coaching with Chris Wellbelove of Greene & Heaton literary agency.

Shortlist.com Fiction Competition

The winner will receive 12 months coaching, which includes four face to face meetings, and interim reports by email. If the winner doesn't live in London, it can be done by Skype.

There will be ten shortlisted entries which will be assessed by an expert panel of judges (from Shortlist, and Greene & Heaton) and published online.

So here's the basic stuff.

You must be U.K resident and over 18.

Send the opening 500-1,000 words of your novel to online@shortlist.com and it must be 'written and formatted on a Word document only'. Entry is online only.

Closing date 5th December 2014.

Do make sure you read the rules completely.

*   *   *

Words with Jam: Bigger Short Story Competition 2014

This has 3 categories.

Short story up to 2500 words on any theme; shorter story up to 1,000 words, and the shortest story category for up to 250 words.

Closing date is the 31st October- the end of this month.

There's cash for 1st-3rd place winners in each category, and 5 runners-up in each category receive £10 and will be published in their anthology- and receive a copy.

The judges for the respective categories are: Emma Darwin, Sam Jordison, and Debbie Young.

Entry fees: First story submitted £6, and £4 per story from then on- whatever the category is. Can be paid by Paypal or cheque.

You must be 16 and over to enter.

Full details can be read here, and ensure you follow the instructions.

No one wants to pay an entry fee and then realise their story won't be considered because they didn't follow the instructions precisely. :(


If you enter any of these competitions, good luck. :-)