Sunday 25 May 2014

Bath: Part 3, Saturday - Royal Crescent and Jane Austen...

If you're finding these posts a bit longer than you like to read, apologies. There is so much that I've not included  in them, and pictures that I haven't used, but I do want any readers who can't get to Bath personally, to be able to glimpse some of the many delights there.

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After I left the Assembly Rooms, it was a brief walk from one side of The Circus to the other and I was at the corner of the Royal Crescent overlooking Victoria Park- full of people enjoying the sunshine and the green space...

No.1 Royal Crescent is in a corner position, so there's some spectacular views from the windows.
(This link contains some interesting information, including about the most recent work to reunite the service wing to the house after many years of separation. It is all owned and managed by the Bath Preservation Trust.)

The Royal Crescent was, and probably still is, a desirable address. No.1's first (known) resident in 1776, was Irish landowner Henry Sandford; and the lengthy restoration has taken it back to its 18th century décor that would have been familiar to Sandford and his guests.

Each room displayed appropriate furnishings and design for the time period, and there was a volunteer guide in each room to explain about it and answer questions. I'm sure horror writers would love the Cabinet of Curiosities, but I found it a bit unsettling...

The stairs were very comfortable to climb, as the depth of the riser was lower than stairs nowadays, and the handrail was a perfect height for me to lightly rest my hand as I sedately ascended to the next floor, so easy to imagine past ladies walking upstairs in their big dresses. :D

It was unfortunate that in the Gentleman's Bedroom, the Dressing Room was not used. Perhaps that will be done in the future...But I loved the wallpaper and carpet with their strong blues, and they wouldn't look out of place today.

I was running out of time so had a quick look at the exhibition gallery that was hosting the 'Portrait of a Lady? Ruin and Reputation in the Georgian Era'. On this link you can see a wall of portraits, they were a mixture of aristocratic and upper class women mixed with high class courtesans and actresses among the prints, with the question, which one is a lady?



Then I was off to my next stop...



Taking the Gravel Walk from the Crescent down toward Gay Street - was a long held wish- ever since it appeared in a scene in my first unfinished novel (due to needing to learn more). It is a lovely walk, away from the noise of the traffic, but there isn't much gravel left! (There is a level tarmac path down the middle.)

 The Jane Austin Centre at No.40 Gay Street is tiny in comparison to the Crescent, and even the hotel I stayed at in Henrietta Street (built in the late 1780's).

The Greeters...
There's a tearoom on the top floor, and the visit starts on the first floor. Each tour is about 20 minutes apart, and I was fortunate to arrive a few minutes before the next one. All the staff are dressed in costume, and the guide doing my tour was 'Georgiana Darcy'.

After an introduction about Jane and her time in Bath with her family, we went back downstairs into the exhibition area (this is where the garden once was, but was extended into during the 20th century).

It was busy on the afternoon I visited, so it was a bit more difficult to go slowly through the first part of the displays, but once you got into the more spacious section there was a lot more- as you'll see from my photos.

The Haberdashers

Taking Tea
You could even try on some costumes and there was a pre-set drawing room scene, and the staff would take your photo with your camera (yes, that woman in blue looking like a dubious chaperone is me)...

Who is that lady?

The final stage is more of a traditional display room, images and memorabilia from films and tv dramatisation of Jane Austin books.

Some visiting children seemed very taken by the writing desk and the ink and quills. So once they finished I sat down and picked up a fresh card from the rack, dipped the big quill in purple ink and began writing- had to do a lot of dipping... It was not easy, and it increased my admiration for Jane Austen- writing her novels by hand...







I popped into the shop and bought a mouse mat; but it's just too much fun to use for that purpose. If you saw the TV version of P&P with Colin Firth, then you'll understand... :D

Mr Darcy mouse mat from the Jane Austin Centre

Then it was off again to meet up with a fellow writer for a chat and dinner.



So many museums, not enough time. But I did get through the three places I wanted to see...


Friday 23 May 2014

Bath: Part 2, Saturday - Going Georgian...

Saturday's 'Georgian' visits are going to be split up into two blog posts, as the Fashion Museum deserves a post by itself; and as No.1 Royal Crescent doesn't allow photography, I don't have any of my own images to show you, just links where you can see more. So No.1 will share a post with the Jane Austen Centre...

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Assembly Rooms with the
Fashion Museum

The Fashion Museum is downstairs in the Bath Assembly Rooms.
It is just around the corner from The Circus, and just beyond that is the Royal Crescent.

As I was at the Pultney Bridge end of the city I had to walk uphill for quite some distance, but at least going back it was all downhill.

2014 is 300 years since the ascension of George 1 to the English throne, there have been a number of exhibitions, and television/radio programmes, taking place about the Georgians. 

Bath has such strong associations with Georgian Society, so where else would you expect to see the wonderful clothes worn between 1714 and 1830...

For anyone unfamiliar with original historic costume, displays such as this have rules. No flash photography- bright light or even natural light (sunshine through the window) would damage and fade the material, so you'll see from my photos that the lighting is low. Likewise the environment around the clothes is strictly controlled. At the end of the year, the clothes on display will go back into storage to rest... 

Woman's Closed Robe 1730's and Man's Light Pink
 and Green Woven Silk Coat 1750's
I'm only going to pick out a few of the images I took. But it will give you an idea of the range displayed. If you can get to the exhibition you won't be disappointed.

The Georgians were not scared of colour, and even the men wore pink- sort of!

I'd seen one of the Mantua Court Dresses before- many years ago- but there were three on display, and my photo does not do them justice- they are wide!


My favourite has to be the Red Woven Silk Damask dress from about 1750, I could see my Dorset novel heroine wearing this...
The Red Dress


You have an audio guide that you take with you, and whenever you see the guide symbol with a number beside it, you press the buttons and press play, to hear details and relevant information.






Now to the gentlemen,  though they featured more noticeably in the storage area of the exhibition that goes from 1800 to the early 20th century.

Here are two men's coats from the late 1700's- 1780/90 approx

The image of the men's coats has been digitally lightened so you can see the decoration against the dark fabric, which isn't as clear in the original light level.

(You can see the audio symbol with 77 beside the bases for the men's coats...)

The exhibition moved onto a small display of designer outfits inspired by Georgian fashion- including a Vivien Westwood dress- long, pink and purple with a big bow...

If you think the Georgians used a lot of embroidery then you have seen nothing until you reach the 17th century gloves on display. They are currently on loan to the museum from The Glove Collection Trust, but were items where photography was not allowed at all. Their original owners were definitely peacocks where fashion was concerned...

There was then a section of the modern- an ongoing exhibition- with fashion designer David Sassoon's donated archive of fashion drawings, charting the history of the firm Bellville Sassoon Lorcan Mullany.
This part of the display included three outfits designed for Diana, Princess of Wales, and immediately recognisable- she was a Spencer before marriage, and was related to Georgiana, the Duchess of Devonshire, a well known Georgian.

Moving on it's the Georgians in the 19th century and a peek into a part of the storage area. This was much darker, so again no photos.

Fortunately there was seating available as some of the audio commentary was longer than earlier pieces.

Each display featured a specific time period set among stacks of labelled identical storage boxes. The first featured simple white muslin gowns from 1800, and there was a coat worn by Lord Byron's bride- her going away outfit...

As you moved round the room you could see how fashions changed as you progressed from the Georgian into the Victorian.

Each display highlighted certain aspects of the changing designs; and in one case to one side there were rails of neatly hung but covered waistcoats- I would have liked to have seen all of them...

My tour was over and I climbed the stairs back to the present day. I couldn't leave without popping into the ballroom first, and peeping in to the Octagon, set out with chairs and display equipment for some event.

I wandered into the Tea Room and on into the Card Room that is now set up with a bar and a café.

As I sat there fortifying myself with drinking chocolate and a scone ( plus jam and cream of course) before I made my way to The Royal Crescent, I couldn't help but imagine those men and women who had passed through the rooms in their finery, each with their own dreams and fears...



How to Dance
(lightened)



You can find out more about the Fashion Museum at: www.fashionmuseum.co.uk

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